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  • Description: man
(2343 results)



Display: 20

    • Spiral Jetty, stills from Spiral Jetty Film.

    • Spiral Jetty, stills from Spiral Jetty Film.

    • Sculpture; Jetties; Industrialization; Industry; Petroleum industry; Land use; Ecology; Nature; Bodies of water; Lakes & ponds; Aerial views; Bird's-eye views; Film stills; Motion pictures; Maps; Dirt roads; Roads; Streets; Books

    • Documentation of film stills from Spiral Jetty, 1970. "These are frames from Smithson's half-hour-long film based on his Spiral Jetty. Shots taken of the dusty road on the way to the site of the work were intercut with images of the blazing...
    • Young boy wearing a toga, front view.

    • Young boy wearing a toga, front view.

    • Sculpture; Children; Youth; Boys; Clothing & dress; Crowns; Wreaths; Leaves; Pendants (Jewelry); Jewelry; Gestures; Chests; Storage furniture; Boxes; Containers; Scrolls (Visual works)

    • "With its somewhat distant-looking quality and distinctive crown of olive leaves, this statue is most likely a memorial portrait. Although the head and body originally came from two separate statues, they are chronologically consistent. The...
    • Zliten mosaic, hunting display (venationes) scenes.

    • Zliten mosaic, hunting display (venationes) scenes.

    • Mosaics; Hunting; Deer hunting; Lion hunting; Big game hunting; Bear hunting; Homicides; Entertaining; Entertainment; Games; Contests; Sports; Fighting; Animal fighting; Animal attacks; Animal behavior; Animal shows; Animal treatment; Men;...

    • “Scenes from the Zliten mosaic showing (top left) a man condemned to be killed by beasts. He is pushed towards the animals on a miniature chariot. The other scenes show animals being hunted by venatores, and a fight between a bear and a bull...
    • Improvisation #5.

    • Improvisation #5.

    • Prints; Planographic prints; Monotypes; Abstract works

    • Monoprint; "Blayton-Taylor's artwork is coded in the metaphysical. The sphere included in many of her works refers to wholeness, the relationship between man and nature in the most ultimate sense. Thus, her work serves as a gateway to higher...
    • Belle Haleine, Eau de Voilette, [perfume bottle in case].

    • Belle Haleine, Eau de Voilette, [perfume bottle in case].

    • Sculpture; Bottles; Containers; Perfumes; Cosmetics; Cosmetics industry; Industry; Commercialism; Grooming; Hygiene; Puns (Visual works); Labels; Men; Artists; Portraits; Self-portraits; Female impersonators; Cross dressing

    • "The text on the label punningly translates as 'beautiful breath/veil water'. Duchamp's female alter ego, Rrose Sélavy, peers out from above it." (Caption, p.54); "Among Duchamp's strangest gestures had been the creation of a female...
    • The Alcoholic.

    • The Alcoholic.

    • Photographs; Composite photographs; Montages; Justice; Social justice; Social values; Economic & social conditions; Moral & ethical aspects; Ethics; Alcoholism; Men; Sleeping; Artists; Sculptors; Photographers; Heads (Anatomy); Faces;...

    • "Gilbert and George's presence in their photo-works can be seen as an extension of their early performance activities. They often stand apart from the other imagery in the pieces as though acknowledging the artifice involved. Moral conundrums...
    • [Antonin Artaud], Self-Portrait.

    • [Antonin Artaud], Self-Portrait.

    • Drawings; Pencil works; Portrait drawings; Portraits; Self-portraits; Heads (Anatomy); Men; Authors; Poets; Actors; Theatrical producers & directors; Dramatists; Draftspersons; Hairstyles

    • "Artaud's late drawings have been a comparatively recent discovery. His poetry and writings on the theatre were better known previously. In the latter respect, his notions of catharsis had a decisive impact on the Body Art of the 1970s. After...
    • Discovery of America by Christopher Columbus.

    • Discovery of America by Christopher Columbus.

    • Paintings; Oil paintings; Marines (Visual works); Symbols; Allusions; Discovery & exploration; Catholicism; Christianity; Portraits; Self-portraits; Portrait paintings; Men; Women; Spouses; Nudes; Explorers; Saints; People associated with...

    • "Dali and Gala had every reason to be grateful to America, which had showered them with dollars. Here, as Columbus, the painter kneels on the shore, holding aloft a silver crucifix. Gala appears once more as Virgin Mary, on the banner."...
    • Fair of the Holy Cross.

    • Fair of the Holy Cross.

    • Paintings; Watercolors; Gouaches; Posters; Fairs; Festivals; Celebrations; Circuses & shows; Sideshows; Performances; Entertainment; Entertaining; Leisure; Recreation; Social life; Crowds; Men; Women; Couples; Circus performers; Entertainers;...

    • "In an article published in Figueres in May 1921, Subias Galter (1897-1984) praised the gouache posters that Dali had done for the recent Santa Creu festivities. Several critics had pointed out that they and other works in the same vein owed...
    • The Old Age of William Tell.

    • The Old Age of William Tell.

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Fear; Anxiety; Lust; Nudes; Men; Women; Couples; Older people; Beards; Breasts; Backs (Anatomy); Animals; Wild cats; Lions; Shadows; Bedsheets

    • "Action behind the sheet, in the presence of the ubiquitous lion. Dali said the painting referred to his and Gala's repudiation by his father. There are allusions to Gala's operation, which Dali feared might be fatal." (Caption);...
    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • Drawings; Pencil works; Portrait drawings; Portraits; Self-portraits; Heads (Anatomy); Faces; Women; Artists; Racially mixed people; Hairstyles; Race discrimination; Discrimination; Racism; Ethnic stereotypes; Interpersonal relations; Prejudice

    • "As an African-American who is able to pass as 'white', Piper has written eloquently of the social and institutional prejudices that surface when she divulges her racially mixed identity. In a text entitled 'Flying' of 1987 she wrote: 'I am...
    • Untitled (Shanty).

    • Untitled (Shanty).

    • Sculpture; Architecture; Buildings; Houses; Dwellings; Huts; Shelters; Housing; Architectural elements; Walls; Doors & doorways; Wheels

    • "Alice Aycock […] bases her forms on the logic of the imagination. […] Aycock revels in conjuring the past. The rich associative content of her sculpture is often nurtured by fanciful titles and accompanying texts that refer to history,...
    • Where Do We Come From? What Are We? Where Are We Going?

    • Where Do We Come From? What Are We? Where Are We Going?

    • Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...

    • "Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
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