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    • The Madonna of Port Lligat.

    • The Madonna of Port Lligat.

    • Paintings; Oil paintings; Symbols; Catholicism; Christianity; Women; Spouses; Mothers; Saints; Children; Infants; People associated with religion; Sitting; Floating; Prayer; Clothing & dress; Hairstyles; Thrones; Chairs; Seating furniture;...

    • First version; "Dali's atomic variation on the Assumption, with Gala as tutelary goddess of Port Lligat." (Caption); Dali's first 'religious painting', designed to ingratiate himself with Church and State, was The Madonna of Port Lligat,...
    • Outskirts of the Paranoiac-Critical Town.

    • Outskirts of the Paranoiac-Critical Town.

    • Paintings; Oil paintings; Fantasy; Symbols; Fear; Anxiety; Lust; Sex; Invitations; Gestures; Locomotion; Human locomotion; Women; Portraits; Spouses; Children; Girls; Clothing & dress; Shirts; Necklaces; Neckwear; Jewelry; Dresses; Cities &...

    • "The painting belonged to Edward James. The 'paranoiac-critical town' is composed of elements principally from Cadaqués and Palamós." (Caption); "The reference was to Outskirts of the Paranoiac-Critical Town, one of Dali's finest...
    • Illumined Pleasures.

    • Illumined Pleasures.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Fear; Disgrace; Anxiety; Distress; Psychiatry; Psychotherapy; Portraits; Self-portraits; Women; Men; Fathers; Families; Family; Spouses; Mothers; Heads...

    • "One of Dali's most Freudian paintings. Indeed, the elderly gentleman helping the lady in distress seems to be Freud himself, borrowed from [Max] Ernst's Pietà or Revolution by Night." (Caption); "Illumined Pleasures is one Dali's...
    • Cremaster 4, film still from video.

    • Cremaster 4, film still from video.

    • Film stills; Motion pictures; Video recording; Storytelling; Fantasy; Myths; Science fiction; Metamorphosis; Supernatural; Supernatural beings; Heroes; Dandies; Men; Ears; Clothing & dress; Suits (Clothing); Corsages

    • "Here the artist aspires to a metamorphosis which hints partly at mythology, partly at science fiction. However, with mock pathos, Barney's floppy ears and dual kiss-curls inadequately match up to the four horns of the ram which the video's...
    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
    • I-Box.

    • I-Box.

    • Sculpture; Puns (Visual works); Sex; Genitals; Nudes; Nudism; Voyeurism; Photographs; Men; Artists; Sculptors; Posing; Boxes; Doors & doorways; Initials

    • "Here Morris presented a small rectangular structure with a door shaped as a letter 'I'. When opened the door gave on to a photograph of the artist, his phallus rhyming with the "I" connotative both of the viewers looking (eye) and...
    • Five Deaths Seventeen Times in Black and White.

    • Five Deaths Seventeen Times in Black and White.

    • Prints; Screen prints; Allusions; Death; Disasters; Tragedies; Accidents; Automobiles; Vehicles; Dead persons; Wounds & injuries; Voyeurism; Social aspects; Social classes

    • "The use of serial repetition here, as in other early Warhol works, relates interestingly to Minimalist uses of repetition. The reciprocally ironic relation between Warhol and the Minimalists came to a head in 1964. Warhol exhibited a series...
    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Italia d'oro (Golden Italy).

    • Italia d'oro (Golden Italy).

    • Sculpture; Metalwork; Maps; Industrialization; Industry; Economic & social conditions; Social aspects; Industrial arbitration; Social classes; Wealth; Poverty; Economic & industrial aspects

    • "Fabro made his first sculpture in the Italia series in 1968. Dozens of variations followed in subsequent years. Another theme established in 1968 was that of 'Feet'. This involved the artist in producing a series of bizarre sculptural...
    • Merda d'Artista [Artist's Shit], with Piero Manzoni.

    • Merda d'Artista [Artist's Shit], with Piero Manzoni.

    • Photographs; Portrait photographs; Advertisements; Advertising; Selling; Commercialism; Commerce; Business & finance; Business enterprises; Industry; Puns (Visual works); Products; Art objects; Feces; Bodily functions; Cans; Containers; Men;...

    • The Artist [Piero Manzoni ] with 'Merda d'artista' [Artist's Shit], at Angli Shirt Factory, Herning, Denmark, 1961. "This provocative image of Manzoni with one of his cans of excrement could be seen as a rejoinder to photographic images of...
    • Untitled (Shanty).

    • Untitled (Shanty).

    • Sculpture; Architecture; Buildings; Houses; Dwellings; Huts; Shelters; Housing; Architectural elements; Walls; Doors & doorways; Wheels

    • "Alice Aycock […] bases her forms on the logic of the imagination. […] Aycock revels in conjuring the past. The rich associative content of her sculpture is often nurtured by fanciful titles and accompanying texts that refer to history,...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
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