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  • Description: York
(1010 results)



Display: 20

    • Lake front at Chautauqua, N.Y.

    • Lake front at Chautauqua, N.Y.

    • Chautauquas; Canoes; Piers & wharves

    • Canoes and docks on the water at Chautauqua, New York. There are several buildings in the background and men, women and children can be seen by and on the boats and shore. Postmarked 1911 on verso. Published by Harry H. Hamm; printed by Teich...
    • Twentieth Century Limited leaving Chicago.

    • Twentieth Century Limited leaving Chicago.

    • Railroads; Railroad locomotives; Railroad passenger cars; Railroad tracks; 20th Century Limited (Express train)

    • Twentieth Century Limited train on tracks near water. A building is visible on the horizon at the rear of the train. Text printed on verso reads, "The Twentieth Century Limited on the Lake Shore & New York Central lines is the fastest long...
    • S.S. Baltic.

    • S.S. Baltic.

    • Ships; Smoke; Baltic II (Steamship)

    • Steamship Baltic, on the sea, seen from the side. Smoke trails from its two smokestacks. Text printed on verso reads, "This steamship is the principal vessel of the White Star fleet, being one of the largest boats in the world, is 710 feet...
    • Speed Engineering School 25th Anniversary banquet, University of Louisville, 1950.

    • Speed Engineering School 25th Anniversary banquet, University of Louisville, 1950.

    • University of Louisville--Presidents; University of Louisville--Alumni and alumnae; Deans (Education); College administrators; College presidents; Anniversaries; University of Louisville. Speed Scientific School; University of Louisville--Faculty

    • Four men pose together at University of Louisville Speed School of Engineering 25th anniversary celebration. From left to right: Speed School Dean Robert C. Ernst; Wilbur E. Kelley, manager of the New York Operations Office of the U.S. Atomic...
    • Speed School Alumni Anniversary Dinner, University of Louisville, 1950.

    • Speed School Alumni Anniversary Dinner, University of Louisville, 1950.

    • Engineers; University of Louisville. Speed Scientific School; University of Louisville--Faculty; University of Louisville--Alumni and alumnae; Mayors; Anniversaries; Teachers;

    • Five men at a round table during the University of Louisville Speed School of Engineering alumni anniversary dinner. There are men at other tables in the background. This event was held as part of the Speed School's 25th Anniversary festivities....
    • Spiral Jetty, stills from Spiral Jetty Film.

    • Spiral Jetty, stills from Spiral Jetty Film.

    • Sculpture; Jetties; Industrialization; Industry; Petroleum industry; Land use; Ecology; Nature; Bodies of water; Lakes & ponds; Aerial views; Bird's-eye views; Film stills; Motion pictures; Maps; Dirt roads; Roads; Streets; Books

    • Documentation of film stills from Spiral Jetty, 1970. "These are frames from Smithson's half-hour-long film based on his Spiral Jetty. Shots taken of the dusty road on the way to the site of the work were intercut with images of the blazing...
    • Untitled.

    • Untitled.

    • Exhibitions; Art exhibitions; Exhibition facilities; Exhibition buildings; Galleries (Display spaces); Galleries & museums; Commercial art galleries; Rooms & spaces; Interiors; Walls; Ceilings; Floors; Photographs; Screen prints; Prints;...

    • Installation at the Mary Boone Gallery, New York, 5-26 January 1991. Photographic silkscreen on paper, floor lettering vinyl paint, dimensions variable according to location.
    • Untitled Film Still, No. 6.

    • Untitled Film Still, No. 6.

    • Photographs; Film stills; Motion pictures; Feminism; Symbols; Women; Artists; Photographers; Actors; Costumes; Fictitious characters; Daydreaming; Posing; Gestures; Leisure; Clothing & dress; Robes; Lingerie; Underwear; Mirrors; Bedsheets

    • Edition of 10. "Sherman poses as a woman daydreaming. She holds a mirror, a clichéd symbol of vanity, in one hand. Momentarily her blank stare triggers a disturbing 'double-take'. She becomes a victim of crime in a police photograph, 'killed'...
    • Flower in the Wind.

    • Flower in the Wind.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Abstract drawings; Drawings; Pencil works

    • "In her consistent use of grids Agnes Martin participated in a tradition in twentieth-century art stretching from the Cubists and Mondrian to her Minimalist contemporaries. The grid was a non-hierarchical and non-referential structure. It...
    • Manhattan.

    • Manhattan.

    • Paintings; Oil paintings; Abstract works; Abstract paintings

    • "Wols's painted surfaces register a variety of different activities. Paint was stenciled, smeared, trickled, or thrown onto his canvases. Markings were incised using the artist's fingers or sticks. In essence, though, these images were more...
    • Atomic and Uranian Melancholic Idyll.

    • Atomic and Uranian Melancholic Idyll.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Symbols; Fear; Disgrace; Anxiety; Distress; Nuclear war; Nuclear weapons; Atomic bombs; Atoms; Faces; Heads (Anatomy); Men; Baseball players; Baseball umpires; Athletes; People associated with...

    • "The atom bomb was good news for Dali's commercial art." (Caption); "The New York Times reviewer of the Sentimental Colloquy had said correctly that Dali's 'Surrealist' paintings were now executed according to a mere formula. That...
    • Red Room (Child), installation.

    • Red Room (Child), installation.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Lanterns; Light fixtures; Lamps; Animals; Heads (Anatomy); Hourglasses; Shelving; Furniture; Pedestals

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Red Room (Child), installation, detail.

    • Red Room (Child), installation, detail.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Pedestals; Details

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Untitled.

    • Untitled.

    • Paintings; Oil paintings; Abstract works; Abstract paintings

    • "In de Kooning's black canvases the elimination of color was conditioned as much by financial constraints as by the need to simplify pictorial problems in the spirit of Analytic Cubism. The deliberately artless use of shiny enamel housepaints...
    • Talking.

    • Talking.

    • Paintings; Oil paintings; Arms (Anatomy); Hands; Fingers; Body parts; Clocks & watches; Cigarettes; Smoking; Smoke; Worry

    • "As in certain paintings by Francis Bacon, existential givens were made stubbornly palpable in Guston's pictures. Recurrent images such as a head with a single wide-open eye, wrist-watches, bare light-bulbs, or cigarette butts spoke of bouts...
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