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    • Funerary relief with portraits of the Servilii, from Rome, Italy.

    • Funerary relief with portraits of the Servilii, from Rome, Italy.

    • Sculpture; Architectural sculpture; Memorial works; Tombs & sepulchral monuments; Bas-reliefs; Portraits; Families; Men; Women; Couples; Spouses; Fathers; Mothers; Children; Boys; Youth; Slaves; Servants; Women domestics; Working class;...

    • "The father (pater in the epitaph) was the libertus of Quintus Servilius (Q.L.) and took his patron’s name upon manumission (gaining freedom). His wife (uxor) was formerly a slave of a woman named Sempronia. She too assumed her patron’s...
    • The Death of Bara.

    • The Death of Bara.

    • Paintings; Oil paintings; Storytelling; Death; Revolutions; Children; Boys; Teenagers; Youth; Revolutionaries; Spies; Nudes

    • “The following year, the heroes of the day were children. David was asked to paint Joseph Bara, the drummer who chose to die rather than shout ‘Vive le roi!’, and the young Provençal Agricol Viala. Of these two projects, one unfinished...
    • The Death of Bara, detail, head.

    • The Death of Bara, detail, head.

    • Paintings; Oil paintings; Storytelling; Death; Revolutions; Children; Boys; Teenagers; Youth; Revolutionaries; Spies; Nudes; Details

    • “The following year, the heroes of the day were children. David was asked to paint Joseph Bara, the drummer who chose to die rather than shout ‘Vive le roi!’, and the young Provençal Agricol Viala. Of these two projects, one unfinished...
    • The Great Masturbator.

    • The Great Masturbator.

    • Paintings; Oil paintings; Symbols; Fantasy; Lust; Sex; Relations between the sexes; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Standing; Hugging; Body parts; Genitals; Heads (Anatomy); Legs; Animals; Lions; Wild cats; Tongues; Ants;...

    • "To the right of the photograph [referring to the photograph in Dali's painting The First Days of Spring, 1929] we find the first appearance of an icon soon to proliferate in Dali's work: a waxy-complexioned head with closed eyes, long...
    • Scratching Both Walls at Once, film still.

    • Scratching Both Walls at Once, film still.

    • Performance art; Video recording; Motion pictures; Film stills; Myths; Fairy tales; Allusions; Artificial limbs; Artists; Women; Hairstyles; Posing; Interiors; Rooms & spaces; Architectural elements; Walls; Windows

    • Film still from recorded performance. "Rebecca Horn's early performances involved her strapping surreal prostheses to her body or wearing elaborate costumes. The allusions to fairy tale and myth were unmistakable but rarely specific. Since...
    • The Endless Enigma.

    • The Endless Enigma.

    • Paintings; Oil paintings; Symbols; Optical illusions; Fear; Disgrace; Anxiety; Distress; Lust; Heads (Anatomy); Faces; Men; Women; Philosophers; Poets; Authors; Supernatural beings; Mandolins; Musical instruments; Beaches; Cliffs; Landscapes...

    • "The ever-present, brooding presence of Lorca [Federico García Lorca]." (Caption); "That Lorca continued to be on Dali's mind as he worked on Bacchanale is confirmed by a painting done during these months at La Pausa, The Great...
    • The Old Age of William Tell.

    • The Old Age of William Tell.

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Fear; Anxiety; Lust; Nudes; Men; Women; Couples; Older people; Beards; Breasts; Backs (Anatomy); Animals; Wild cats; Lions; Shadows; Bedsheets

    • "Action behind the sheet, in the presence of the ubiquitous lion. Dali said the painting referred to his and Gala's repudiation by his father. There are allusions to Gala's operation, which Dali feared might be fatal." (Caption);...
    • Wedge of Chastity.

    • Wedge of Chastity.

    • Sculpture; Plasterwork; Inscriptions

    • Sculpture of two interlocking parts, galvanized plaster for the wedge and dental plastic for the base; The following descriptive notes are from: Schwarz, Arturo. The Complete Works of Marcel Duchamp. 2nd rev. ed. New York: Harry N. Abrams, 1970,...
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