Mary, Blessed Virgin, Saint--Art; Counter-Reformation in art; Barocci, Federigo, 1528-1612. Madonna del Popolo; Reni, Guido, 1575-1642. Immaculate Conception; Carracci, Annibale, 1560-1609. Assumption of the Virgin
This paper investigates the objectives of Counter-Reformation leaders as seen through the visual culture of the Virgin Mary in the time period. This study was completed by examining three paintings by three different artists: Federico Barocci,...
"With her hair separated in two sections of coiled locks, this figure is dressed in a long tunic, its folds slipping off to expose the right shoulder. A heavy fringed cloak hangs from the left shoulder and is wrapped around the body, under the...
Architecture; Buildings; Religious facilities; Interiors; Rooms & spaces; Cults; Sculpture; Portraits; Men; Emperors; Rulers; People associated with politics & government; Clothing & dress; Architectural elements; Walls; Pilasters;...
Shows "the end wall (frescoed) and the side wall (on the south side) with the reconstruction of the architectural order." (Caption, p. 145); "The Hall of the Colossus was deliberately set in the northeast corner of the Forum, at the...
"The Hall of the Colossus was deliberately set in the northeast corner of the Forum, at the end of the large western portico, in the typical position of the sacelli closely linked to basilicas, as in the provincial complexes. But in this...
The Louvre portrait is of a "young boy wearing a toga praetexta (a purple-bordered toga) and bulla (ornament worn around a child's neck). […] Comparisons with coins bearing the image of Britannicus exclude the possibility that this is a...
Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
Sculpture; Heads (Anatomy); Portraits; Emperors; Rulers; People associated with politics & government; Men; Hairstyles; Crowns; Headdresses; Headgear; Leaves; Symbols
"[…] this portrait probably came from the forum's Augusteum (a shrine dedicated to the imperial family). […] In this portrait, the hair is combed forward, with short bangs over the forehead, formed by straight and regularly laid locks that...
“The large oecus (5) next to the nuptial bedchamber (4) contains the famous frieze representing the “mysteries” of the Dionysus cult that give the villa its name. The paintings here represent the initiation of a young woman into the mysteries...
Fresco detail, initiate hiding in the lap of the woman who accompanies her in the various phases of the rite. "[…] it still remains uncertain whether the subject is a woman's initiation into an Orphic or Dionysian mystery cult or rather the...
