University of Louisville University Libraries

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Display: 20

    • Beaver Creek Boys.

    • Beaver Creek Boys.

    • Men; Fences; Guitars; Stringed instruments; Mountains

    • Four young men pose on a split-rail fence on a hillside. Two hold guitars. Jean Thomas' notes identifies them as Wheelwright Boys in two of the three images of this group, and Beaver Creek Boys in the third. Both Wheelwright and Beaver Creek may...
    • Goodwill Industries of America store interior.

    • Goodwill Industries of America store interior.

    • Goodwill Industries of America; Charitable organizations; Stores & shops; Interiors; Furniture; Merchandise displays; Signs (Notices)

    • Sign hanging from ceiling identifies this as "The Basement Store." Furniture is at left; bookcases in back of room; and glass cases at right contain clothing, dolls, and hats, with a sign in the foreground reading "New Garments...
    • Baptist Women's Educational Convention board.

    • Baptist Women's Educational Convention board.

    • Simmons University (Louisville, Ky.); Baptist universities and colleges; African Americans--Education (Higher); Education; Women; Group portraits; African Americans; Baptists

    • The back of the photograph identifies the group of women as the Board of Baptist Women's Educational Convention, which was established by African American Baptist women in Kentucky in 1883 to raise funds to support State University, the first...
    • Gottschalk Hall, from period when it was the Chemistry Building, 1920s.

    • Gottschalk Hall, from period when it was the Chemistry Building, 1920s.

    • Gottschalk Hall (Louisville, Ky.); Buildings; University of Louisville--Buildings; Laboratories; Chemicals; Students; Women; Men; Teachers; Chemicals; University of Louisville--Students; University of Louisville--Faculty

    • Laboratory in Gottschalk Hall, University of Louisville, with students at the benches and two faculty members standing by a window. Racks of bottles are visible; the people at the lab benches are bent over their work. The faculty members are...
    • Students in chemical engineering lab, 1936.

    • Students in chemical engineering lab, 1936.

    • University of Louisville--Students; Students; University of Louisville. Speed Scientific School; Engineering laboratories; Women engineering students; Microscopes;

    • Three students work with a microscope in the Speed School's chemical engineering laboratory. One of the students is female; this may be Margaret Mattingly. A Courier-Journal article from August 16, 1936 notes that the microscope the students are...
    • Dean's Building, circa 1928.

    • Dean's Building, circa 1928.

    • Buildings; University of Louisville--Buildings; Women; Lounges; Tables; Chairs; Benches;

    • Room within the Dean's Building from the time when it was used as the Women's Building. Several women are seated in chairs; most of them appear to be reading. The room is sparsely furnished with simple chairs, small tables, and lamps, along with a...
    • University of Louisville football team and coaches, 1930.

    • University of Louisville football team and coaches, 1930.

    • Football players; Coaches (Athletics); University of Louisville--Football; University of Louisville--Sports; University of Louisville--Students;

    • Group shot of the 1930 football team. Note on verso identifies individual team members. Back row: Coach King; 31: Huff; 39: Metsky; 35: Rehrmann; 19: Weihe; Coach McGrath; 26: Gibson; 38: unidentified; 18: Bain; 16: Kemp; Coach Blackerby. Middle...
    • Bedia's Stirring Wheel.

    • Bedia's Stirring Wheel.

    • Sculpture; Mixed media; Symbols; Discrimination; Race discrimination; Race relations; Racism; Ethnic groups; Ethnic stereotypes; Indigenous peoples; Cultural relations; History; Irony; Fantasy; Archaeology; Excavation; Hides & skins; Steering...

    • "Durham's symbolic recoding of the imagery of modern America in the terms of its native Indians is interesting in relation to Joseph Beuys's use of Indian iconography for purposes of symbolic retribution. As a modernist, Beuys assumed his work...
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