Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism
"Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism; Details
"Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
"The assertive flatness of the implacable field of red is emphasized by the linear vertical 'zips'. Rather than functioning as 'drawing' within space, these reinforce and delimit the space as a whole. White 'zips' in Newman's works also evoke...
A bearded man wearing denim overalls, a buttoned up shirt, and a serious expression holds a fiddle and bow. He was likely a participant in the "Champion of Dixie" regional fiddle contest held at a Ford dealership in Louisville on January...
A boy wearing a hat, short pants, and a large grin sits on a split-rail fence. A man wearing a suit and holding a straw hat and a woman wearing a long dress and holding a parasol stand beside the fence. Title supplied by cataloger.
A child wearing a long vest over pants stands on the running board of a Model A Ford. A man wearing a suit and hat sits at the wheel of the car looking at the child. The convertible has its spare tire attached to the side of the car near the front...
A close-up shot of a man (who head is partially out of frame) wearing collarless shirt, three-piece suit and tie, and a woman in a white blouse and a wide-brimmed hat. They are standing outside an iron fence in front of a white house with columns....
