Catalog of an exhibition about modern graphic design presented by the University of Louisville, Allen R. Hite Art Institute, October 3-November 11, 1960.
Catalog of an exhibition of painting and graphic art by Silvio Loffredo presented by the University of Louisville, Allen R. Hite Art Institute, November 23-December 17, 1965.
Louisville Country Club on River Road. A large building with curved canopies over five central windows on the second floor. The Louisville Country Club has a manicured lawn peopled with numerous wood director's chairs and three umbrellas with...
Drawings; Graphite drawings; Pencil works; Seascape drawings; Seascapes; Seas; Oceans; Water; Bodies of water
"Born in Riga in 1938, and transplanted to America in 1949, Celmins has only recently become well known. Her strangely detached, unlocated subjects suggest a radical retreat from the concerns of modern life. Perhaps they relate to her early...
Caption information: Bildnis einer Dame mit entblosstem Oberkorper [Portrait of a Lady with bare torso (upper part of the body)] / 1907/08 / Bleistift, blauer und roter Farbstift [pencil, blue and red crayon/color pencil] [Note: “farbstift”...
Caption information: Schwangere Frau nach links [Pregnant woman facing left (seen from the left)] / um 1908 [c. 1908] / Bleistift, roter und blauer Farbstift [pencil, red and blue crayon/color pencil] [Note: “farbstift” translates as “color...
Caption information: Stehender weiblicher Akt nach rechts [Standing female nude seen facing right] / um 1915 [c. 1915] / Bleistift [pencil] / sig.: u. r. Gustav Klimt [signature: lower right Gustav Klimt] / Graphische Sammlung Albertina, Wien...
Mixed media textiles--Kentucky--Louisville--Exhibitions; Mixed media painting--Kentucky--Louisville--Exhibitions
My work focuses on repurposing historic images and feminine objects to create a contemporary dialogue about the traditions of courtship, marriage and divorce. The use of textiles and feminine objects such as doilies, lace, slips and wallpaper serve...
"Whilst clearly representing a critique of free expression, Lichtenstein's 'brushstrokes', like most of his other Pop works, had an exact comic-book source. They initially derived from a strip entitled 'The Painting' published in Charlton...
This thesis is about graphic representations of violence and subjectivity. Simply stated, the violence in many recent horror films is motivated by a nihilism resulting from frustration with the inadequacy of contemporary subjectivity. I want to...
