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  • Description: Senior
(36 results)



Display: 20

    • A Portend of the Artist as a Yhung Mandala.

    • A Portend of the Artist as a Yhung Mandala.

    • Illustrations; Periodical illustrations; Drawings; Ink drawings; Collages; Cartoons (Commentary); Editorial cartoons; Political cartoons; Satires (Visual works); Politics & government; Capitalism; Symbols; Myths; Legends; Supernatural beings;...

    • "Ad Reinhardt's satirical cartoons, which contrasted sharply with his practice as a painter, dated back to the 1930s and 1940s. His strong Communist sympathies during that period had informed a series of cartoons for left-wing journals. By the...
    • Horn Players.

    • Horn Players.

    • Paintings; Acrylic paintings; Mixed media; Graffiti; Poetry; Inscriptions; Music; Jazz; Portraits; Group portraits; Men; Musicians; Jazz musicians; Composers; Celebrities; People associated with entertainment & sports; Clothing & dress;...

    • "Although savvy enough to take [Robert] Rauschenberg and [Jasper] Johns as models, as well as to avoid the subways, Basquiat teamed up with a fellow dropout, Al Diaz, and headed for SoHo, where the art world soon knew the pair through their...
    • Red Room (Child), installation.

    • Red Room (Child), installation.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Lanterns; Light fixtures; Lamps; Animals; Heads (Anatomy); Hourglasses; Shelving; Furniture; Pedestals

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Red Room (Child), installation, detail.

    • Red Room (Child), installation, detail.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Pedestals; Details

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Civilisation Atlantique.

    • Civilisation Atlantique.

    • Paintings; Allusions; Anti-Americanism; Politics & government; Political issues; Capitalism; Imperialism; Wealth; Corruption; Poverty; Emigration & immigration; Social classes; Economic & social conditions; Domestic life; Child labor;...

    • "This enormous, collage-like painting is crammed with anti-American allusions. An electric chair sits on the plinth at the top center (the Rosenbergs were electrocuted as Russian spies in 1953). A GI nonchalantly reads a pornographic magazine....
    • Anderson Hall or Domestic Science Building.

    • Anderson Hall or Domestic Science Building.

    • Educational facilities; Boarding Schools; Oneida Baptist Institute; Dormitories

    • Anderson Hall, or the "Yellow House," was a prefabricated building named for its benefactor, Elizabeth Millbank Anderson, wife of noted New York painter Abraham Archibald Anderson. Their daughter taught domestic science at the Oneida...
    • Clara L. Vogt of Louisville, Kentucky.

    • Clara L. Vogt of Louisville, Kentucky.

    • Portraits; Portrait photographs; Women; Clubwomen

    • Clara L. (Mrs. Ernest L.) Vogt of Louisville, Kentucky, wearing a cloche hat and pearl necklace. The background of the photograph has been painted on to crop her image, and it is discolored yellow from age. Handwritten on back of image: Senior...
    • Arts and Sciences senior class, University of Louisville, 1917.

    • Arts and Sciences senior class, University of Louisville, 1917.

    • Students; University of Louisville--Students; University of Louisville--Buildings; University of Louisville--Alumni and alumnae; University of Louisville. College of Arts and Sciences;

    • Nine students from the 1917 senior class of the College of Arts and Sciences pose on the steps of the Silas Miller Mansion, home of the college from 1907-1925. There are six women and three men. In 1925 the university moved to the Belknap Campus;...
    • Class play 1913, Oneida Baptist Institute.

    • Class play 1913, Oneida Baptist Institute.

    • Costumes; Theatrical productions; Oneida Baptist Institute; Students; Boys; Girls

    • Oneida students pose in costumes on stage. Bige Hensley is at left. Virgie Craft, with her hair in pigtails, is in the center next to Charles Woods, who is wearing a white shirt with suspenders. Steve Treadway stands behind Virgie. Dan Hacker holds...
    • Oral history interview with Steward Pickett.

    • Oral history interview with Steward Pickett.

    • African Americans; African Americans--Education; Boy Scouts of America; Elderly poor; Floods--Ohio River; Floods--Kentucky--Louisville; National Council of Senior Citizens; Senior House; Senior centers; Scouting (Youth activity); Urban elderly;...

    • Oral history interviews conducted with Mr. Steward Pickett on May 23, June 4, and June 25, 1979 by Mary Bobo. Mr. Pickett, a retired assistant Boy Scout executive and board member of Senior House, talks about his family, growing up on an...
    • Gen. D. B. Sackett.

    • Gen. D. B. Sackett.

    • Portraits; United States--History--Civil War, 1861-1865--Military personnel--Union; Generals--American--1860-1870; Generals; Military officers

    • Portrait of Delos Bennett Sackett (1822-1885). Sackett (spelled Sacket in some army records) was a career officer in the United States Army and served in the United States Civil War as a brigadier general (brevet major general) in the Union Army....
    • F. Sherman Vogt of Louisville, Kentucky.

    • F. Sherman Vogt of Louisville, Kentucky.

    • Portraits; Portrait photographs; Men; Business people

    • Portrait of F. Sherman Vogt of Louisville, Kentucky, Senior draftsman of the United States Engineers Office, wearing a tuxedo. The photograph has been painted on outlining/cropping his image and a yellow discoloration from age. Handwritten on back...
    • Gen. Joseph E. Johnston, C.S.A., Corps of Topogr. Engin. U.S.A.

    • Gen. Joseph E. Johnston, C.S.A., Corps of Topogr. Engin. U.S.A.

    • Portraits; United States--History--Civil War, 1861-1865--Military personnel--Confederate; Generals--Confederate States of America; Generals; Military officers; United States. Army. Corps of Topographical Engineers

    • Portrait of Joseph Eggleston Johnston (1807-1891). When Johnston's native state of Virginia seceded from the Union in 1861, Johnston resigned his commission as a brigadier general in the regular army, the highest-ranking U.S. Army officer to do so....
    • Mary J. Love of Louisville, Kentucky, 1935.

    • Mary J. Love of Louisville, Kentucky, 1935.

    • Portraits; Portrait photographs; Women; Clubwomen

    • Portrait of Mary J. (Mrs. R.V.) Love of Louisville, Kentucky wearing a hat, glasses, and beaded necklace. The photograph has been painted on and marred with discolorations from age. Stamped on back of image: April 20, 1935; October 19, 1936....
    • Mary J. Love of Louisville, Kentucky, 1933.

    • Mary J. Love of Louisville, Kentucky, 1933.

    • Portraits; Portrait photographs; Women; Clubwomen

    • Portrait of Mary J. (Mrs. R.V.) Love of Louisville, Kentucky, wearing glasses and hat. The photograph has been painted on and marked with discolorations. Typed on back of image: Senior Vice President, National Woman's Relief Corps, Auxiliary to the...
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