University of Louisville University Libraries

DIGITAL COLLECTIONS

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  • Description: cultural
(92 results)



Display: 20

    • This Is How You Sit Correctly (after Goya).

    • This Is How You Sit Correctly (after Goya).

    • Paintings; Acrylic paintings; Collages; Allusions; Women; Heads (Anatomy); Faces; Clothing & dress; Dresses; Headgear; Pointing fingers; Smiling; Chairs; Seating furniture; Furniture; Doors & doorways; Floors; Snakes; Reptiles; Animals;...

    • "Polke's work frequently juxtaposes images wrenched from different periods of history. At the bottom left he makes use of a collage by the early twentieth-century Surrealist Max Ernst, whilst the central image derives from a satirical etching...
    • Boîte-en-Valise, open, center section, detail.

    • Boîte-en-Valise, open, center section, detail.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures; Details

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Head of a Man.

    • Head of a Man.

    • Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism

    • "Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
    • Head of a Man, detail.

    • Head of a Man, detail.

    • Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism; Details

    • "Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
    • Untitled.

    • Untitled.

    • Sculpture; Abstract sculpture; Abstract works; Boxes; Geometry

    • "Judd's industrially manufactured, modular pieces, developed from 1966 onwards, were stubbornly empirical investigations of specific materials and visual effects. He shunned mystification and openly declared the nature of his structures. The...
    • More Love Hours Than Can Ever Be Repaid.

    • More Love Hours Than Can Ever Be Repaid.

    • Sculpture; Mixed media; Symbols; Childhood & youth; Social aspects; Social values; Capitalism; Families; Gifts; Stuffed animals (Toys); Toys; Animals; Dolls

    • "The title of this work powerfully conveys the emotional blackmail tied up with certain instances of toy-making or giving. Alongside imagery relating to childhood, Kelley often explores adolescent subcultures, fads, and obsessions. His work...
    • Blue Veil.

    • Blue Veil.

    • Paintings; Acrylic paintings; Abstract paintings; Abstract works

    • "In Louis's enormous 'veils' of the 1950s the physical operations of pouring paint or tilting a canvas so that the paint floods down it are powerfully implied." (Caption, p.28); "[Clement] Greenberg's conception of 'Modernism' as...
    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
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