Paintings; Mixed media; Women; Nudes; Beauty; Aesthetics; Body image; Human body; Body parts
Corps de Dames series, 1950; "Child art, which had been a major source of interest for early twentieth-century modernists such as Joan Miró or Paul Klee, was a source here. This was annexed to an adult desire to recover primordial fantasies...
Paintings; Oil paintings; Mixed media; Allusions; Symbols; Fantasy; Communication; Fear; Disgrace; Anxiety; Distress; Loneliness; Despair; Lust; Sex; Relations between the sexes; Body parts; Human body; Genitals; Hands; Fingers; Beaches
"The painting they refused to show in Barcelona." (Caption); "One of the most sexually provocative of the summer's paintings was Dialogue on the Beach, whose much later title, Unsatisfied Desires, clarifies its theme. The hand on the...
"Dali and Gala had every reason to be grateful to America, which had showered them with dollars. Here, as Columbus, the painter kneels on the shore, holding aloft a silver crucifix. Gala appears once more as Virgin Mary, on the banner."...
"Perhaps Dali's most honest appraisal of his Muse." (Caption); "[Dali] told his family about the portrait of Gala on which he had been working every day for six months. It was painted 'like a Vermeer', and everyone who saw it was...
"The painting belonged to Edward James. Surely one of Dali's finest double images." (Caption); "Dali said that The Great Paranoiac had been conceived after a discussion with Josep María Sert about Arcimboldo, and that the...
"The painting belonged to Edward James. The 'paranoiac-critical town' is composed of elements principally from Cadaqués and Palamós." (Caption); "The reference was to Outskirts of the Paranoiac-Critical Town, one of Dali's finest...
"Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
"Dali prided himself on being the world's greatest ever painter of the female posterior." (Caption); "It was probably early in 1950 that Emmanuel Looten, a little-known Flemish poet, had made Dali the unexpected and 'gelatinous' gift...
"The Child-Woman is Gala, who appears here for the first time in Dali's work." (Caption); "Meanwhile, Dali had painted the first major work in which he alluded directly to the relationship with Gala that was partially to blame for...
"One of Dali's most Freudian paintings. Indeed, the elderly gentleman helping the lady in distress seems to be Freud himself, borrowed from [Max] Ernst's Pietà or Revolution by Night." (Caption); "Illumined Pleasures is one Dali's...
"Johns used letters or numbers as a means of reintroducing the signifiers of a collective sign system into a Modernist 'field' previously answerable to subjective judgments of taste. The textures in his drawings in particular are subtly...
"Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
"Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
Notes from catalog entry, p. 603: GMS 34; Roethel and Benjamin assigned the title Johannisstrasse from a Window of the Griesbräu which specifies the view from Kandinsky's room on an upper floor; "Kandinsky painted the view from the window of...
Detail of a watercolor copy of a wall painting. "More remarkable still is a painting in one of the older rooms at Çatal Höyük that generally has been acclaimed as the world's first landscape (a picture of a natural setting in its own right,...
Architecture; Buildings; Religious facilities; Temples; Theaters; Open-air theaters; Social & civic facilities; Cultural facilities; Treasuries; Monuments; Sculpture; Architectural sculpture; Architectural decorations & ornaments;...
"Reconstruction of the sanctuary of Apollo giving a general picture of the sanctuary buildings and dedications. It is quite faithful from an architectural point of view but contains several imaginary features, particularly with regard to the...
Unfinished. "The picture represents Athena giving Perseus a sword with which to slay Medusa, and a mirror in which he can observe her without danger to himself." (Caption, Delevoy, p.38)
Above: "Reconstruction drawing of the hunting scene in the Tomb of Philip (drawing by G. Miltsakakis)." Below: "The façade of the large unrobbed Macedonian tomb (the Tomb of Philip) offered a simple, yet at the same time distinctive...
