World War, 1914-1918--France; Soldiers; Military uniforms
Godet, a French soldier and close friend of photographer André Jeunet, laughs as he buttons his shirt. He appears to be wearing uniform pants, shirt, and suspenders as he sits in front of a dark cloth background. Taken during military training in...
World War, 1914-1918--France; Soldiers; Military uniforms
Godet, a French soldier and close friend of the photographer's, sits in front of a dark cloth background. He appears to be wearing his uniform pants, shirt, and suspenders, and holding a book or leather writing pad. Taken during training in Autun,...
World War, 1914-1918--France; Soldiers; Military uniforms; Agricultural machinery & implements; Carts & wagons
Godet, André Jeunet's close friend and fellow soldier, reclines on the grass next to an idle wooden plow or wagon. He is wearing the uniform of France's 139e Régiment d'Infanterie and has his hand on a journal or writing pad.
World War, 1914-1918--France; Soldiers; Military uniforms; Agricultural machinery & implements; Carts & wagons
Godet, close friend of photographer André Jeunet, reclines on the grass next to an idle wooden plow or wagon. He is wearing the uniform of France's 139e Régiment d'Infanterie.
World War, 1914-1918--France; Soldiers; Military training; Writing; Classrooms; Mourning clothing & dress
André Jeunet's close friend, Godet, and another soldier sit in a classroom writing letters home. The number of their military unit, France's 139e Régiment d'Infanterie, is clearly visible on the collar of Godet's uniform. The second soldier, also...
World War, 1914-1918--France; Reading; Soldiers; Military uniforms
Godet, a French soldier and close friend of photographer André Jeunet, sits reading a letter. Insignia for the 139e Régiment d'Infanterie is clearly visible on the collar of his uniform.
World War, 1914-1918--France; Military vehicles; Soldiers; Military life; Eating & drinking
Godet, center, a close friend of photographer André Jeunet, and two other French soldiers relax on and near the running board of an army vehicle. At least one appears to be eating. Insignia on their collars indicate they are part of the 139e...
World War, 1914-1918--France; Men; Tables; Canteens (Beverage containers); Tableware
Godet, André Jeunet's close friend and fellow soldier, is wearing the uniform of France's 139e Régiment d'Infanterie as he sits at a wooden table outdoors. His canteen, glasses and bowls are on the table and a tall fence, or wall of a wooden...
World War, 1914-1918--France; Convoys; Military vehicles; Rest periods; Self-portraits
The photographer's close friend Godet and fellow soldiers in a truck convoy pause at the side of a road on their way to Verdun in August 1917. Insignia on jackets indicate they were part of France's 139e Régiment d'Infanterie. Cable in Godet's...
Working class in motion pictures; Motion pictures--Great Britain
Britain was the first country to industrialize with the Industrial Revolution and therefore had the world's first industrial working class. In the 20th century, the traditional British working class went through many social and political changes,...
Women; Dwellings; Houses; Stone buildings; Wooden buildings; Religious communities; Shakers; Shakertown at Pleasant Hill, Ky., Inc.
At the left of the photograph is a large three-story wood house; at right are two two-story houses closely spaced (the house furthest to the right is stone; the middle house, set a little farther back, is wood). A row of bare trees, a one board...
Women and literature; Gothic revival (Literature); Zhang, Ailing; Welty, Eudora, 1909-2001; McCullers, Carson, 1917-1967
This study seeks to situate our understanding of Zhang Ailing's Chuanqi as part of global women's efforts to establish a voice of their own by way of hijacking patriarchal literary heritage. In order to show Zhang Ailing as a conscious weaver of...
Vehicles; Airplanes; Airports; Air shows; Aerial photographs; Bowman Field (Ky.)
Close-up aerial view of crowd at a Bowman Field air show, Louisville, Kentucky. Two planes are close behind them and at the right bottom corner of the photo is a striped roof. The airfield, established in 1919 by Abram H. Bowman, is still in...
University of Louisville. Medical Dept.; Medical students; Teachers
University of Louisville medical department 1901 - Composite photograph for the University of Louisville school of medicine in Louisville, Kentucky, of faculty and graduating students for the medical school class of 1901. Individual oval-shaped...
Twitter; Museum visitors--Services for--Technological innovations; Museums--Technological innovations; Online social networks; Museums--Marketing
With the evolution of social networks and technological innovations, services such as Twitter provide a platform for increased dialogue and participation. Micro-blogging features enable individuals and organizations to communicate directly,...
This thesis is based on work done as part of a bigger project supported by Naval Research Laboratories (NRL). A MOSIS fabricated micro hotplate is simulated using the CAD software CoventorWare. There are three different sized hotplates in one die;...
Theological seminaries; Historic buildings; Men; Boys
Baptist seminary in London, Kentucky is a simple-lined brick building with a two-story mid-section with a pediment supported by square brick pillars, and two one-and-a-half-story wings. A man in a suit stands on the porch, and two barefoot boys in...
Lithographs; Prints; Planographic prints; Illustrations; Book illustrations; Literature; Books; Men; Saints; People associated with religion; Heads (Anatomy); Faces; Devil; Supernatural beings; Temptation
Plate 18 from Gustave Flaubert's The Temptation of St. Anthony, third series; lithograph [illustration], printed in black. "Redon's own predilection for fantasy and the macabre drew him naturally into the orbit of Delacroix, Baudelaire, and...
"The First Days of Spring inaugurated a series of works in which, determined to be more Surrealist than the Surrealists themselves, Dali elaborated a symbolic language for delineating, with microscopic precision, his erotic obsessions. It...
"Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
