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  • Description: latter
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    • [Antonin Artaud], Self-Portrait.

    • [Antonin Artaud], Self-Portrait.

    • Drawings; Pencil works; Portrait drawings; Portraits; Self-portraits; Heads (Anatomy); Men; Authors; Poets; Actors; Theatrical producers & directors; Dramatists; Draftspersons; Hairstyles

    • "Artaud's late drawings have been a comparatively recent discovery. His poetry and writings on the theatre were better known previously. In the latter respect, his notions of catharsis had a decisive impact on the Body Art of the 1970s. After...
    • "The Praetorians Relief"

    • "The Praetorians Relief"

    • Sculpture; Bas-reliefs; Men; Military personnel; Soldiers; Military officers; People associated with military activities; Guards; Bodyguards; People associated with health & safety; Clothing & dress; Military uniforms; Uniforms; Belts...

    • "This piece depicts three soldiers in high relief in the foreground and two others, accompanied by a standard bearer, in bas-relief behind. The plaque's original upright is preserved in the lower right; the upright on the left is modern. As...
    • Leda Atomica.

    • Leda Atomica.

    • Paintings; Oil paintings; Fantasy; Symbols; Myths; Legends; Mathematics; Physics; Atoms; Portraits; Women; Spouses; Nudes; Breasts; Hairstyles; Sitting; Gestures; Floating; Flying; Birds; Swans; Animals; Cliffs; Beaches; Coastlines; Seas; Bodies of...

    • "Gala-Leda rendered 'in accordance with the modern "nothing touches" theory of intra-atomic physica' (Dali)." (Caption); Dali himself was only too happy to admit his debt to Gala. In the early 1930s he had begun to sign his...
    • In Limbo.

    • In Limbo.

    • Sculpture; Dolls; Toys; Arms (Anatomy); Legs; Heads (Anatomy); Body parts; Boxes; Containers; Surplus commodities; Commercialism; Capitalism; Economics; Industry; Commerce

    • "Whilst implicitly acknowledging the Surrealism of [Joseph] Cornell, Arman possibly evokes [Roland] Barthes's mournful vision of commodified toys as expressed in the latter's book Mythologies (1957). Barthes wrote that in the consumerist era,...
    • More Love Hours Than Can Ever Be Repaid.

    • More Love Hours Than Can Ever Be Repaid.

    • Sculpture; Mixed media; Symbols; Childhood & youth; Social aspects; Social values; Capitalism; Families; Gifts; Stuffed animals (Toys); Toys; Animals; Dolls

    • "The title of this work powerfully conveys the emotional blackmail tied up with certain instances of toy-making or giving. Alongside imagery relating to childhood, Kelley often explores adolescent subcultures, fads, and obsessions. His work...
    • Five Deaths Seventeen Times in Black and White.

    • Five Deaths Seventeen Times in Black and White.

    • Prints; Screen prints; Allusions; Death; Disasters; Tragedies; Accidents; Automobiles; Vehicles; Dead persons; Wounds & injuries; Voyeurism; Social aspects; Social classes

    • "The use of serial repetition here, as in other early Warhol works, relates interestingly to Minimalist uses of repetition. The reciprocally ironic relation between Warhol and the Minimalists came to a head in 1964. Warhol exhibited a series...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
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