University of Louisville University Libraries

DIGITAL COLLECTIONS

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  • Description: deriving
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Display: 20

    • Estate.

    • Estate.

    • Mixed media; Collages; Oil paintings; Paintings; Screen prints; Prints; Sculpture; Monuments; Women; Symbols; Architecture; Buildings; Architectural elements; Windows; Signs (Notices); Traffic signs & signals; Traffic regulations

    • "During the 1960s Rauschenberg, like many other artists, increasingly used silkscreen transfers to create a kaleidoscope of images deriving from the daily press and motion pictures even more than from the example of the Dadaists (plate...
    • Five Deaths Seventeen Times in Black and White.

    • Five Deaths Seventeen Times in Black and White.

    • Prints; Screen prints; Allusions; Death; Disasters; Tragedies; Accidents; Automobiles; Vehicles; Dead persons; Wounds & injuries; Voyeurism; Social aspects; Social classes

    • "The use of serial repetition here, as in other early Warhol works, relates interestingly to Minimalist uses of repetition. The reciprocally ironic relation between Warhol and the Minimalists came to a head in 1964. Warhol exhibited a series...
    • Illumined Pleasures.

    • Illumined Pleasures.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Fear; Disgrace; Anxiety; Distress; Psychiatry; Psychotherapy; Portraits; Self-portraits; Women; Men; Fathers; Families; Family; Spouses; Mothers; Heads...

    • "One of Dali's most Freudian paintings. Indeed, the elderly gentleman helping the lady in distress seems to be Freud himself, borrowed from [Max] Ernst's Pietà or Revolution by Night." (Caption); "Illumined Pleasures is one Dali's...
    • Parallel of Life & Art.

    • Parallel of Life & Art.

    • Exhibitions; Art exhibitions; Photographs; Reproductions; Art objects; Art; Photojournalism; Science; Sculpture; Heads (Anatomy); Architecture; Interiors; Walls; Ceilings; Architectural elements; Windows; Draperies

    • Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
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