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  • Description: S
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Display: 20

    • University Park Apartments.

    • University Park Apartments.

    • Buildings; University of Louisville--Buildings; Apartments;

    • The University Park Apartments stand on the site of the former St. Joseph's Infirmary. Location: Off-campus: Eastern Parkway at Preston. Current uses: Apartments for UofL students, faculty and staff. Former names: Brown and Noltemeyer; St. Joseph...
    • Unloading bananas, New Orleans, LA.

    • Unloading bananas, New Orleans, LA.

    • Bananas; Warehouses; Conveying systems; Laborers

    • Men unloading bananas in a warehouse. Men stand by conveyor belts and dollies; bunches of bananas lay on the conveyor belts. There are piles of bananas on the ground and on carts. Text printed on verso reads, "At New Orleans, the world's...
    • Untitled (Cowboy).

    • Untitled (Cowboy).

    • Photographs; Prints; Advertisements; Advertising; Men; Cowboys; Clothing & dress; Cowboy hats; Hats; Headgear; Shirts; Coats; Chaps; Horseback riding; Riding; Sitting; Roping; Ropes; Locomotion; Human locomotion; Animal locomotion; Animals;...

    • "Prince's early 'appropriations' from advertising, of which this is an example, have interesting connections with his later practice. After 1985 Prince started to employ verbal jokes in his works. They were often silkscreened as texts across...
    • Untitled (Medici Princess).

    • Untitled (Medici Princess).

    • Sculpture; Boxes; Mixed media; Allusions; Photographs; Reproductions; Portraits; Girls; Children; Youth; Princesses; Upper class; Nobility; Boys; Posing; Clothing & dress; Children's clothing & dress; Dresses; Necklaces; Jewelry; Pendants...

    • "Cornell's boxes of the 1940s and 1950s consisted of achingly melancholy juxtapositions of incongruously scaled objects implying temporal and spatial poetic leaps. A Victorian child's soap bubble set would be placed against a lunar map or a...
    • Untitled (Ocean with Cross, no. 1).

    • Untitled (Ocean with Cross, no. 1).

    • Drawings; Graphite drawings; Pencil works; Seascape drawings; Seascapes; Seas; Oceans; Water; Bodies of water

    • "Born in Riga in 1938, and transplanted to America in 1949, Celmins has only recently become well known. Her strangely detached, unlocated subjects suggest a radical retreat from the concerns of modern life. Perhaps they relate to her early...
    • Untitled (Shanty).

    • Untitled (Shanty).

    • Sculpture; Architecture; Buildings; Houses; Dwellings; Huts; Shelters; Housing; Architectural elements; Walls; Doors & doorways; Wheels

    • "Alice Aycock […] bases her forms on the logic of the imagination. […] Aycock revels in conjuring the past. The rich associative content of her sculpture is often nurtured by fanciful titles and accompanying texts that refer to history,...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled [Horses].

    • Untitled [Horses].

    • Exhibitions; Art exhibitions; Galleries (Display spaces); Galleries & museums; Exhibition facilities; Exhibition buildings; Interiors; Rooms & spaces; Symbols; Economics; Colors; Power (Social sciences); Horses; Animals

    • "Carried out partly to confront the economic interests on which galleries are based, this installation took place over a three-day period. The artist chose horses of various breeds and colors, associating them symbolically with energy and...
    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Collages; Mixed media; Drawings; Pencil works; Crayon drawings; Abstract drawings; Abstract works; Graffiti; Inscriptions; Numerals; Reproductions; Paintings; Oil paintings; Legends; Storytelling; Campaigns & battles; Battlefields; Fighting;...

    • Collage, pencil and crayon on paper. Included in collage: Jacques-Louis David's "The Sabine Women [The Intervention of the Sabine Women]" (1799). NOTE: See record for "The Sabine Women" for details of the original painting.
    • Untitled.

    • Untitled.

    • Sculpture; Abstract sculpture; Abstract works; Metalwork

    • Galvanized steel and concrete. "Deacon's organically related forms often derive from sources in the Bible, poetry, fairy stories, and figures of speech. In the two versions of the laminated wood sculpture For Those Who Have Ears (1982-3), for...
    • Untitled.

    • Untitled.

    • Paintings; Oil paintings; Abstract works; Abstract paintings

    • "In de Kooning's black canvases the elimination of color was conditioned as much by financial constraints as by the need to simplify pictorial problems in the spirit of Analytic Cubism. The deliberately artless use of shiny enamel housepaints...
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