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    • Oral history interview with Mae Street Kidd.

    • Oral history interview with Mae Street Kidd.

    • African Americans; Civil rights demonstrations; Race relations; Public relations; Discrimination in housing; Housing; African American legislators; Insurance agents; Women legislators; African American legislators; Kentucky--Politics and...

    • Oral history interview conducted with legislator Mae Street Kidd on October 10, November 11, and December 5, 1978 by Ken Chumbley. Ms. Kidd discusses her life, including her childhood growing up in Bourbon County. Kidd attended the Lincoln...
    • Oral history interview with Ruth Bryant.

    • Oral history interview with Ruth Bryant.

    • African Americans--Education (Elementary); African Americans--Education (Higher); National Training School for Women and Girls (Washington, D.C.); Fisk University; Howard University; African Americans; Race relations; Civil rights; African...

    • Oral history interview conducted with Ruth Bryant on July 24, 1977 by Kenneth L. Chumbley. Mrs. Bryant, a community activist, primarily discusses her involvement in community organizing and political activism during the 1960’s in Louisville. ...
    • Amelia Bingham as Olympe, circa 1904.

    • Amelia Bingham as Olympe, circa 1904.

    • Portraits; Portrait photographs; Actresses; Women; Costumes; Posing

    • Full-length character portrait of actress, producer, and director Amelia Bingham portraying the title character in Pierre Decourcelle's "Olympe," for which came to Macauley's Theatre in March 1904. Her costume includes a hat,...
    • Atomic and Uranian Melancholic Idyll.

    • Atomic and Uranian Melancholic Idyll.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Symbols; Fear; Disgrace; Anxiety; Distress; Nuclear war; Nuclear weapons; Atomic bombs; Atoms; Faces; Heads (Anatomy); Men; Baseball players; Baseball umpires; Athletes; People associated with...

    • "The atom bomb was good news for Dali's commercial art." (Caption); "The New York Times reviewer of the Sentimental Colloquy had said correctly that Dali's 'Surrealist' paintings were now executed according to a mere formula. That...
    • Awardees at University of Louisville homecoming dance, 1949.

    • Awardees at University of Louisville homecoming dance, 1949.

    • University of Louisville--Students; University of Louisville--Presidents; Bands; Bandstands; Fraternities & sororities;

    • Omicron Delta Kappa member Pat Long speaks during the awards ceremony at the University of Louisville homecoming dance, while a lineup of others looks on. The other people are, from left to right: John W. Taylor, U of L president; unknown; Long;...
    • B. F. Keith Theater, interior.

    • B. F. Keith Theater, interior.

    • Buildings; Theaters; Cultural facilities; Organs; Balconies; B. F. Keith Theatre (Louisville, Ky.)

    • Original address: 506 W. Walnut Street (Demolished, 1952). Built as a vaudeville theater by the National Theater Company in 1913, the design came from the architectural workshop of Albert Kahn. The National Theater was sold within the year to the...
    • Baptist Women's Educational Convention board.

    • Baptist Women's Educational Convention board.

    • Simmons University (Louisville, Ky.); Baptist universities and colleges; African Americans--Education (Higher); Education; Women; Group portraits; African Americans; Baptists

    • The back of the photograph identifies the group of women as the Board of Baptist Women's Educational Convention, which was established by African American Baptist women in Kentucky in 1883 to raise funds to support State University, the first...
    • Bedia's Stirring Wheel.

    • Bedia's Stirring Wheel.

    • Sculpture; Mixed media; Symbols; Discrimination; Race discrimination; Race relations; Racism; Ethnic groups; Ethnic stereotypes; Indigenous peoples; Cultural relations; History; Irony; Fantasy; Archaeology; Excavation; Hides & skins; Steering...

    • "Durham's symbolic recoding of the imagery of modern America in the terms of its native Indians is interesting in relation to Joseph Beuys's use of Indian iconography for purposes of symbolic retribution. As a modernist, Beuys assumed his work...
    • Bible, France, mid 13th century, fragment.

    • Bible, France, mid 13th century, fragment.

    • Illumination of books and manuscripts, Medieval--France; Manuscripts, Medieval; Illuminations 1200-1500

    • Leaf from a small portable Gothic Bible, copied in France in the thirteenth century. The Latin translation used throughout this period was known as the Vulgate, since Latin was the common or vulgar language read by all literate people of the time....
    • Blanche Ring, circa 1904.

    • Blanche Ring, circa 1904.

    • Portraits; Portrait photographs; Actresses; Women; Costumes; Posing

    • Three-quarter length character portrait of actress Blanche Ring, seated, wearing wide-brimmed hat with ostrich plumes and dress in patchwork pattern. Blanche Ring came from an acting family (brother Cyril and sister Frances were also performers, as...
    • Blanche Ring, circa 1912.

    • Blanche Ring, circa 1912.

    • Portraits; Portrait photographs; Actresses; Women; Costumes

    • Character portrait of actress Blanche Ring wearing brimless hat with velvet ribbon. Blanche Ring came from an acting family (brother Cyril and sister Frances were also performers, as was Ring's husband, Charles Winninger). Born April 24, 1877, Ring...
    • C. French, Jr., circa 1886.

    • C. French, Jr., circa 1886.

    • Portraits; Portrait photographs; Men

    • Portrait of a young man with thin mustache and three-piece suit and tie. "A Parlor Match," starring Charles E. Evans and William Hoey, was staged at Macauley's Theatre on the date of this portrait's inscription by C. (possibly Charles)...
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