University of Louisville University Libraries

DIGITAL COLLECTIONS

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  • Description: desire
(43 results)



Display: 20

    • Illumined Pleasures.

    • Illumined Pleasures.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Fear; Disgrace; Anxiety; Distress; Psychiatry; Psychotherapy; Portraits; Self-portraits; Women; Men; Fathers; Families; Family; Spouses; Mothers; Heads...

    • "One of Dali's most Freudian paintings. Indeed, the elderly gentleman helping the lady in distress seems to be Freud himself, borrowed from [Max] Ernst's Pietà or Revolution by Night." (Caption); "Illumined Pleasures is one Dali's...
    • Oral history interview with Murray Atkins Walls and John Walls.

    • Oral history interview with Murray Atkins Walls and John Walls.

    • African Americans; Race relations; Civil rights demonstrations; Civil rights; Louisville Free Public Library; Girl Scouts; Libraries; Integration; African Americans--Social conditions

    • Oral history interview with Murray Atkins Walls and John Walls, conducted July 27, 1977 by Dwayne Cox. Most of the interview focuses on Murray Atkins Walls, although her husband, John Walls, is also an active participant. They were both involved in...
    • Oral history interview with Joseph Hammond.

    • Oral history interview with Joseph Hammond.

    • African Americans; Urban renewal; Small Business Administration (United States); African American business enterprises; African American real estate agents; Youth--Political activity; Busing (School integration); Low-income housing

    • Oral history interview conducted with Joseph Hammond on April 16, 1979 by Mary Bobo. Mr. Hammond, a small business owner and real estate agent, discusses his childhood, education and life as a young adult living and working in Louisville. He...
    • Rialto Theatre, Louisville, Kentucky, lobby, 1936.

    • Rialto Theatre, Louisville, Kentucky, lobby, 1936.

    • Theaters; Motion picture theaters; Cultural facilities; Rialto Theatre (Louisville, Ky.); Motion picture posters

    • Address: 616 S. Fourth Street, Louisville, Kentucky. (Demolished, 1969). The entryway of the Rialto Theatre is shown. The flooring is either tile or parquet and has a runner protecting the main traffic area. To the right are ticket windows and just...
    • Nancy Lux Dorsey.

    • Nancy Lux Dorsey.

    • Bookplates; Labels

    • Woman in classical dress kneels with a shovel planting a small tree. The image is framed by a circular scroll with text inside a rectangular border. At the top of the design is the phrase "Ex Libris." Inside the circular scroll is the...
    • Eleanor Robson. "Merely Mary Ann".

    • Eleanor Robson. "Merely Mary Ann".

    • Portraits; Portrait photographs; Actresses; Women; Costumes; Posing

    • Full-length character portrait of actress, producer, and writer Eleanor Robson in costume for the role of Mary Ann in the comedy "Merely Mary Ann," which she performed at Macauley's Theatre on November 30 - December 2, 1905. She wears...
    • Eleanor Robson.

    • Eleanor Robson.

    • Portraits; Portrait photographs; Actresses; Women

    • Half-tone photomechanical print of actress, producer, and writer Eleanor Robson wearing a scullery cap, likely in costume for the role of Mary Ann in the comedy "Merely Mary Ann," which she performed at Macauley's Theatre on November 30 -...
    • Bible, France, mid 13th century, fragment.

    • Bible, France, mid 13th century, fragment.

    • Illumination of books and manuscripts, Medieval--France; Manuscripts, Medieval; Illuminations 1200-1500

    • Leaf from a small portable Gothic Bible, copied in France in the thirteenth century. The Latin translation used throughout this period was known as the Vulgate, since Latin was the common or vulgar language read by all literate people of the time....
    • The Hat Makes the Man.

    • The Hat Makes the Man.

    • Mixed media; Collages; Gouaches; Watercolors; Oil paintings; Paintings; Drawings; Pencil works; Pen works; Ink drawings; Cutouts; Puns (Visual works); Humorous pictures; Symbols; Hats; Artists' signatures; Inscriptions

    • From caption: C'est le chapeau qui fait l'homme / collage; from the MOMA website (http://www.moma.org) (11-2011): The Hat Makes the Man / Max Ernst (French, born Germany. 1891-1976) (1920). Gouache, pencil, oil, and ink on cut-and-pasted printed...
    • The Hat Makes the Man.

    • The Hat Makes the Man.

    • Mixed media; Collages; Gouaches; Watercolors; Oil paintings; Paintings; Drawings; Pencil works; Pen works; Ink drawings; Cutouts; Puns (Visual works); Humorous pictures; Symbols; Hats; Headgear; Artists' signatures; Inscriptions

    • Cut and pasted paper, pencil, ink, and watercolor on paper. “Ernst's appreciation for visual and linguistic puns was likely fostered by Freud’s book Jokes and Their Relation to the Unconscious. Here, Ernst cut, pasted, and stacked photographs...
    • Le Metafisyx.

    • Le Metafisyx.

    • Paintings; Mixed media; Women; Nudes; Beauty; Aesthetics; Body image; Human body; Body parts

    • Corps de Dames series, 1950; "Child art, which had been a major source of interest for early twentieth-century modernists such as Joan Miró or Paul Klee, was a source here. This was annexed to an adult desire to recover primordial fantasies...
    • At Five in the Afternoon.

    • At Five in the Afternoon.

    • Paintings; Casein paintings; Tempera paintings; Abstract paintings; Abstract works; Allusions; Fantasy; Poetry; Liberty; Death; Fascism; Civil wars; War; Bulls; Animals

    • "This painting deliberately combines a host of allusions to Spanish culture such as the stark black/white contrasts of Goya, Velasquez, and Picasso, the Spanish poet Lorca's lament to a dead bullfighter, 'Llanto por Ignacio Jánchez mejías',...
    • Untitled [Horses].

    • Untitled [Horses].

    • Exhibitions; Art exhibitions; Galleries (Display spaces); Galleries & museums; Exhibition facilities; Exhibition buildings; Interiors; Rooms & spaces; Symbols; Economics; Colors; Power (Social sciences); Horses; Animals

    • "Carried out partly to confront the economic interests on which galleries are based, this installation took place over a three-day period. The artist chose horses of various breeds and colors, associating them symbolically with energy and...
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