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  • Description: head
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Display: 20

    • The Cruelty of the Father.

    • The Cruelty of the Father.

    • Paintings; Oil paintings; Diptychs; Men; Women; Nudes; Nudism; Posing; Body parts; Feet; Breasts; Backs (Anatomy); Heads (Anatomy); Faces; Swimmers; Headgear; Swimming pools; Outdoor furniture; Furniture

    • Oil and acrylic on canvas. “Salle has cultivated a very urbane way of representing stereotypes, taken from the mass media and the world of art, which has affinities with Jasper Johns’ early classicism, such as the Target with Boxes. Parts of...
    • Livia, from Pompeii, front view.

    • Livia, from Pompeii, front view.

    • Sculpture; Portraits; Women; Empresses; Rulers; People associated with politics & government; Upper class; Standing; Clothing & dress; Veils; Headgear; Hairstyles

    • Figure 138. Livia. Cat. 27: Pompeii. Antiquarium 4400. (caption, p.157); Statue composed of head and reused body. Found leaning against the wall in the peristyle of the Villa of the Mysteries. (p.157)
    • Livia, from Puteoli, front view.

    • Livia, from Puteoli, front view.

    • Sculpture; Portraits; Women; Empresses; Rulers; People associated with politics & government; Upper class; Standing; Clothing & dress; Veils; Headgear; Hairstyles; Cornucopias

    • Figure 105. Livia. Cat. 28: Puteoli. Copenhagen, Ny Carlsberg Glyptotek 1643. (caption, p.132); White marble with grayish streaks, head, separately carved, may be of a different marble type. From Puteoli (Pozzuoli) [...]. (p.158)
    • Sarcophagus of Cornelius Statius, front panel.

    • Sarcophagus of Cornelius Statius, front panel.

    • Sculpture; Sarcophagi; Coffins; Death & burial; Containers; Monuments & memorials; Memorial works; Inscriptions; Human life cycle; Childhood & youth; Domestic life; Child rearing; Breast feeding; Feeding; Lifting & carrying; Riding;...

    • "[…] this child's sarcophagus has been reassembled from many fragments. The front panel is, however, in fairly good condition, with a few missing pieces reconstructed from Carrara marble. […] This sarcophagus is among the earliest of the...
    • Little Ashes.

    • Little Ashes.

    • Paintings; Oil paintings; Fantasy; Symbols; Sex; Women; Men; Heads (Anatomy); Faces; Nudes; Buttocks; Breasts; Body parts; Backs (Anatomy); Arms (Anatomy); Fingers; Birds; Animals; Feathers

    • "The painting anthologizes Dali's obsessions of the moment." (Caption); "As a result of Santos Torroella's dedicated researches, it is now generally accepted that the two heads in The Birth of Venus represent those of Lorca [Federico...
    • Metamorphosis of Narcissus.

    • Metamorphosis of Narcissus.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Allusions; Symbols; Myths; Sex; Fear; Love; Self-interest; Poetry; Women; Men; Nudes; Gays; Dancers; Dance; Backs (Anatomy); Pedestals; Body parts; Hands; Fingers; Eggs; Landscapes...

    • "This is the painting Dali took to show Freud in London. It belonged formerly to Edward James." (Caption); "At Zürs […] Dali embarked on a new experiment: the composition, in French, of a 'paranoaic' poem, The Myth of Narcissus,...
    • Herculaneum, decorative fresco-type architectural wall painting.

    • Herculaneum, decorative fresco-type architectural wall painting.

    • Paintings; Murals; Walls; Architecture; Architectural elements; Structural elements; Columns; Moldings; Consoles; Architectural decorations & ornaments; Patterns (Design elements); Masks; Faces; Supernatural beings; Horses; Animals

    • "This fragment of a wall painting was among the very first ancient artworks discovered in Herculaneum after the volcanic eruption on August 23 in 79 A.D. […] This panel was executed using a technique similar to fresco painting. The design...
    • Venus from Montagne, front view.

    • Venus from Montagne, front view.

    • Sculpture; Figurines; Women; Goddesses; Myths; Legends; Supernatural beings; Fictitious characters; Hairstyles; Headgear; Grooming; Gestures; Mirrors; Symbols; Cupids; Dolphins; Aquatic animals; Lifting & carrying

    • "Venus is represented rising out of the water in accord with the conventions of the Aphrodite Anadyomene type. The triton and dolphin, which recall the maritime setting, were sometimes depicted alternately with two cupids accompanying the...
    • The Madonna of Port Lligat.

    • The Madonna of Port Lligat.

    • Paintings; Oil paintings; Symbols; Catholicism; Christianity; Women; Spouses; Mothers; Saints; Children; Infants; People associated with religion; Sitting; Floating; Prayer; Clothing & dress; Hairstyles; Thrones; Chairs; Seating furniture;...

    • First version; "Dali's atomic variation on the Assumption, with Gala as tutelary goddess of Port Lligat." (Caption); Dali's first 'religious painting', designed to ingratiate himself with Church and State, was The Madonna of Port Lligat,...
    • The Profanation of the Host.

    • The Profanation of the Host.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Disgrace; Anxiety; Distress; Sex; Lust; Relations between the sexes; Heads (Anatomy); Women; Men; Fathers; Nudes; Body parts; Lions; Animals; Ants; Locusts; Insects; Chalices; Drinking vessels;...

    • "Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
    • Imperial Monument to the Child-Woman.

    • Imperial Monument to the Child-Woman.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Love; Worry; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Spouses; Fathers; Families; Family; Faces; Heads (Anatomy); Body parts; Buttocks;...

    • "The Child-Woman is Gala, who appears here for the first time in Dali's work." (Caption); "Meanwhile, Dali had painted the first major work in which he alluded directly to the relationship with Gala that was partially to blame for...
    • Talking.

    • Talking.

    • Paintings; Oil paintings; Arms (Anatomy); Hands; Fingers; Body parts; Clocks & watches; Cigarettes; Smoking; Smoke; Worry

    • "As in certain paintings by Francis Bacon, existential givens were made stubbornly palpable in Guston's pictures. Recurrent images such as a head with a single wide-open eye, wrist-watches, bare light-bulbs, or cigarette butts spoke of bouts...
    • Herod Atticus, front view.

    • Herod Atticus, front view.

    • Sculpture; Effigies; Portraits; Men; Philosophers; People associated with education & communication; Clothing & dress; Beards; Mustaches

    • "This effigy of the august man of letters was inspired by portraits of Greek philosophers from the fourth and third centuries B.C., but it remains true to the art of the Antonine portrait in its attempts to convey sensitivity and...
    • Five Deaths Seventeen Times in Black and White.

    • Five Deaths Seventeen Times in Black and White.

    • Prints; Screen prints; Allusions; Death; Disasters; Tragedies; Accidents; Automobiles; Vehicles; Dead persons; Wounds & injuries; Voyeurism; Social aspects; Social classes

    • "The use of serial repetition here, as in other early Warhol works, relates interestingly to Minimalist uses of repetition. The reciprocally ironic relation between Warhol and the Minimalists came to a head in 1964. Warhol exhibited a series...
    • Given: 1. The Waterfall/ 2. The Illuminating Gas.

    • Given: 1. The Waterfall/ 2. The Illuminating Gas.

    • Sculpture; Mixed media; Women; Nudes; Nudism; Light; Lighting; Gas-lighting; Lamps; Luminescent works; Trees; Plants; Forests; Landscapes (Representations); Lakes & ponds; Bodies of water; Waterfalls

    • Mixed media assemblage including: an old wooden door, black velvet, bricks, wooden table, leather stretched over an armature of metal and other material to form a female nude, human hair, gas lamp (bec Auer type), twigs, aluminum, iron, glass,...
    • Guernica.

    • Guernica.

    • Paintings; Oil paintings; Civil wars; War; Politics & government; Political issues; Dictators; Nazis; Fascism; Civilization; Bombings; Military tactics; War destruction & pillage; Death; Dismemberment; Body parts; Mental states; Despair;...

    • "In this monumental work of 1937, Guernica, Picasso combined Analytic and Synthetic Cubist forms with several traditional motifs, juxtaposing them in a new Surrealist way. The combination serves the political message of the painting - namely,...
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