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    • Papa John's Cardinal Stadium, University of Louisville.

    • Papa John's Cardinal Stadium, University of Louisville.

    • Stadiums; University of Louisville--Football; University of Louisville--Buildings; Buildings; University of Louisville--Sports

    • A yellow and black crane stretches up toward a bank of lights near the entrance gates to Cardinal Stadium. Built on the site of Louisville and Nashville Railroad's South Louisville Shops, the University of Louisville's football stadium bears the...
    • The False Mirror.

    • The False Mirror.

    • Paintings; Oil paintings; Eyes; Body parts; Clouds; Puns (Visual works)

    • "Magritte's False Mirror of 1928 depicts a large eye (from which the familiar CBS logo is derived). The black circle at the center can refer both to the pupil and to the eclipsed sun. The observer is thrown off balance by the unusual close-up...
    • Splitting.

    • Splitting.

    • Collages; Montages; Demolition; Privacy; Architecture; Buildings; Houses; Dwellings; Residential facilities; Sections; Interiors; Rooms & spaces; Architectural elements; Walls; Ceilings; Stairways; Windows; Doors & doorways; Attics

    • Black and white photo-collage; "This collage makes use of photographs of a project carried out by Matta Clark in Englewood, New Jersey, which involved him splitting apart a house that was due for demolition. Having divided the house in half by...
    • Chicano murals, Estrada Courts Housing Project, East Los Angeles.

    • Chicano murals, Estrada Courts Housing Project, East Los Angeles.

    • Murals; Paintings; Ethnic groups; Ethnic neighborhoods; Social aspects; Social classes; Minorities; Neighborhoods; Residential facilities; Housing; Buildings; Dwellings; Walls; Men; Women; Couples; Spouses; Children; Boys; Girls; Youth; Artists;...

    • By "various hands." (Lucie-Smith, p.448). The following information is from the Mural Conservancy of Los Angeles: THE MURALS OF ESTRADA COURTS web page (http://www.lamurals.org/MuralFiles/ELA/EstradaCourts.html), accessed February 1,...
    • Boîte-en-Valise, open.

    • Boîte-en-Valise, open.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Fighting Forms.

    • Fighting Forms.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Colors

    • "Marc, unlike Kandinsky, was predominantly a painter of imagery derived from the material world. But in a group of small compositions from 1914 and in sketches that he made in the notebook he carried, there was evidence of a move to...
    • Monument to Malcolm X (#II)

    • Monument to Malcolm X (#II)

    • Sculpture; Monuments; Monuments & memorials; Abstract works; Abstract sculpture; Metalwork; Textiles; Wool; Mixed media

    • Bronze and wool; “[Riboud’s] sculptures are studies in opposites—soft vs. hard, black vs. white. Her use of contrasting materials, bronze and silk cording or bronze and wood, is an extension of this exploration.” (caption, p.80)
    • Salome Dancing Before Herod.

    • Salome Dancing Before Herod.

    • Paintings; Oil paintings; Storytelling; Myths; Legends; Biblical events; Women; Dancers; Mothers; Fathers; Spouses; Couples; Families; Men; Rulers; Upper class; Older people; Executioners; Beards; Clothing & dress; Veils; Headgear; Jewelry;...

    • “Moreau has rendered Salome as an enchantress, the archetypal femme fatale who seduces Herod into performing her will. Moreau was very careful to avoid endowing the figure of Herod with any magisterial dignity but rather shows him as an old man,...
    • The Sower.

    • The Sower.

    • Paintings; Oil paintings; Croplands; Agriculture; Farming; Landscapes (Representations); Men; Adults; Working class; Laborers; Agricultural laborers; People associated with manual labor; People associated with agriculture; Walking; Gestures;...

    • "Though its exact date is unknown, the nature of the brushwork and general intensity of style suggest late 1888 or early 1889 while van Gogh was still in Arles, the village in Provence [...]. It may even have been executed after van Gogh...
    • Triptych August 1972.

    • Triptych August 1972.

    • Paintings; Oil paintings; Triptychs; Portraits; Portrait paintings; Men; Adults; Disfigured persons; Gays; Sex; Relations between the sexes; Interpersonal relations; Underwear; Sitting; Chairs; Seating furniture; Furniture; Doors & doorways

    • One of the "black triptychs." Reference to Eadweard Muybridge.
    • Boîte-en-Valise, open, center section, detail.

    • Boîte-en-Valise, open, center section, detail.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures; Details

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Metamorphosis of Narcissus.

    • Metamorphosis of Narcissus.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Allusions; Symbols; Myths; Sex; Fear; Love; Self-interest; Poetry; Women; Men; Nudes; Gays; Dancers; Dance; Backs (Anatomy); Pedestals; Body parts; Hands; Fingers; Eggs; Landscapes...

    • "This is the painting Dali took to show Freud in London. It belonged formerly to Edward James." (Caption); "At Zürs […] Dali embarked on a new experiment: the composition, in French, of a 'paranoaic' poem, The Myth of Narcissus,...
    • The Alcoholic.

    • The Alcoholic.

    • Photographs; Composite photographs; Montages; Justice; Social justice; Social values; Economic & social conditions; Moral & ethical aspects; Ethics; Alcoholism; Men; Sleeping; Artists; Sculptors; Photographers; Heads (Anatomy); Faces;...

    • "Gilbert and George's presence in their photo-works can be seen as an extension of their early performance activities. They often stand apart from the other imagery in the pieces as though acknowledging the artifice involved. Moral conundrums...
    • Blaze, detail.

    • Blaze, detail.

    • Paintings; Abstract paintings; Abstract works; Optical illusions; Hallucinations & illusions; Details

    • "Riley's 'Op' paintings of the early 1960s were exclusively in black and white although, as her critical mentor the psychologist Anton Ehrenzweig noted, they could generate disembodied sensations of color. She was to begin incorporating color...
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