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    • Livia as Ceres [or Fortuna], front view.

    • Livia as Ceres [or Fortuna], front view.

    • Sculpture; Portraits; Women; Empresses; Rulers; People associated with politics & government; Goddesses; People associated with religion; Supernatural beings; Fictitious characters; Myths; Legends; Standing; Clothing & dress; Robes; Veils;...

    • "[…] this statue of Livia, wife of Augustus, underwent not only many modern restorations but also additions such as the arms, the cornucopia, part of the crown of flowers, and large pieces of veil around the neck. Given these circumstances,...
    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
    • Fate of the Beasts.

    • Fate of the Beasts.

    • Paintings; Oil paintings; Abstract works; Abstract paintings; Disasters; Fatalism; Trees; Plants; Animals; Horses; Ponies; Boars; Foxes; Deer

    • "Fate of the Beasts (1913), perhaps also related to the prevailing apprehensions of war, portrays a total, inescapable catastrophe. Hard, arrowlike diagonals intersect to shoot across the canvas. Trees bleed and descend in a cosmic cataclysm....
    • July 1983.

    • July 1983.

    • Paintings; Oil paintings; Abstract paintings; Abstract works

    • "In the mid-1980s Richter produced abstract paintings as well as realist 'photo-paintings'. […] he appeared here to be recapitulating the ideological options underpinning postwar modernism in so far as his own transplantation from Eastern to...
    • Guernica.

    • Guernica.

    • Paintings; Oil paintings; Civil wars; War; Politics & government; Political issues; Dictators; Nazis; Fascism; Civilization; Bombings; Military tactics; War destruction & pillage; Death; Dismemberment; Body parts; Mental states; Despair;...

    • "In this monumental work of 1937, Guernica, Picasso combined Analytic and Synthetic Cubist forms with several traditional motifs, juxtaposing them in a new Surrealist way. The combination serves the political message of the painting - namely,...
    • Red Room (Child), installation.

    • Red Room (Child), installation.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Lanterns; Light fixtures; Lamps; Animals; Heads (Anatomy); Hourglasses; Shelving; Furniture; Pedestals

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Red Room (Child), installation, detail.

    • Red Room (Child), installation, detail.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Pedestals; Details

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • The First Days of Spring.

    • The First Days of Spring.

    • Paintings; Oil paintings; Collages; Fantasy; Symbols; Sex; Lust; Relations between the sexes; Psychotherapy; Psychiatry; Fear; Disgrace; Anxiety; Distress; Solitude; Loneliness; Spring; Men; Women; Children; Girls; Older people; Fathers; Couples;...

    • "The First Days of Spring inaugurated a series of works in which, determined to be more Surrealist than the Surrealists themselves, Dali elaborated a symbolic language for delineating, with microscopic precision, his erotic obsessions. It...
    • More Love Hours Than Can Ever Be Repaid.

    • More Love Hours Than Can Ever Be Repaid.

    • Sculpture; Mixed media; Symbols; Childhood & youth; Social aspects; Social values; Capitalism; Families; Gifts; Stuffed animals (Toys); Toys; Animals; Dolls

    • "The title of this work powerfully conveys the emotional blackmail tied up with certain instances of toy-making or giving. Alongside imagery relating to childhood, Kelley often explores adolescent subcultures, fads, and obsessions. His work...
    • I Love You.

    • I Love You.

    • Paintings; Mixed media; Butterflies; Insects

    • "There was a lyrical quality to Hirst's use of butterflies' lifecycles, both in the 1991 installation In and Out of Love, and the related 1994-5 series of paintings, of which I Love You forms part." (Caption, p.231); "By contrast to...
    • Hand Catching Lead, film still.

    • Hand Catching Lead, film still.

    • Film stills; Motion pictures; Processes & techniques; Time; Falling; Metals; Hands; Fingers; Body parts; Locomotion; Human locomotion

    • "This 3-minute 30-second film, like others produced by Serra in the same year, related to a famous 'verb list' which he compiled in 1967-8. The verb involved in this instance is 'to grasp' but the list also included 'to roll, to crease, to...
    • At Five in the Afternoon.

    • At Five in the Afternoon.

    • Paintings; Casein paintings; Tempera paintings; Abstract paintings; Abstract works; Allusions; Fantasy; Poetry; Liberty; Death; Fascism; Civil wars; War; Bulls; Animals

    • "This painting deliberately combines a host of allusions to Spanish culture such as the stark black/white contrasts of Goya, Velasquez, and Picasso, the Spanish poet Lorca's lament to a dead bullfighter, 'Llanto por Ignacio Jánchez mejías',...
    • Where Do We Come From? What Are We? Where Are We Going?

    • Where Do We Come From? What Are We? Where Are We Going?

    • Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...

    • "Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
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