Paintings; Discussion; Debates; Politics & government; Political issues; Political parties; Men; Artists; Clothing & dress; Suits (Clothing); Coats; Cigarettes; Details
"According to the artist this painting depicted an 'ideological discussion'. As such it evokes the stormy realist-abstraction debates, and allied political differences, among artists in Italy after the Second World War. Stylistically, the work...
"According to the artist this painting depicted an 'ideological discussion'. As such it evokes the stormy realist-abstraction debates, and allied political differences, among artists in Italy after the Second World War. Stylistically, the work...
Sculpture; Signs (Notices); Language; Electric signs; Electron tubes; Advertisements; Advertising; Slogans; Commercialism; Communication; Communication devices
"Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island School of Design in the mid-1970s,...
Sculpture; Signs (Notices); Advertisements; Advertising; Electric signs; Electron tubes; Communication; Communication devices; Language; Slogans; Cities & towns; Night; Night photographs; Architecture; Buildings; Walls; Streets; Roads;...
Excerpt from the Survival series. "Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island...
Prints; Broadsides; Broadsides; Advertisements; Advertising; Language; Communication; Communication devices; Inscriptions; Lettering (Layout features); Punctuation; Question marks
"Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island School of Design in the mid-1970s,...
Panel from Gods of the Modern World series. "Orozco moved closer to the Expressionists in spirit, at first working in the stylized, sculpturesque manner of [Ernst] Barlach, before later adopting the more dynamic and fluid forms of El Greco,...
"Because precision in dating is impossible for the Paleolithic era, art historians usually can be no more specific than assigning a range of several thousand years to each artifact. But probably later in date than the Venus of Willendorf is...
"The Lion Gate at Mycenae and the towering fortification wall circuit of which it formed a part were constructed a few generations before the presumed date of the Trojan War. At that time, wealthy Mycenaeans were laid to rest outside the...
"The Lion Gate at Mycenae and the towering fortification wall circuit of which it formed a part were constructed a few generations before the presumed date of the Trojan War. At that time, wealthy Mycenaeans were laid to rest outside the...
"Sometime around 530 BCE a young man named Kroisos died a hero's death in battle, and his grave at Anavysos, not far from Athens, was marked by a kouros statue. The inscribed base invites visitors to 'stay and mourn at the tomb of dead...
From the Acropolis, Athens, Greece. "A stylistic 'sister' to the Anavysos kouros is a statue of a kore wearing a peplos, a simple, long, woolen belted garment, which gives the female figure a columnar appearance. Traces of paint are preserved...
"Every so often as the excavation continued, one of the workmen would shout: 'Another marble here!' In the end, we found ourselves - entranced and speechless - before a group of sculptures lying side by side: from west to east ([in this...
From Kerameikos, [Athens, Greece]. "Comparison of the head of the kouros from the Sacred Gate with the Dipylon Head leaves virtually no doubt that they were created by the same sculptor about 600 BC. He was the first Athenian marble-carver of...
From Kerameikos, [Athens, Greece]. "Comparison of the head of the kouros from the Sacred Gate with the Dipylon Head leaves virtually no doubt that they were created by the same sculptor about 600 BC. He was the first Athenian marble-carver of...
Architecture; Cities & towns; Drawings; Architectural drawings; Plans; City planning; Streets; Roads; Forums; Gates; City walls; Walls; Buildings; Temples; Religious facilities
Shows "the outline of the city wall, the regularized street plan, the urban sanctuaries of Athena and Hera, the agora, the suburban sanctuary of Aphrodite at Santa Venera (and the site of the later Roman forum)." (Caption, p.139); Also...
From the "Cuneiform Writing" section of the "Art of the Ancient Near East" chapter (Chapter 2). Time periods shown are: pictograph, c. 3100 BCE; early cuneiform sign, c. 2400 BCE; later cuneiform sign, c. 700 BCE. Examples shown...
