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    • The Spirit of the Dead Watches (Manao Tupapau).

    • The Spirit of the Dead Watches (Manao Tupapau).

    • Paintings; Oil paintings; Girls; Youth; Teenagers; Nudes; Backs (Anatomy); Fear; Ghosts; Women; Dead persons; Supernatural beings; Supernatural; Beds; Furniture; Bedsheets; Pillows

    • “In various letters and diary notes the artist has explained how the preoccupation with ethnological problems, with the symbolism of colors, and certain literary concepts participated in the genesis of this canvas: ‘I painted the nude of a...
    • The Death of Bara.

    • The Death of Bara.

    • Paintings; Oil paintings; Storytelling; Death; Revolutions; Children; Boys; Teenagers; Youth; Revolutionaries; Spies; Nudes

    • “The following year, the heroes of the day were children. David was asked to paint Joseph Bara, the drummer who chose to die rather than shout ‘Vive le roi!’, and the young Provençal Agricol Viala. Of these two projects, one unfinished...
    • The Death of Bara, detail, head.

    • The Death of Bara, detail, head.

    • Paintings; Oil paintings; Storytelling; Death; Revolutions; Children; Boys; Teenagers; Youth; Revolutionaries; Spies; Nudes; Details

    • “The following year, the heroes of the day were children. David was asked to paint Joseph Bara, the drummer who chose to die rather than shout ‘Vive le roi!’, and the young Provençal Agricol Viala. Of these two projects, one unfinished...
    • 3rd: Whitney, ->S.

    • 3rd: Whitney, ->S.

    • Streets; Construction; Maintenance & repair; Sewerage; Men; Construction workers

    • 3rd Street at Whitney Avenue looking south. Portion of a street dug up and covered with dirt and sewer and construction materials. Men are in the background with machinery. Houses lines the block. Notes: Whitney-Berry.
    • Lavender Mist.

    • Lavender Mist.

    • Paintings; Oil paintings; Abstract paintings; Abstract works

    • "By 1947 - even earlier in drawings - the artist had begun to experiment with all-over painting, a labyrinthine network of lines, splatters, and paint drips from which emerged the great 'poured' paintings of the next few years. These...
    • Leda Atomica.

    • Leda Atomica.

    • Paintings; Oil paintings; Fantasy; Symbols; Myths; Legends; Mathematics; Physics; Atoms; Portraits; Women; Spouses; Nudes; Breasts; Hairstyles; Sitting; Gestures; Floating; Flying; Birds; Swans; Animals; Cliffs; Beaches; Coastlines; Seas; Bodies of...

    • "Gala-Leda rendered 'in accordance with the modern "nothing touches" theory of intra-atomic physica' (Dali)." (Caption); Dali himself was only too happy to admit his debt to Gala. In the early 1930s he had begun to sign his...
    • Untitled.

    • Untitled.

    • Paintings; Oil paintings; Abstract works; Abstract paintings

    • "In de Kooning's black canvases the elimination of color was conditioned as much by financial constraints as by the need to simplify pictorial problems in the spirit of Analytic Cubism. The deliberately artless use of shiny enamel housepaints...
    • Villa Imperiale, Pompeii, Italy, interior view, oecus (A).

    • Villa Imperiale, Pompeii, Italy, interior view, oecus (A).

    • Architecture; Buildings; Houses; Dwellings; Residential facilities; Interiors; Rooms & spaces; Reception rooms; Salons (Social spaces); Architectural elements; Structural elements; Ceilings; Arches; Vaults (Architecture); Barrel ceilings;...

    • "It was built illegally by private interests in the last decade of the first century B.C. [...]. Renovated in the Fourth Style after the earthquake of 62 A.D. [...]." (p.122); “The oecus is a rectangular vaulted hall six meters wide by...
    • Inflammatory Essays, page detail.

    • Inflammatory Essays, page detail.

    • Prints; Broadsides; Broadsides; Advertisements; Advertising; Language; Communication; Communication devices; Inscriptions; Lettering (Layout features); Punctuation; Question marks

    • "Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island School of Design in the mid-1970s,...
    • Mercenaries II.

    • Mercenaries II.

    • Paintings; Acrylic paintings; Political issues; Politics & government; Corruption; Men; Mercenaries (Soldiers); Soldiers; Military personnel; People associated with military activities; Military life; Conversation; Smiling; Standing; Clothing...

    • "Set against huge fields of red oxide on mural-sized, unstretched canvases, Golub's figures' frozen poses fleetingly echo those on Greek pottery, but they travesty classical faith in the body." (Caption, p.205); "Another rediscovered...
    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Venus from Montagne, front view.

    • Venus from Montagne, front view.

    • Sculpture; Figurines; Women; Goddesses; Myths; Legends; Supernatural beings; Fictitious characters; Hairstyles; Headgear; Grooming; Gestures; Mirrors; Symbols; Cupids; Dolphins; Aquatic animals; Lifting & carrying

    • "Venus is represented rising out of the water in accord with the conventions of the Aphrodite Anadyomene type. The triton and dolphin, which recall the maritime setting, were sometimes depicted alternately with two cupids accompanying the...
    • Book of Hours, France, mid 15th century, fragment.

    • Book of Hours, France, mid 15th century, fragment.

    • Book of Hours--France--Illustrations; Illumination of books and manuscripts, Medieval--France; Manuscripts, Medieval; Illuminations 1200-1500

    • A Book of Hours was the primary text for private lay devotion in the late middle ages and Renaissance. Consisting of the cycle of prayers to be recited at the eight canonical hours or established times for prayers throughout the day, the content of...
    • Book of Hours, Italy, late 15th century, fragment.

    • Book of Hours, Italy, late 15th century, fragment.

    • Book of Hours--Italy--Illustrations; Illumination of books and manuscripts, Medieval--Italy; Manuscripts, Medieval; Illuminations 1200-1500

    • A Book of Hours was the primary text for private lay devotion in the late middle ages and Renaissance. Consisting of the cycle of prayers to be recited at the eight canonical hours or established times for prayers throughout the day, the content of...
    • Book of Hours, France, mid 16th century, fragment.

    • Book of Hours, France, mid 16th century, fragment.

    • Illumination of books and manuscripts, Medieval--France; Manuscripts, Medieval; Illuminations 1500-1550

    • A Book of Hours was the primary text for private lay devotion in the late middle ages and Renaissance. Consisting of the cycle of prayers to be recited at the eight canonical hours or established times for prayers throughout the day, the content of...
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