University of Louisville University Libraries

DIGITAL COLLECTIONS

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  • Description: Written
(277 results)



Display: 20

    • To my sweetheart.

    • To my sweetheart.

    • Valentines; Women; Lilacs; Flowers

    • Young woman in white. Below her image is an inscription: My love, I send you / by express / Pray treat my love, / with tenderness. The inscription is written in a white heart and surrounded by lilacs. Design copyright 1912, John Winsch.
    • May.

    • May.

    • Birthday cards; Gems; Violets; Jewelry; Symbols

    • Bouquet of violets and an emerald stick pin. Also written on the card: "Emerald, success in love" and "Violet, love-faithfulness." Postmarked 1909 on verso.
    • Menges Hall, before 1953.

    • Menges Hall, before 1953.

    • Buildings; University of Louisville--Buildings; Barracks; Dormitories; University of Louisville. School of Business; Southern Police Institute

    • Menges Hall, a former barracks building used for various purposes by the University of Louisville. The side of the building is fully visible; part of another barracks building is visible behind it. A Gulf Oil sign rises above it in the rear. The...
    • Parkway Field.

    • Parkway Field.

    • Buildings; University of Louisville--Buildings; Sports & recreation facilities; Stadiums; Parkway Field (Louisville, Ky.)

    • Parkway field seen from a distance. Industrial buildings can be seen in the background, and smoke or steam rises from several smokestacks. The words "Parkway Field" are written on the roof that covers the stands, and the field has large...
    • Business School, Career Day, University of Louisville, 1955.

    • Business School, Career Day, University of Louisville, 1955.

    • University of Louisville. School of Business; University of Louisville--Students; Students; Auditoriums;

    • Approximately three hundred students of the newly established U of L School of Business (now College of Business) at Career Day on April 13, 1955, seated in an auditorium. Fourteen university and business leaders discussed various aspects of jobs...
    • Business School Career Day, University of Louisville, 1955.

    • Business School Career Day, University of Louisville, 1955.

    • University of Louisville. School of Business; Business people; Business education;

    • William Duffy, supervisor of training at the General Electric Company (GE) stands at a lectern and speaks to approximately three hundred students of the University of Louisville Business School at a Career Day presentation on April 13, 1955. He is...
    • University Library (Schneider Hall) under construction, University of Louisville, 1955.

    • University Library (Schneider Hall) under construction, University of Louisville, 1955.

    • Construction; Construction workers; Construction equipment; Buildings; University of Louisville--Buildings; Surveying; Surveying equipment; Schneider Hall (Louisville, Ky.);

    • A man looks through a surveying instrument on the site of the construction of the University Library. There are trucks, construction equipment and other workers in the background, and a building behind them. Note written on back by John Houchens:...
    • Spiral Jetty, stills from Spiral Jetty Film.

    • Spiral Jetty, stills from Spiral Jetty Film.

    • Sculpture; Jetties; Industrialization; Industry; Petroleum industry; Land use; Ecology; Nature; Bodies of water; Lakes & ponds; Aerial views; Bird's-eye views; Film stills; Motion pictures; Maps; Dirt roads; Roads; Streets; Books

    • Documentation of film stills from Spiral Jetty, 1970. "These are frames from Smithson's half-hour-long film based on his Spiral Jetty. Shots taken of the dusty road on the way to the site of the work were intercut with images of the blazing...
    • Who's Afraid of Aunt Jemima? Quilt & Book by Faith Ringgold.

    • Who's Afraid of Aunt Jemima? Quilt & Book by Faith Ringgold.

    • Paintings; Acrylic paintings; Mixed media; Quilts; Textiles; Textile art; Sewing; Needlework; Embroidery; Books; Storytelling; Inscriptions; Lettering (Layout features); Punctuation; Question marks; Names; Fantasy; Fictitious characters; Memorial...

    • "A moving tribute to her mother, this work combines the personal and the political. The quilt includes a narrative - the witty story of the family of Aunt Jemima, most familiar as the stereotypical black 'mammy' but here a successful African...
    • Wave Rock.

    • Wave Rock.

    • Sculpture; Poetry; Language; Lettering (Layout features); Graphic design; Inscriptions; Landscapes (Representations); Seascapes; Bodies of water; Boats; Vessels; Vehicles; Light

    • "Alongside his own production of visual poetry, which took the form of silkscreen prints as well as inscribed objects, Finlay was significant for his involvement in the 'small press' publishing activities associated with the alternative poetry...
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
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