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    • Sarcophagus of a consul(?), from Acilia, Italy.

    • Sarcophagus of a consul(?), from Acilia, Italy.

    • Sculpture; Sarcophagi; Coffins; Containers; Monuments & memorials; Ceremonial objects; Parades & processions; Rites & ceremonies; Men; Women; Boys; Youth; Teenagers; Clothing & dress; Hairstyles; Headbands (Headgear); Headgear;...

    • “One of the finest – and most controversial – works of third-century relief sculpture is the fragmentary sarcophagus found at Acilia, near Rome. It is an example of a later form of Roman coffin that art historians call the lenos (bathtub)...
    • Livia as Ceres [or Fortuna], front view.

    • Livia as Ceres [or Fortuna], front view.

    • Sculpture; Portraits; Women; Empresses; Rulers; People associated with politics & government; Goddesses; People associated with religion; Supernatural beings; Fictitious characters; Myths; Legends; Standing; Clothing & dress; Robes; Veils;...

    • "[…] this statue of Livia, wife of Augustus, underwent not only many modern restorations but also additions such as the arms, the cornucopia, part of the crown of flowers, and large pieces of veil around the neck. Given these circumstances,...
    • Bojewyan Farms.

    • Bojewyan Farms.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Agriculture; Agricultural productivity; Croplands; Farms; Farming; Economics; Economic & social conditions; Landscapes (Representations); Villages; Coastlines; Animals

    • "Bojewyan is a small village near St. Just in Cornwall, England. At the time of the painting local farmsteads were falling empty because they were uneconomic. Lanyon saw this as a serious threat to the region. His painting contains hints of a...
    • The Profanation of the Host.

    • The Profanation of the Host.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Disgrace; Anxiety; Distress; Sex; Lust; Relations between the sexes; Heads (Anatomy); Women; Men; Fathers; Nudes; Body parts; Lions; Animals; Ants; Locusts; Insects; Chalices; Drinking vessels;...

    • "Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
    • At the Moulin Rouge.

    • At the Moulin Rouge.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Men; Women; Artists; Painters (Artists); Draftspersons; Critics; Collectors; Art collectors; Authors; Photographers; Dancers; Entertainers; People associated...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • At the Moulin Rouge, detail, central figures.

    • At the Moulin Rouge, detail, central figures.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Details; Men; Women; Artists; Painters (Artists); Draftspersons; Authors; Photographers; Jockeys; Adults; Sitting; Walking; Leisure; Recreation; Eating &...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • Head of a Man.

    • Head of a Man.

    • Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism

    • "Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
    • Head of a Man, detail.

    • Head of a Man, detail.

    • Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism; Details

    • "Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
    • Cremaster 4, film still from video.

    • Cremaster 4, film still from video.

    • Film stills; Motion pictures; Video recording; Storytelling; Fantasy; Myths; Science fiction; Metamorphosis; Supernatural; Supernatural beings; Heroes; Dandies; Men; Ears; Clothing & dress; Suits (Clothing); Corsages

    • "Here the artist aspires to a metamorphosis which hints partly at mythology, partly at science fiction. However, with mock pathos, Barney's floppy ears and dual kiss-curls inadequately match up to the four horns of the ram which the video's...
    • Bald Eagle.

    • Bald Eagle.

    • Collages; Abstract works; Eagles; Birds; Animals

    • "In the year before Pollock's premature death, Krasner made powerful collages, possibly drawing on the huge semi-abstract 'paper-cuts' that the veteran French Modernist Henri Matisse was producing around this time. In one of these collages she...
    • Cloaca Maxima, Rome, Italy, interior view.

    • Cloaca Maxima, Rome, Italy, interior view.

    • Architecture; Sewers; Sewerage; Hydraulic facilities; Refuse disposal; Sanitation; Architectural elements; Structural elements; Vaults (Architecture); Barrel ceilings; Arches

    • "It was covered with a vault in about 100 BC." (caption, p.132); “[…] its length is over 900 metres [meters] (985 yards), but its course meanders because of diversions around buildings. Its size is remarkable: in places it is 4.2...
    • Numbers.

    • Numbers.

    • Drawings; Numerals

    • "Johns used letters or numbers as a means of reintroducing the signifiers of a collective sign system into a Modernist 'field' previously answerable to subjective judgments of taste. The textures in his drawings in particular are subtly...
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
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