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  • Description: abstractions
(11 results)



Display: 20

    • Green & Maroon.

    • Green & Maroon.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Colors

    • "By the turn of the 1950s Rothko had arrived at the pictorial format which was to serve him for the rest of his career; horizontal lozenges of soft-edged color hovering in a large vertically oriented field. These clouds of color were seen by...
    • Fate of the Beasts.

    • Fate of the Beasts.

    • Paintings; Oil paintings; Abstract works; Abstract paintings; Disasters; Fatalism; Trees; Plants; Animals; Horses; Ponies; Boars; Foxes; Deer

    • "Fate of the Beasts (1913), perhaps also related to the prevailing apprehensions of war, portrays a total, inescapable catastrophe. Hard, arrowlike diagonals intersect to shoot across the canvas. Trees bleed and descend in a cosmic cataclysm....
    • Blue Veil.

    • Blue Veil.

    • Paintings; Acrylic paintings; Abstract paintings; Abstract works

    • "In Louis's enormous 'veils' of the 1950s the physical operations of pouring paint or tilting a canvas so that the paint floods down it are powerfully implied." (Caption, p.28); "[Clement] Greenberg's conception of 'Modernism' as...
    • July 1983.

    • July 1983.

    • Paintings; Oil paintings; Abstract paintings; Abstract works

    • "In the mid-1980s Richter produced abstract paintings as well as realist 'photo-paintings'. […] he appeared here to be recapitulating the ideological options underpinning postwar modernism in so far as his own transplantation from Eastern to...
    • Untitled (Cowboy).

    • Untitled (Cowboy).

    • Photographs; Prints; Advertisements; Advertising; Men; Cowboys; Clothing & dress; Cowboy hats; Hats; Headgear; Shirts; Coats; Chaps; Horseback riding; Riding; Sitting; Roping; Ropes; Locomotion; Human locomotion; Animal locomotion; Animals;...

    • "Prince's early 'appropriations' from advertising, of which this is an example, have interesting connections with his later practice. After 1985 Prince started to employ verbal jokes in his works. They were often silkscreened as texts across...
    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Made in Heaven, detail, Koons and Cicciolina.

    • Made in Heaven, detail, Koons and Cicciolina.

    • Posters; Billboard posters; Billboards; Prints; Lithographs; Planographic prints; Advertisements; Advertising; Exhibition posters; Exhibitions; Art exhibitions; Motion pictures; Erotic films; Erotica; Sex; Relations between the sexes; Lust;...

    • Lithograph billboard poster. "Koons followed up this poster with a series of explicit, human-scale, photo-based 'paintings' of the couple having sex. Characteristically, Koons asserted that his concerns were far removed from pornography. He...
    • Made in Heaven.

    • Made in Heaven.

    • Posters; Billboard posters; Billboards; Prints; Lithographs; Planographic prints; Advertisements; Advertising; Exhibition posters; Exhibitions; Art exhibitions; Motion pictures; Erotic films; Erotica; Sex; Relations between the sexes; Lust;...

    • Lithograph billboard poster. "Koons followed up this poster with a series of explicit, human-scale, photo-based 'paintings' of the couple having sex. Characteristically, Koons asserted that his concerns were far removed from pornography. He...
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