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    • Flower in the Wind.

    • Flower in the Wind.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Abstract drawings; Drawings; Pencil works

    • "In her consistent use of grids Agnes Martin participated in a tradition in twentieth-century art stretching from the Cubists and Mondrian to her Minimalist contemporaries. The grid was a non-hierarchical and non-referential structure. It...
    • This Is How You Sit Correctly (after Goya).

    • This Is How You Sit Correctly (after Goya).

    • Paintings; Acrylic paintings; Collages; Allusions; Women; Heads (Anatomy); Faces; Clothing & dress; Dresses; Headgear; Pointing fingers; Smiling; Chairs; Seating furniture; Furniture; Doors & doorways; Floors; Snakes; Reptiles; Animals;...

    • "Polke's work frequently juxtaposes images wrenched from different periods of history. At the bottom left he makes use of a collage by the early twentieth-century Surrealist Max Ernst, whilst the central image derives from a satirical etching...
    • Hospital at Saint-Remy.

    • Hospital at Saint-Remy.

    • Paintings; Oil paintings; Architecture; Buildings; Asylums; Mental institutions; Health & hygiene facilities; Health care facilities; Hospitals; Facades; Walls; Architectural elements; Structural elements; Windows; Shutters; Gardens; Parks;...

    • "The classical facade of the men's wing, depicted with yellow walls and green shutters [...] forms a low horizontal background. Diminuitive figures of men and women stroll through an unkempt park. But the real movement - indeed, the intense...
    • Urn of a young soldier.

    • Urn of a young soldier.

    • Sculpture; Urns; Death & burial; Containers; Soldiers; Military personnel; People associated with military activities; Death & burial; Friezes (Ornamental bands); Cartouches; Pediments; Tympana; Architectural elements; Inscriptions; Names;...

    • "The front of this rectangular urn is decorated with two friezes of hearts and darts. Smooth strips frame the decoration along the top and bottom rims and emphasize the container's shape. The central surface of such objects was inscribed. This...
    • The Great Paranoiac.

    • The Great Paranoiac.

    • Paintings; Oil paintings; Fantasy; Symbols; Optical illusions; Fear; Disgrace; Anxiety; Distress; Lust; Sex; Men; Women; Fathers; Nudes; Heads (Anatomy); Faces; Rocks

    • "The painting belonged to Edward James. Surely one of Dali's finest double images." (Caption); "Dali said that The Great Paranoiac had been conceived after a discussion with Josep María Sert about Arcimboldo, and that the...
    • Herculaneum, decorative fresco-type architectural wall painting.

    • Herculaneum, decorative fresco-type architectural wall painting.

    • Paintings; Murals; Walls; Architecture; Architectural elements; Structural elements; Columns; Moldings; Consoles; Architectural decorations & ornaments; Patterns (Design elements); Masks; Faces; Supernatural beings; Horses; Animals

    • "This fragment of a wall painting was among the very first ancient artworks discovered in Herculaneum after the volcanic eruption on August 23 in 79 A.D. […] This panel was executed using a technique similar to fresco painting. The design...
    • Metamorphosis of Narcissus.

    • Metamorphosis of Narcissus.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Allusions; Symbols; Myths; Sex; Fear; Love; Self-interest; Poetry; Women; Men; Nudes; Gays; Dancers; Dance; Backs (Anatomy); Pedestals; Body parts; Hands; Fingers; Eggs; Landscapes...

    • "This is the painting Dali took to show Freud in London. It belonged formerly to Edward James." (Caption); "At Zürs […] Dali embarked on a new experiment: the composition, in French, of a 'paranoaic' poem, The Myth of Narcissus,...
    • Ring with cameo.

    • Ring with cameo.

    • Jewelry; Rings; Goldwork; Metalwork; Myths; Legends; Cupids; Supernatural beings; Fictitious characters; Dolphins; Aquatic animals; Animals; Whips; Boats; Vessels; Vehicles; Bodies of water

    • "This ring is formed from a circular hollow band made from rolled and soldered gold leaf, which flares out near the bezel. The bezel, rectangular in shape but with rounded corners, is set with a blue-tinged agate in two layers against a white...
    • Where Do We Come From? What Are We? Where Are We Going?

    • Where Do We Come From? What Are We? Where Are We Going?

    • Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...

    • "Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
    • Boy ginseng hunter.

    • Boy ginseng hunter.

    • Boys; Medicinal plants; Plows; Grinding wheels; Fences

    • A boy ginseng hunter poses with a ginseng root in his right hand and his "sang" hoe and "sang" bag in his left. A bull-tongue plow and grinding wheel lean against a fence in the background. Handwritten on bottom border: 418. ...
    • Injured boy.

    • Injured boy.

    • Boys; People with disabilities; Girls

    • A boy with a seriously injured leg sits on a chair. His other foot rests on a log. There is an adult hand on his shoulder and a little girl stands in the background. Handwritten on bottom border: 510. See ULPA 1982.01.509.p for another image of...
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