University of Louisville University Libraries

DIGITAL COLLECTIONS

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  • Description: Representing
(63 results)



Display: 20

    • Lillian Fletcher in tree.

    • Lillian Fletcher in tree.

    • Tableaux; Women; Trees; Daydreaming

    • Lillian Fletcher sits in a large tree gazing up with a somewhat wistful expression on her face. Lillian, a niece of photographer Kate Matthews, is wearing a long pink gown and appears to be representing a character in a novel, poem, or play. Signed...
    • Lillian Fletcher in tree.

    • Lillian Fletcher in tree.

    • Tableaux; Women; Trees; Daydreaming

    • Lillian Fletcher sits in a large tree gazing up with a somewhat wistful expression on her face. Lillian, a niece of photographer Kate Matthews, is wearing a long pink gown and appears to be representing a character in a novel, poem, or play....
    • Antiphonary, France, 15th century, fragment.

    • Antiphonary, France, 15th century, fragment.

    • Antiphonaries--Illustrations; Gregorian chants--Illustrations; Music--Manuscripts--France; Illumination of books and manuscripts, Medieval--France; Manuscripts, Medieval

    • Leaf from a fifteenth century French antiphonary, representing a segment of text related to the Feast of the Crown of Thorns. Also called an antiphonal or antiphoner, an antiphonary collects portions of psalms and hymns sung during liturgies or...
    • Oertel's '92 beer billboard, 1942.

    • Oertel's '92 beer billboard, 1942.

    • Billboards; Beer; Oertel Brewing Company

    • Large billboard in front of a building. Only the top of the roof is visible behind the sign. The billboard reads "Ask for Oertel's'92 Beer in the Victory Quart. Share with a Friend." On the left is a picture of a bottle of Oertel's beer...
    • Emperor with the head of Trajan, front view.

    • Emperor with the head of Trajan, front view.

    • Sculpture; Portraits; Men; Emperors; Rulers; People associated with politics & government; Military officers; Military personnel; People associated with military activities; Gestures; Clothing & dress; Hairstyles; Military uniforms;...

    • "This armored statue was discovered in the ancient city of Gabii. […] The portrait of Trajan, set on a modern neck, did not belong to the statue; it was furnished in 1793 by Vincenzo Pacetti, who produced this reconstituted piece for the...
    • The Sower.

    • The Sower.

    • Paintings; Oil paintings; Croplands; Agriculture; Farming; Landscapes (Representations); Men; Adults; Working class; Laborers; Agricultural laborers; People associated with manual labor; People associated with agriculture; Walking; Gestures;...

    • "Though its exact date is unknown, the nature of the brushwork and general intensity of style suggest late 1888 or early 1889 while van Gogh was still in Arles, the village in Provence [...]. It may even have been executed after van Gogh...
    • The Cruelty of the Father.

    • The Cruelty of the Father.

    • Paintings; Oil paintings; Diptychs; Men; Women; Nudes; Nudism; Posing; Body parts; Feet; Breasts; Backs (Anatomy); Heads (Anatomy); Faces; Swimmers; Headgear; Swimming pools; Outdoor furniture; Furniture

    • Oil and acrylic on canvas. “Salle has cultivated a very urbane way of representing stereotypes, taken from the mass media and the world of art, which has affinities with Jasper Johns’ early classicism, such as the Target with Boxes. Parts of...
    • The Hat Makes the Man.

    • The Hat Makes the Man.

    • Mixed media; Collages; Gouaches; Watercolors; Oil paintings; Paintings; Drawings; Pencil works; Pen works; Ink drawings; Cutouts; Puns (Visual works); Humorous pictures; Symbols; Hats; Artists' signatures; Inscriptions

    • From caption: C'est le chapeau qui fait l'homme / collage; from the MOMA website (http://www.moma.org) (11-2011): The Hat Makes the Man / Max Ernst (French, born Germany. 1891-1976) (1920). Gouache, pencil, oil, and ink on cut-and-pasted printed...
    • The Hat Makes the Man.

    • The Hat Makes the Man.

    • Mixed media; Collages; Gouaches; Watercolors; Oil paintings; Paintings; Drawings; Pencil works; Pen works; Ink drawings; Cutouts; Puns (Visual works); Humorous pictures; Symbols; Hats; Headgear; Artists' signatures; Inscriptions

    • Cut and pasted paper, pencil, ink, and watercolor on paper. “Ernst's appreciation for visual and linguistic puns was likely fostered by Freud’s book Jokes and Their Relation to the Unconscious. Here, Ernst cut, pasted, and stacked photographs...
    • The Old Age of William Tell.

    • The Old Age of William Tell.

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Fear; Anxiety; Lust; Nudes; Men; Women; Couples; Older people; Beards; Breasts; Backs (Anatomy); Animals; Wild cats; Lions; Shadows; Bedsheets

    • "Action behind the sheet, in the presence of the ubiquitous lion. Dali said the painting referred to his and Gala's repudiation by his father. There are allusions to Gala's operation, which Dali feared might be fatal." (Caption);...
    • Big Painting VI.

    • Big Painting VI.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Comic books; Comics

    • "Whilst clearly representing a critique of free expression, Lichtenstein's 'brushstrokes', like most of his other Pop works, had an exact comic-book source. They initially derived from a strip entitled 'The Painting' published in Charlton...
    • Italia d'oro (Golden Italy).

    • Italia d'oro (Golden Italy).

    • Sculpture; Metalwork; Maps; Industrialization; Industry; Economic & social conditions; Social aspects; Industrial arbitration; Social classes; Wealth; Poverty; Economic & industrial aspects

    • "Fabro made his first sculpture in the Italia series in 1968. Dozens of variations followed in subsequent years. Another theme established in 1968 was that of 'Feet'. This involved the artist in producing a series of bizarre sculptural...
    • Untitled.

    • Untitled.

    • Drawings; Ink drawings; Pen works; Abstract drawings; Abstract works

    • Indian ink on paper. June 1960. "Michaux was a poet as well as a visual artist. Works such as this are essentially calligraphic, representing a meeting point of writing and painting. His calligraphy often assumes a hallucinatory character,...
    • Where Do We Come From? What Are We? Where Are We Going?

    • Where Do We Come From? What Are We? Where Are We Going?

    • Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...

    • "Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
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