University of Louisville University Libraries

DIGITAL COLLECTIONS

Add or remove other collections to your search:



 

Narrow your search by:



Type

Coverage

Subject

Contributors

Creator

You've searched:

All Collections
  • Description: foreground
(334 results)



Display: 20

    • The Sower.

    • The Sower.

    • Paintings; Oil paintings; Croplands; Agriculture; Farming; Landscapes (Representations); Men; Adults; Working class; Laborers; Agricultural laborers; People associated with manual labor; People associated with agriculture; Walking; Gestures;...

    • "Though its exact date is unknown, the nature of the brushwork and general intensity of style suggest late 1888 or early 1889 while van Gogh was still in Arles, the village in Provence [...]. It may even have been executed after van Gogh...
    • The First Days of Spring.

    • The First Days of Spring.

    • Paintings; Oil paintings; Collages; Fantasy; Symbols; Sex; Lust; Relations between the sexes; Psychotherapy; Psychiatry; Fear; Disgrace; Anxiety; Distress; Solitude; Loneliness; Spring; Men; Women; Children; Girls; Older people; Fathers; Couples;...

    • "The First Days of Spring inaugurated a series of works in which, determined to be more Surrealist than the Surrealists themselves, Dali elaborated a symbolic language for delineating, with microscopic precision, his erotic obsessions. It...
    • Little Ashes.

    • Little Ashes.

    • Paintings; Oil paintings; Fantasy; Symbols; Sex; Women; Men; Heads (Anatomy); Faces; Nudes; Buttocks; Breasts; Body parts; Backs (Anatomy); Arms (Anatomy); Fingers; Birds; Animals; Feathers

    • "The painting anthologizes Dali's obsessions of the moment." (Caption); "As a result of Santos Torroella's dedicated researches, it is now generally accepted that the two heads in The Birth of Venus represent those of Lorca [Federico...
    • The Persistence of Memory.

    • The Persistence of Memory.

    • Paintings; Oil paintings; Fantasy; Symbols; Dreaming; Time; Clocks & watches; Trees; Flies; Ants; Insects; Reflections; Landscapes (Representations); Cliffs; Bodies of water

    • "Dali's famous 'melting clocks' in The Persistence of Memory portray the uncanny quality of certain dreams. In a stark, oddly illuminated landscape, a number of elements referring to time - watches, eggs, a dead fish, a dead tree - are...
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
    • Discovery of America by Christopher Columbus.

    • Discovery of America by Christopher Columbus.

    • Paintings; Oil paintings; Marines (Visual works); Symbols; Allusions; Discovery & exploration; Catholicism; Christianity; Portraits; Self-portraits; Portrait paintings; Men; Women; Spouses; Nudes; Explorers; Saints; People associated with...

    • "Dali and Gala had every reason to be grateful to America, which had showered them with dollars. Here, as Columbus, the painter kneels on the shore, holding aloft a silver crucifix. Gala appears once more as Virgin Mary, on the banner."...
    • Girl from Figueres.

    • Girl from Figueres.

    • Paintings; Oil paintings; Women; Backs (Anatomy); Clothing & dress; Hairstyles; Hair ornaments; Leisure; Domestic life; Sewing; Scissors & shears; Thread; Sitting; Chairs; Seating furniture; Furniture; Architecture; Architectural elements;...

    • "The view from the balcony of the Dalis' second home in Figueres, at Carrer Monturiol 24. This was the painting Dali showed Picasso on his first visit to Paris in April 1926." (Caption); "The building, today numbered Monturiol, 10,...
    • The Profanation of the Host.

    • The Profanation of the Host.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Disgrace; Anxiety; Distress; Sex; Lust; Relations between the sexes; Heads (Anatomy); Women; Men; Fathers; Nudes; Body parts; Lions; Animals; Ants; Locusts; Insects; Chalices; Drinking vessels;...

    • "Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
    • Given: 1. The Waterfall/ 2. The Illuminating Gas.

    • Given: 1. The Waterfall/ 2. The Illuminating Gas.

    • Sculpture; Mixed media; Women; Nudes; Nudism; Light; Lighting; Gas-lighting; Lamps; Luminescent works; Trees; Plants; Forests; Landscapes (Representations); Lakes & ponds; Bodies of water; Waterfalls

    • Mixed media assemblage including: an old wooden door, black velvet, bricks, wooden table, leather stretched over an armature of metal and other material to form a female nude, human hair, gas lamp (bec Auer type), twigs, aluminum, iron, glass,...
Coming soon

This content is not yet available. Please check back.

 

QuickView

Display a larger image and more item information when the pointer pauses over a thumbnail
on off
 

Layout options:

Thumbnail with title
Grid with smaller thumbnails and more detail
Select the collections to add or remove from your search
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 
OK
Select the collections to add or remove from your search
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 
OK