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  • Description: felt
(33 results)



Display: 20

    • Merry Christmas.

    • Merry Christmas.

    • Santa Claus; Wreaths; Christmas cards; Holly

    • Santa Claus holds a holly wreath up near his face, framing it. His felt is visible below the bottom of the wreath. Address dates this card to no later than 1914.
    • Gardencourt, before 1987.

    • Gardencourt, before 1987.

    • Buildings; University of Louisville--Buildings; Gardencourt (Louisville, Ky.); Houses; Gardens;

    • Gardencourt with statuary in foreground and a garden to the side. Gardencourt was built in 1906 and was a gift to the University of Louisville by the Norton family. It was deeded March 14, 1947. It served as the site of the University of...
    • Dead (Tote) from October 18, 1977.

    • Dead (Tote) from October 18, 1977.

    • Paintings; Oil paintings; Photographs; Activists; Left-wing extremists; Terrorists; Dead persons; Death; Suicides; Social justice; Political issues; Politics & government; Protest movements; Opposition (Political science); Student movements;...

    • "[…] the German painter Gerhard Richter […] looked back mournfully on painting's loss of public function in his October 18, 1977 (1988), a cycle of 15 paintings which mimicked the appearances of blurred black-and-white photographs. Richter...
    • Young Virgin Auto-Sodomized by the Horns of her Own Chastity.

    • Young Virgin Auto-Sodomized by the Horns of her Own Chastity.

    • Paintings; Oil paintings; Fantasy; Symbols; Sex; Lust; Erotica; Women; Nudes; Backs (Anatomy); Buttocks; Breasts; Shoes; Footwear; Horns (Animal); Clouds; Walls; Architectural elements; Structural elements; Railings; Shadows; Artists' signatures

    • "Dali prided himself on being the world's greatest ever painter of the female posterior." (Caption); "It was probably early in 1950 that Emmanuel Looten, a little-known Flemish poet, had made Dali the unexpected and 'gelatinous' gift...
    • More Love Hours Than Can Ever Be Repaid.

    • More Love Hours Than Can Ever Be Repaid.

    • Sculpture; Mixed media; Symbols; Childhood & youth; Social aspects; Social values; Capitalism; Families; Gifts; Stuffed animals (Toys); Toys; Animals; Dolls

    • "The title of this work powerfully conveys the emotional blackmail tied up with certain instances of toy-making or giving. Alongside imagery relating to childhood, Kelley often explores adolescent subcultures, fads, and obsessions. His work...
    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Diego and I.

    • Diego and I.

    • Women; Men; Spouses; Couples; Heads (Anatomy); Hairstyles; Eyes; Marriage; Relations between the sexes; Crying; Mental states; Pain

    • "An obsessive self-portraitist, Kahlo reveled in her distinctive features - heavy, continuous eyebrows, piercing gaze, shadowy mustache, small but ripe, cherry-red mouth, massive dark hair braided like a halo in the traditional Mexican style....
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