"The painting perhaps suggests that Dali's father, in the guise of William Tell (represented here as a bust), was not indifferent to the charms of Gala." (Caption)
"Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
"The First Days of Spring inaugurated a series of works in which, determined to be more Surrealist than the Surrealists themselves, Dali elaborated a symbolic language for delineating, with microscopic precision, his erotic obsessions. It...
"Dali and Gala had every reason to be grateful to America, which had showered them with dollars. Here, as Columbus, the painter kneels on the shore, holding aloft a silver crucifix. Gala appears once more as Virgin Mary, on the banner."...
