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  • Description: commercial
(223 results)



Display: 20

    • Harry Frazier Hall, circa 1985.

    • Harry Frazier Hall, circa 1985.

    • Buildings; University of Louisville--Buildings; University of Louisville. College of Business; Educational facilities; Harry Frazier Hall (Louisville, Ky.)

    • Harry Frazier Hall, the main College of Business building, seen from the road. There are a few small trees nearby, suggesting the image was made soon after the building was completed in 1985. On September 13, 2011, this building was named for...
    • Harry Frazier Hall, circa 2007.

    • Harry Frazier Hall, circa 2007.

    • Buildings; University of Louisville--Buildings; University of Louisville. College of Business; Educational facilities; Abstract sculpture; Public sculpture; Big Red (Sculpture); Banners; Harry Frazier Hall (Louisville, Ky.)

    • Harry Frazier Hall, the main building of the College of Business, with the "Big Red" sculpture in the foreground. The building, which is constructed of red brick, concrete and glass, is constructed with a walkway through the middle; this...
    • Harry Frazier Hall, circa 2007.

    • Harry Frazier Hall, circa 2007.

    • Buildings; University of Louisville--Buildings; University of Louisville. College of Business; Educational facilities; Harry Frazier Hall (Louisville, Ky.)

    • Harry Frazier Hall, College of Business' main building, with a banner on the building celebrating the College receiving a top ten ranking among colleges for entrepreneurs. A walkway extends under the upper levels of the building. A low concrete...
    • Harry Frazier Hall, circa 2007.

    • Harry Frazier Hall, circa 2007.

    • Buildings; University of Louisville--Buildings; University of Louisville. College of Business; Educational facilities; Abstract sculpture; Public sculpture; Big Red (Sculpture); Banners; Harry Frazier Hall (Louisville, Ky.)

    • Harry Frazier Hall, the College of Business' primary building, with the "Big Red" sculpture in the foreground. Most of the length of the red brick, concrete and glass building is visible. There is a banner on the building celebrating the...
    • Harry Frazier Hall, University of Louisville, aerial view, 2005.

    • Harry Frazier Hall, University of Louisville, aerial view, 2005.

    • University of Louisville--Buildings; Buildings; University of Louisville. College of Business; University of Louisville. School of Music; Harry Frazier Hall (Louisville, Ky.)

    • Aerial view facing north east from above Third Street, featuring the College of Business' main building, Harry Frazier Hall. The Confederate Monument is visible at the bottom of the photograph. The Music School and Unitas Tower can be seen in the...
    • Education-by-Television, University of Louisville, January, 1950.

    • Education-by-Television, University of Louisville, January, 1950.

    • Distance education; University of Louisville--Students; University of Louisville--Faculty; Television broadcasting; WAVE-TV (Television station : Louisville, Ky.); Students; Teachers;

    • Two rows of students face University of Louisville professor Dr. Harvey Webster as he teaches a class on contemporary British fiction that is being broadcast on WAVE-TV. This class was part of an effort to expand access to education to community...
    • Education-by-Television, University of Louisville, January, 1950.

    • Education-by-Television, University of Louisville, January, 1950.

    • Distance education; University of Louisville--Students; University of Louisville--Faculty; Television broadcasting; WAVE-TV (Television station : Louisville, Ky.); Students; Teachers;

    • University of Louisville professor Dr. Harvey Webster sits on a desk facing students sitting in desk-chairs; there is a television camera labeled "WAVE-TV" in front of the class, as well. Webster is teaching a class on contemporary...
    • Med Center One.

    • Med Center One.

    • Buildings; University of Louisville--Buildings;

    • Med Center One houses the compliance offices for the Health Sciences Campus, the Office of Industry Contracts, and training space. This building formerly housed the Paul Schultz Commercial Artist Company. It earlier housed an auto parts supplier...
    • Boîte-en-Valise, open.

    • Boîte-en-Valise, open.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Boîte-en-Valise, open, center section, detail.

    • Boîte-en-Valise, open, center section, detail.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures; Details

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Parallel of Life & Art.

    • Parallel of Life & Art.

    • Exhibitions; Art exhibitions; Photographs; Reproductions; Art objects; Art; Photojournalism; Science; Sculpture; Heads (Anatomy); Architecture; Interiors; Walls; Ceilings; Architectural elements; Windows; Draperies

    • Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
    • Evadne in Green Dimension.

    • Evadne in Green Dimension.

    • Collages; Commercialism; Advertisements; Advertising; Lust; Sex; Genitals; Body parts; Diagrams; Drawings; Men; Women; Passengers; People associated with transportation; People associated with entertainment & sports; Strong men; Muscles;...

    • "In this collage elements such as Charles Atlas and the diagrammatized penis were pasted over a female 'art' pinup (the 'Evadne in Green Dimension' of the work's title), as though allegorizing the artist's arousal." (Caption, p.96);...
    • Atomic and Uranian Melancholic Idyll.

    • Atomic and Uranian Melancholic Idyll.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Symbols; Fear; Disgrace; Anxiety; Distress; Nuclear war; Nuclear weapons; Atomic bombs; Atoms; Faces; Heads (Anatomy); Men; Baseball players; Baseball umpires; Athletes; People associated with...

    • "The atom bomb was good news for Dali's commercial art." (Caption); "The New York Times reviewer of the Sentimental Colloquy had said correctly that Dali's 'Surrealist' paintings were now executed according to a mere formula. That...
    • Big Painting VI.

    • Big Painting VI.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Comic books; Comics

    • "Whilst clearly representing a critique of free expression, Lichtenstein's 'brushstrokes', like most of his other Pop works, had an exact comic-book source. They initially derived from a strip entitled 'The Painting' published in Charlton...
    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
    • Five Deaths Seventeen Times in Black and White.

    • Five Deaths Seventeen Times in Black and White.

    • Prints; Screen prints; Allusions; Death; Disasters; Tragedies; Accidents; Automobiles; Vehicles; Dead persons; Wounds & injuries; Voyeurism; Social aspects; Social classes

    • "The use of serial repetition here, as in other early Warhol works, relates interestingly to Minimalist uses of repetition. The reciprocally ironic relation between Warhol and the Minimalists came to a head in 1964. Warhol exhibited a series...
    • Saccho H8 (Sack H8).

    • Saccho H8 (Sack H8).

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Bags; Stencils (Images); Numerals; Mixed media

    • "The sacks used in these canvases often displayed stenciled letters relating to their commercial origins. This suggests some link with the German prewar Dadaist, Kurt Schwitters who made collages from printed waste paper. However, Burri,...
    • Cow Wallpaper, detail.

    • Cow Wallpaper, detail.

    • Prints; Screen prints; Wallpapers; Details; Commercialism; Patterns (Design elements); Cows; Cattle; Bulls; Animals; Livestock; Heads (Anatomy); Horns (Animal); Ears; Bridles

    • "Warhol's 'wallpaper' initially decorated a room at Leo Castelli's New York gallery in April, 1966. Another room was devoted to his floating Silver Clouds (helium-filled silver pillows)." (Caption, p.111); "[Robert] Rauschenberg's...
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