"Because precision in dating is impossible for the Paleolithic era, art historians usually can be no more specific than assigning a range of several thousand years to each artifact. But probably later in date than the Venus of Willendorf is...
Drawings; Graphite drawings; Pencil works; Seascape drawings; Seascapes; Seas; Oceans; Water; Bodies of water
"Born in Riga in 1938, and transplanted to America in 1949, Celmins has only recently become well known. Her strangely detached, unlocated subjects suggest a radical retreat from the concerns of modern life. Perhaps they relate to her early...
Medical policy--Kentucky--Louisville; Political planning--Kentucky--Louisville; Cities and towns--Growth--Kentucky--Louisville
A disciplined-configurative case study design was carried out to explore whether a growth machine exists and shapes local healthcare policy in Louisville. A historical analysis first explored whether a growth machine existed in Louisville in the...
A man's philosophy is his view of life. And every man who has lived his life – not merely spent it – has a philosophy. The convictions which go to make up this philosophy are rooted in the sub-soil of his experience. This sub-soil may contain...
Assemblage of bicycle saddle and handlebars. "Picasso's witty 1943 assemblage entitled Bull's Head is a remarkable example of his genius for synthesis. He has fused the ancient motif of the bull and the traditional medium of bronze with modern...
Spirituality; Spirituality in art; Nietzsche, Friedrich Wilhelm, 1844-1900
This thesis explores the history of human spirituality and its present ambiguous place in our modern secular world. Accompanying the written thesis is documentation of my creative work by the same title. First I will describe spirituality as a...
Railroad bridges; Carts & wagons; Rivers; Electric railroads; Louisville and Nashville Railroad Company
Two electric streetcars pass over the Ohio River on the Louisville & Nashville Railroad Bridge in Cincinnati, Ohio. Several detached wagons sit on the banks below the bridge in the foreground.
