University of Louisville University Libraries

DIGITAL COLLECTIONS

Add or remove other collections to your search:



 

Narrow your search by:



You've searched:

All Collections
  • Description: different
(440 results)



Display: 20

    • Livia, from Puteoli, front view.

    • Livia, from Puteoli, front view.

    • Sculpture; Portraits; Women; Empresses; Rulers; People associated with politics & government; Upper class; Standing; Clothing & dress; Veils; Headgear; Hairstyles; Cornucopias

    • Figure 105. Livia. Cat. 28: Puteoli. Copenhagen, Ny Carlsberg Glyptotek 1643. (caption, p.132); White marble with grayish streaks, head, separately carved, may be of a different marble type. From Puteoli (Pozzuoli) [...]. (p.158)
    • This Is How You Sit Correctly (after Goya).

    • This Is How You Sit Correctly (after Goya).

    • Paintings; Acrylic paintings; Collages; Allusions; Women; Heads (Anatomy); Faces; Clothing & dress; Dresses; Headgear; Pointing fingers; Smiling; Chairs; Seating furniture; Furniture; Doors & doorways; Floors; Snakes; Reptiles; Animals;...

    • "Polke's work frequently juxtaposes images wrenched from different periods of history. At the bottom left he makes use of a collage by the early twentieth-century Surrealist Max Ernst, whilst the central image derives from a satirical etching...
    • Herculaneum, decorative fresco-type architectural wall painting.

    • Herculaneum, decorative fresco-type architectural wall painting.

    • Paintings; Murals; Walls; Architecture; Architectural elements; Structural elements; Columns; Moldings; Consoles; Architectural decorations & ornaments; Patterns (Design elements); Masks; Faces; Supernatural beings; Horses; Animals

    • "This fragment of a wall painting was among the very first ancient artworks discovered in Herculaneum after the volcanic eruption on August 23 in 79 A.D. […] This panel was executed using a technique similar to fresco painting. The design...
    • House.

    • House.

    • Sculpture; Houses; Row houses; Dwellings; Residential facilities; Walls; Symbols; Neighborhoods; Working class; Demolition

    • "Rachel Whiteread's House revived a taste for outrage previously brought to the fore in Britain by the Tate Bricks saga. Before its completion in October 1993 it had attracted little press interest. In November of that year, however, a...
    • Britain Seen from the North.

    • Britain Seen from the North.

    • Sculpture; Mixed media; Maps; Recycling; Conservation of natural resources; Economics; Economic & political systems; Political issues; Politics & government

    • "It was not until the end of the 1970s, in the work of a new generation of sculptors including Tony Cragg, Richard Deacon, Anish Kapoor, and Bill Woodrow, that the sculptural object as such, in relation to human or urban themes, reassumed...
    • Manhattan.

    • Manhattan.

    • Paintings; Oil paintings; Abstract works; Abstract paintings

    • "Wols's painted surfaces register a variety of different activities. Paint was stenciled, smeared, trickled, or thrown onto his canvases. Markings were incised using the artist's fingers or sticks. In essence, though, these images were more...
    • Young Gaul, front view.

    • Young Gaul, front view.

    • Sculpture; Portraits; Youth; Young adults; Clothing & dress; Hairstyles; Mustaches

    • Discovered in Reims (France). "This sculpture demonstrates the capacity of Roman artists to synthesize widely divergent influences and draw upon diverse styles. It shows that Roman art was capable of addressing very different concerns while...
    • Herod Atticus, front view.

    • Herod Atticus, front view.

    • Sculpture; Effigies; Portraits; Men; Philosophers; People associated with education & communication; Clothing & dress; Beards; Mustaches

    • "This effigy of the august man of letters was inspired by portraits of Greek philosophers from the fourth and third centuries B.C., but it remains true to the art of the Antonine portrait in its attempts to convey sensitivity and...
    • Columns series, Right Sword, Left Garland.

    • Columns series, Right Sword, Left Garland.

    • Montages; Photographs; Motion study photographs; Patterns (Design elements); Men; Women; Clothing & dress; Heads (Anatomy); Faces; Skulls; Crosses; Flags; Symbols; Power (Social sciences)

    • "Between 1970 and 1987 Zofia Kulik carried out performances in her native Poland with fellow artist Przenyslaw Kwick. Her more recent photographic works contain a 'time-based' aspect in that, rather than constituting montages made up from...
    • Blue Veil.

    • Blue Veil.

    • Paintings; Acrylic paintings; Abstract paintings; Abstract works

    • "In Louis's enormous 'veils' of the 1950s the physical operations of pouring paint or tilting a canvas so that the paint floods down it are powerfully implied." (Caption, p.28); "[Clement] Greenberg's conception of 'Modernism' as...
    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • Drawings; Pencil works; Portrait drawings; Portraits; Self-portraits; Heads (Anatomy); Faces; Women; Artists; Racially mixed people; Hairstyles; Race discrimination; Discrimination; Racism; Ethnic stereotypes; Interpersonal relations; Prejudice

    • "As an African-American who is able to pass as 'white', Piper has written eloquently of the social and institutional prejudices that surface when she divulges her racially mixed identity. In a text entitled 'Flying' of 1987 she wrote: 'I am...
    • Artemis, front view.

    • Artemis, front view.

    • Sculpture; Metalwork; Myths; Legends; Supernatural beings; Fictitious characters; Goddesses; People associated with religion; Women; Clothing & dress; Hairstyles; Gestures

    • One of the Piraeus bronze statues; "The statue of the large Artemis reflects a different conception of the goddess, that of a serious young woman, in which her role as huntress is indicated only by the position of the fingers holding the bow...
    • The Migration of the Negro series, No. 49.

    • The Migration of the Negro series, No. 49.

    • Paintings; Tempera paintings; Storytelling; Vignettes; History; Discrimination; Racism; Segregation; Political issues; Social aspects; Interpersonal relations; Social classes; Economic & social conditions; Social life; Cost & standard of...

    • "No. 49 of this series bears the caption 'They also found discrimination in the North although it was much different from that which they had known in the South.'" (Excerpt, Kleiner, p.1067)
Coming soon

This content is not yet available. Please check back.

 

QuickView

Display a larger image and more item information when the pointer pauses over a thumbnail
on off
 

Layout options:

Thumbnail with title
Grid with smaller thumbnails and more detail
Select the collections to add or remove from your search
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 
OK
Select the collections to add or remove from your search
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 
OK