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Display: 20

    • Untitled Film Still, No. 6.

    • Untitled Film Still, No. 6.

    • Photographs; Film stills; Motion pictures; Feminism; Symbols; Women; Artists; Photographers; Actors; Costumes; Fictitious characters; Daydreaming; Posing; Gestures; Leisure; Clothing & dress; Robes; Lingerie; Underwear; Mirrors; Bedsheets

    • Edition of 10. "Sherman poses as a woman daydreaming. She holds a mirror, a clichéd symbol of vanity, in one hand. Momentarily her blank stare triggers a disturbing 'double-take'. She becomes a victim of crime in a police photograph, 'killed'...
    • Filter Fat Corner.

    • Filter Fat Corner.

    • Sculpture; Allusions; Chemistry; Science; Interpersonal relations; Social science; Sociology; Utopias

    • "The work consisted of a triangular gauze filter stretched across a corner into which lumps of fat had been packed. Apart from alluding to physical metamorphoses brought about via osmosis, processes of refinement and purification were evoked....
    • House.

    • House.

    • Sculpture; Houses; Row houses; Dwellings; Residential facilities; Walls; Symbols; Neighborhoods; Working class; Demolition

    • "Rachel Whiteread's House revived a taste for outrage previously brought to the fore in Britain by the Tate Bricks saga. Before its completion in October 1993 it had attracted little press interest. In November of that year, however, a...
    • How Does a Girl Like You Get to be a Girl Like You?

    • How Does a Girl Like You Get to be a Girl Like You?

    • Textiles; Clothing & dress; Pluralism (Social sciences); Ethnic groups; Imperialism; Cultural relations; Acculturation; Dresses; Women; Patterns (Design elements); Mannequins; Backs (Anatomy)

    • Installation of three costumes of wax-print cotton textiles tailored by Sian Lewis; "This work by Shonibare consists of three clothed mannequins standing on a low platform. Their stiff postures and high Victorian dresses, complete with...
    • I Love You.

    • I Love You.

    • Paintings; Mixed media; Butterflies; Insects

    • "There was a lyrical quality to Hirst's use of butterflies' lifecycles, both in the 1991 installation In and Out of Love, and the related 1994-5 series of paintings, of which I Love You forms part." (Caption, p.231); "By contrast to...
    • Parallel of Life & Art.

    • Parallel of Life & Art.

    • Exhibitions; Art exhibitions; Photographs; Reproductions; Art objects; Art; Photojournalism; Science; Sculpture; Heads (Anatomy); Architecture; Interiors; Walls; Ceilings; Architectural elements; Windows; Draperies

    • Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
    • Untitled.

    • Untitled.

    • Sculpture; Abstract sculpture; Abstract works; Metalwork

    • Galvanized steel and concrete. "Deacon's organically related forms often derive from sources in the Bible, poetry, fairy stories, and figures of speech. In the two versions of the laminated wood sculpture For Those Who Have Ears (1982-3), for...
    • Dead (Tote) from October 18, 1977.

    • Dead (Tote) from October 18, 1977.

    • Paintings; Oil paintings; Photographs; Activists; Left-wing extremists; Terrorists; Dead persons; Death; Suicides; Social justice; Political issues; Politics & government; Protest movements; Opposition (Political science); Student movements;...

    • "[…] the German painter Gerhard Richter […] looked back mournfully on painting's loss of public function in his October 18, 1977 (1988), a cycle of 15 paintings which mimicked the appearances of blurred black-and-white photographs. Richter...
    • Venus from Montagne, front view.

    • Venus from Montagne, front view.

    • Sculpture; Figurines; Women; Goddesses; Myths; Legends; Supernatural beings; Fictitious characters; Hairstyles; Headgear; Grooming; Gestures; Mirrors; Symbols; Cupids; Dolphins; Aquatic animals; Lifting & carrying

    • "Venus is represented rising out of the water in accord with the conventions of the Aphrodite Anadyomene type. The triton and dolphin, which recall the maritime setting, were sometimes depicted alternately with two cupids accompanying the...
    • Le Metafisyx.

    • Le Metafisyx.

    • Paintings; Mixed media; Women; Nudes; Beauty; Aesthetics; Body image; Human body; Body parts

    • Corps de Dames series, 1950; "Child art, which had been a major source of interest for early twentieth-century modernists such as Joan Miró or Paul Klee, was a source here. This was annexed to an adult desire to recover primordial fantasies...
    • The Great Paranoiac.

    • The Great Paranoiac.

    • Paintings; Oil paintings; Fantasy; Symbols; Optical illusions; Fear; Disgrace; Anxiety; Distress; Lust; Sex; Men; Women; Fathers; Nudes; Heads (Anatomy); Faces; Rocks

    • "The painting belonged to Edward James. Surely one of Dali's finest double images." (Caption); "Dali said that The Great Paranoiac had been conceived after a discussion with Josep María Sert about Arcimboldo, and that the...
    • Leda Atomica.

    • Leda Atomica.

    • Paintings; Oil paintings; Fantasy; Symbols; Myths; Legends; Mathematics; Physics; Atoms; Portraits; Women; Spouses; Nudes; Breasts; Hairstyles; Sitting; Gestures; Floating; Flying; Birds; Swans; Animals; Cliffs; Beaches; Coastlines; Seas; Bodies of...

    • "Gala-Leda rendered 'in accordance with the modern "nothing touches" theory of intra-atomic physica' (Dali)." (Caption); Dali himself was only too happy to admit his debt to Gala. In the early 1930s he had begun to sign his...
    • Rest Period.

    • Rest Period.

    • Paintings; Oil paintings; Portrait paintings; Portraits; Self-portraits; Men; Women; Adults; Artists; Painters (Artists); Artists' models; Clothing & dress; Robes; Breasts; Shirts; Eyeglasses; Baldness; Standing; Painting; Sitting; Rest...

    • "Prometheus and Hercules, a sculpture by Koch, sits on the windowsill between the artist and his model." (p.66)
    • Rest Period.

    • Rest Period.

    • Paintings; Oil paintings; Portrait paintings; Portraits; Self-portraits; Men; Women; Adults; Artists; Painters (Artists); Artists' models; Clothing & dress; Robes; Breasts; Shirts; Eyeglasses; Baldness; Standing; Painting; Sitting; Rest...

    • "Prometheus and Hercules, a sculpture by Koch, sits on the windowsill between the artist and his model." (excerpt from: Lopate, Phillip, et al. John Koch: Painting a New York Life. New York: Historical Society; London: Scala, 2001, p.66)
    • Typology of Water Towers (groups A, B, C, and D).

    • Typology of Water Towers (groups A, B, C, and D).

    • Photographs; Architecture; Buildings; Industrial facilities; Water towers; Towers; Hydraulic facilities; Reservoirs; Waterworks; Architectural elements; Walls; Windows; Structural elements; Structural frames

    • One of six suites of nine photographs. "The Bechers' photographs of industrial structures, which they began in 1959, belong to the genres of documentary photography, sculpture, and industrial archaeology simultaneously, as well as having...
    • Red Room (Child), installation.

    • Red Room (Child), installation.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Lanterns; Light fixtures; Lamps; Animals; Heads (Anatomy); Hourglasses; Shelving; Furniture; Pedestals

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Red Room (Child), installation, detail.

    • Red Room (Child), installation, detail.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Pedestals; Details

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Columns series, Right Sword, Left Garland.

    • Columns series, Right Sword, Left Garland.

    • Montages; Photographs; Motion study photographs; Patterns (Design elements); Men; Women; Clothing & dress; Heads (Anatomy); Faces; Skulls; Crosses; Flags; Symbols; Power (Social sciences)

    • "Between 1970 and 1987 Zofia Kulik carried out performances in her native Poland with fellow artist Przenyslaw Kwick. Her more recent photographic works contain a 'time-based' aspect in that, rather than constituting montages made up from...
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