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  • Description: materials)
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Display: 20

    • The Liberation of Aunt Jemima.

    • The Liberation of Aunt Jemima.

    • Mixed media; Sculpture; Political issues; Discrimination; Race discrimination; Racism; Prejudice; Ethnic stereotypes; Stereotyping; Caricatures; Cultural relations; Civil rights; Social classes; Social aspects; Advertisements; Advertising;...

    • “The social, political, and spiritual terrain of Saar’s work incorporates found objects, personal family memorabilia, and other materials. In this work, using the familiar and derogatory image of Aunt Jemimah, Saar transforms the stereotype...
    • 3rd: Lansing, ->N.

    • 3rd: Lansing, ->N.

    • Streets; Construction; Maintenance & repair; Sewerage; Buildings; Houses; Billboards

    • 3rd Street at Lansing Avenue looking north. Portion of a street dug up and covered with dirt and sewer and construction materials. Houses are to the left and a row of billboards are to the right. Notes: Whitney-Berry.
    • 3rd: Whitney, ->S.

    • 3rd: Whitney, ->S.

    • Streets; Construction; Maintenance & repair; Sewerage; Men; Construction workers

    • 3rd Street at Whitney Avenue looking south. Portion of a street dug up and covered with dirt and sewer and construction materials. Men are in the background with machinery. Houses lines the block. Notes: Whitney-Berry.
    • 5th: 400BS, E side.

    • 5th: 400BS, E side.

    • Buildings; Offices; Newspaper industry; Construction

    • 400 block south 5th Street on the east side. Louisville Herald Building, a two-story brick building with a For Reint sign in the window. It is separated by an alley from a brick-and-stone building under construction with materials and equipment on...
    • Untitled (Shanty).

    • Untitled (Shanty).

    • Sculpture; Architecture; Buildings; Houses; Dwellings; Huts; Shelters; Housing; Architectural elements; Walls; Doors & doorways; Wheels

    • "Alice Aycock […] bases her forms on the logic of the imagination. […] Aycock revels in conjuring the past. The rich associative content of her sculpture is often nurtured by fanciful titles and accompanying texts that refer to history,...
    • Italia d'oro (Golden Italy).

    • Italia d'oro (Golden Italy).

    • Sculpture; Metalwork; Maps; Industrialization; Industry; Economic & social conditions; Social aspects; Industrial arbitration; Social classes; Wealth; Poverty; Economic & industrial aspects

    • "Fabro made his first sculpture in the Italia series in 1968. Dozens of variations followed in subsequent years. Another theme established in 1968 was that of 'Feet'. This involved the artist in producing a series of bizarre sculptural...
    • Evadne in Green Dimension.

    • Evadne in Green Dimension.

    • Collages; Commercialism; Advertisements; Advertising; Lust; Sex; Genitals; Body parts; Diagrams; Drawings; Men; Women; Passengers; People associated with transportation; People associated with entertainment & sports; Strong men; Muscles;...

    • "In this collage elements such as Charles Atlas and the diagrammatized penis were pasted over a female 'art' pinup (the 'Evadne in Green Dimension' of the work's title), as though allegorizing the artist's arousal." (Caption, p.96);...
    • Britain Seen from the North.

    • Britain Seen from the North.

    • Sculpture; Mixed media; Maps; Recycling; Conservation of natural resources; Economics; Economic & political systems; Political issues; Politics & government

    • "It was not until the end of the 1970s, in the work of a new generation of sculptors including Tony Cragg, Richard Deacon, Anish Kapoor, and Bill Woodrow, that the sculptural object as such, in relation to human or urban themes, reassumed...
    • Untitled.

    • Untitled.

    • Sculpture; Abstract sculpture; Abstract works; Boxes; Geometry

    • "Judd's industrially manufactured, modular pieces, developed from 1966 onwards, were stubbornly empirical investigations of specific materials and visual effects. He shunned mystification and openly declared the nature of his structures. The...
    • I Love You.

    • I Love You.

    • Paintings; Mixed media; Butterflies; Insects

    • "There was a lyrical quality to Hirst's use of butterflies' lifecycles, both in the 1991 installation In and Out of Love, and the related 1994-5 series of paintings, of which I Love You forms part." (Caption, p.231); "By contrast to...
    • Hand Catching Lead, film still.

    • Hand Catching Lead, film still.

    • Film stills; Motion pictures; Processes & techniques; Time; Falling; Metals; Hands; Fingers; Body parts; Locomotion; Human locomotion

    • "This 3-minute 30-second film, like others produced by Serra in the same year, related to a famous 'verb list' which he compiled in 1967-8. The verb involved in this instance is 'to grasp' but the list also included 'to roll, to crease, to...
    • Big Painting VI.

    • Big Painting VI.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Comic books; Comics

    • "Whilst clearly representing a critique of free expression, Lichtenstein's 'brushstrokes', like most of his other Pop works, had an exact comic-book source. They initially derived from a strip entitled 'The Painting' published in Charlton...
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