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  • Description: images
(507 results)



Display: 20

    • Macauley's Theatre Collection

    • Macauley's Theatre Collection

    • Theater--United States; Theater--Kentucky--Louisville; Actors; Actresses; Portrait photographs; Costumes

    • 1493 images originally hung in the lobby of Macauley's Theatre on Walnut Street in downtown Louisville, Kentucky (1873-1952). Primarily studio portraits of actors and actresses from the late 19th and early 20th centuries, these images document the...
    • General Orlando M. Poe Collection, 1836 - ca. 1890

    • General Orlando M. Poe Collection, 1836 - ca. 1890

    • United States--History--Civil War, 1861-1865; Military officers; United States. Army. Corps of Engineers

    • 88 images and four manuscripts relating to the U.S. military, with a particular focus on the Civil War era, collected by West Point alumnus, engineer, and Civil War veteran Orlando Metcalfe Poe (1832-1895).
    • Dead (Tote) from October 18, 1977.

    • Dead (Tote) from October 18, 1977.

    • Paintings; Oil paintings; Photographs; Activists; Left-wing extremists; Terrorists; Dead persons; Death; Suicides; Social justice; Political issues; Politics & government; Protest movements; Opposition (Political science); Student movements;...

    • "[…] the German painter Gerhard Richter […] looked back mournfully on painting's loss of public function in his October 18, 1977 (1988), a cycle of 15 paintings which mimicked the appearances of blurred black-and-white photographs. Richter...
    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
    • Talking.

    • Talking.

    • Paintings; Oil paintings; Arms (Anatomy); Hands; Fingers; Body parts; Clocks & watches; Cigarettes; Smoking; Smoke; Worry

    • "As in certain paintings by Francis Bacon, existential givens were made stubbornly palpable in Guston's pictures. Recurrent images such as a head with a single wide-open eye, wrist-watches, bare light-bulbs, or cigarette butts spoke of bouts...
    • Columns series, Right Sword, Left Garland.

    • Columns series, Right Sword, Left Garland.

    • Montages; Photographs; Motion study photographs; Patterns (Design elements); Men; Women; Clothing & dress; Heads (Anatomy); Faces; Skulls; Crosses; Flags; Symbols; Power (Social sciences)

    • "Between 1970 and 1987 Zofia Kulik carried out performances in her native Poland with fellow artist Przenyslaw Kwick. Her more recent photographic works contain a 'time-based' aspect in that, rather than constituting montages made up from...
    • Bojewyan Farms.

    • Bojewyan Farms.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Agriculture; Agricultural productivity; Croplands; Farms; Farming; Economics; Economic & social conditions; Landscapes (Representations); Villages; Coastlines; Animals

    • "Bojewyan is a small village near St. Just in Cornwall, England. At the time of the painting local farmsteads were falling empty because they were uneconomic. Lanyon saw this as a serious threat to the region. His painting contains hints of a...
    • Estate.

    • Estate.

    • Mixed media; Collages; Oil paintings; Paintings; Screen prints; Prints; Sculpture; Monuments; Women; Symbols; Architecture; Buildings; Architectural elements; Windows; Signs (Notices); Traffic signs & signals; Traffic regulations

    • "During the 1960s Rauschenberg, like many other artists, increasingly used silkscreen transfers to create a kaleidoscope of images deriving from the daily press and motion pictures even more than from the example of the Dadaists (plate...
    • At the Moulin Rouge.

    • At the Moulin Rouge.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Men; Women; Artists; Painters (Artists); Draftspersons; Critics; Collectors; Art collectors; Authors; Photographers; Dancers; Entertainers; People associated...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • At the Moulin Rouge, detail, central figures.

    • At the Moulin Rouge, detail, central figures.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Details; Men; Women; Artists; Painters (Artists); Draftspersons; Authors; Photographers; Jockeys; Adults; Sitting; Walking; Leisure; Recreation; Eating &...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • The Alcoholic.

    • The Alcoholic.

    • Photographs; Composite photographs; Montages; Justice; Social justice; Social values; Economic & social conditions; Moral & ethical aspects; Ethics; Alcoholism; Men; Sleeping; Artists; Sculptors; Photographers; Heads (Anatomy); Faces;...

    • "Gilbert and George's presence in their photo-works can be seen as an extension of their early performance activities. They often stand apart from the other imagery in the pieces as though acknowledging the artifice involved. Moral conundrums...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Barbarian warrior, front view.

    • Barbarian warrior, front view.

    • Sculpture; Men; Warriors; Military personnel; People associated with military activities; Clothing & dress; Capes (Clothing); Trousers; Footwear; Headgear; Beards; Daggers & swords; Arms & armament; Lifting & carrying

    • "Images of barbarians, an essential element of triumphal ceremony in imperial Rome, were most often represented in a military context. […] [S]uch representations are omnipresent in Trajan's Forum, on the façade of the Ulpia Basilica, and...
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