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Display: 20

    • William Tell.

    • William Tell.

    • Paintings; Oil paintings; Collages; Fantasy; Sex; Genitals; Symbols; Allusions; Disgrace; Men; Musicians; Pianists; Entertainers; People associated with entertainment & sports; Clothing & dress; Underwear; Shirts; Beards; Mustaches;...

    • "One of Dali's more shocking comments on his relationship with his father. The painting belonged to André Breton." (Caption)
    • At the Moulin Rouge.

    • At the Moulin Rouge.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Men; Women; Artists; Painters (Artists); Draftspersons; Critics; Collectors; Art collectors; Authors; Photographers; Dancers; Entertainers; People associated...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • At the Moulin Rouge, detail, central figures.

    • At the Moulin Rouge, detail, central figures.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Details; Men; Women; Artists; Painters (Artists); Draftspersons; Authors; Photographers; Jockeys; Adults; Sitting; Walking; Leisure; Recreation; Eating &...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • Young Gaul, front view.

    • Young Gaul, front view.

    • Sculpture; Portraits; Youth; Young adults; Clothing & dress; Hairstyles; Mustaches

    • Discovered in Reims (France). "This sculpture demonstrates the capacity of Roman artists to synthesize widely divergent influences and draw upon diverse styles. It shows that Roman art was capable of addressing very different concerns while...
    • Medieval cathedral, floorplan.

    • Medieval cathedral, floorplan.

    • Architecture; Buildings; Religious facilities; Cathedrals; Churches; Floor plans; Drawings; Architectural drawings; Architectural elements; Religious architectural elements; Structural elements; Apses; Passageways; Naves; Walls; Vaults...

    • Elements included are: N transept, S transept, apse, north aisle, south aisle, nave, west end, walls, vaults, piers, columns.
    • Car Crash.

    • Car Crash.

    • Performance art; Performances; Performances & portrayals; Accidents; Automobiles; Death; Writing; Artists; Men; Spectators; Audiences; Sitting; Standing; Costumes; Clothing & dress; Suits (Clothing); Neckties; Neckwear; Eyeglasses

    • "In a darkened room, Dine, acting the part of 'car' in a silver-sprayed cap and raincoat, swerved to avoid 'hits' from the raking 'headlights' attached to fellow performers. The lights went on and off amid clatterings and amplified collision...
    • Mercenaries II.

    • Mercenaries II.

    • Paintings; Acrylic paintings; Political issues; Politics & government; Corruption; Men; Mercenaries (Soldiers); Soldiers; Military personnel; People associated with military activities; Military life; Conversation; Smiling; Standing; Clothing...

    • "Set against huge fields of red oxide on mural-sized, unstretched canvases, Golub's figures' frozen poses fleetingly echo those on Greek pottery, but they travesty classical faith in the body." (Caption, p.205); "Another rediscovered...
    • Head of a Man.

    • Head of a Man.

    • Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism

    • "Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
    • Head of a Man, detail.

    • Head of a Man, detail.

    • Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism; Details

    • "Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
    • Columns series, Right Sword, Left Garland.

    • Columns series, Right Sword, Left Garland.

    • Montages; Photographs; Motion study photographs; Patterns (Design elements); Men; Women; Clothing & dress; Heads (Anatomy); Faces; Skulls; Crosses; Flags; Symbols; Power (Social sciences)

    • "Between 1970 and 1987 Zofia Kulik carried out performances in her native Poland with fellow artist Przenyslaw Kwick. Her more recent photographic works contain a 'time-based' aspect in that, rather than constituting montages made up from...
    • Untitled (Cowboy).

    • Untitled (Cowboy).

    • Photographs; Prints; Advertisements; Advertising; Men; Cowboys; Clothing & dress; Cowboy hats; Hats; Headgear; Shirts; Coats; Chaps; Horseback riding; Riding; Sitting; Roping; Ropes; Locomotion; Human locomotion; Animal locomotion; Animals;...

    • "Prince's early 'appropriations' from advertising, of which this is an example, have interesting connections with his later practice. After 1985 Prince started to employ verbal jokes in his works. They were often silkscreened as texts across...
    • Lectern Sentinel.

    • Lectern Sentinel.

    • Sculpture; Metalwork; Abstract sculpture; Abstract works

    • "Smith's series of Sentinel sculptures, which were begun in 1956, were placed in the landscape surrounding his studio at Bolton Landing in upstate New York. Given their clear figurative associations they appeared to 'survey' or 'guard' the...
    • Untitled [Horses].

    • Untitled [Horses].

    • Exhibitions; Art exhibitions; Galleries (Display spaces); Galleries & museums; Exhibition facilities; Exhibition buildings; Interiors; Rooms & spaces; Symbols; Economics; Colors; Power (Social sciences); Horses; Animals

    • "Carried out partly to confront the economic interests on which galleries are based, this installation took place over a three-day period. The artist chose horses of various breeds and colors, associating them symbolically with energy and...
    • Fountain (Urinal).

    • Fountain (Urinal).

    • Sculpture; Plumbing fixtures; Fountains; Men; Bodily functions; Urination

    • "Duchamp's most outrageous Ready-Made was a urinal that he submitted as a sculpture to a New York exhibition mounted by the Society of Independent Artists in 1917. He turned it upside down, signed it 'R. Mutt' and called it a Fountain. The...
    • Untitled (Shanty).

    • Untitled (Shanty).

    • Sculpture; Architecture; Buildings; Houses; Dwellings; Huts; Shelters; Housing; Architectural elements; Walls; Doors & doorways; Wheels

    • "Alice Aycock […] bases her forms on the logic of the imagination. […] Aycock revels in conjuring the past. The rich associative content of her sculpture is often nurtured by fanciful titles and accompanying texts that refer to history,...
    • Ocean: 7 Steps #1, detail.

    • Ocean: 7 Steps #1, detail.

    • Drawings; Graphite drawings; Seascape drawings; Seascapes; Seas; Oceans; Bodies of water; Nature; Details

    • "[…] Vija Celmins uses nature as a starting point. In her re-creations of the heavens and earth, Celmins prods the viewer into an expanded awareness of both her sources and the process of artistic vision. […] In 1968 Celmins's preferred...
    • Diego and I.

    • Diego and I.

    • Women; Men; Spouses; Couples; Heads (Anatomy); Hairstyles; Eyes; Marriage; Relations between the sexes; Crying; Mental states; Pain

    • "An obsessive self-portraitist, Kahlo reveled in her distinctive features - heavy, continuous eyebrows, piercing gaze, shadowy mustache, small but ripe, cherry-red mouth, massive dark hair braided like a halo in the traditional Mexican style....
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