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  • Description: materials
(305 results)



Display: 20

    • Archives/Surplus Property.

    • Archives/Surplus Property.

    • Buildings; University of Louisville--Buildings; Storage facilities;

    • This building currently holds university records being stored under the university's Records Management program. It also houses the surplus property area, where materials awaiting repurposing within the university or public auction are stored....
    • Grawemeyer Hall, 1927.

    • Grawemeyer Hall, 1927.

    • Buildings; University of Louisville--Buildings; Domes; Columns; Grawemeyer Hall (Louisville, Ky.);

    • Front view of Grawemeyer Hall (originally known as the Administration Building) during or soon following construction. There is no grass in front of the building, and here is a ladder and other materials on the landing under the portico. The dome...
    • Still Life with Chair Caning.

    • Still Life with Chair Caning.

    • Paintings; Oil paintings; Still life paintings; Still lifes; Collages; Mixed media; Chairs; Furniture; Seating furniture; Wicker furniture; Textures; Ropes; Borders (Ornament areas)

    • Oil and pasted oilcloth on canvas, surrounded with rope; "Eager to recover other aspects of reality - positive color and texture, for instance - and increase the legibility of his pictures, without resorting to the outmoded conventions of...
    • Monument to Malcolm X (#II)

    • Monument to Malcolm X (#II)

    • Sculpture; Monuments; Monuments & memorials; Abstract works; Abstract sculpture; Metalwork; Textiles; Wool; Mixed media

    • Bronze and wool; “[Riboud’s] sculptures are studies in opposites—soft vs. hard, black vs. white. Her use of contrasting materials, bronze and silk cording or bronze and wood, is an extension of this exploration.” (caption, p.80)
    • The Liberation of Aunt Jemima.

    • The Liberation of Aunt Jemima.

    • Mixed media; Sculpture; Political issues; Discrimination; Race discrimination; Racism; Prejudice; Ethnic stereotypes; Stereotyping; Caricatures; Cultural relations; Civil rights; Social classes; Social aspects; Advertisements; Advertising;...

    • “The social, political, and spiritual terrain of Saar’s work incorporates found objects, personal family memorabilia, and other materials. In this work, using the familiar and derogatory image of Aunt Jemimah, Saar transforms the stereotype...
    • Scratching Both Walls at Once, film still.

    • Scratching Both Walls at Once, film still.

    • Performance art; Video recording; Motion pictures; Film stills; Myths; Fairy tales; Allusions; Artificial limbs; Artists; Women; Hairstyles; Posing; Interiors; Rooms & spaces; Architectural elements; Walls; Windows

    • Film still from recorded performance. "Rebecca Horn's early performances involved her strapping surreal prostheses to her body or wearing elaborate costumes. The allusions to fairy tale and myth were unmistakable but rarely specific. Since...
    • I Love You.

    • I Love You.

    • Paintings; Mixed media; Butterflies; Insects

    • "There was a lyrical quality to Hirst's use of butterflies' lifecycles, both in the 1991 installation In and Out of Love, and the related 1994-5 series of paintings, of which I Love You forms part." (Caption, p.231); "By contrast to...
    • Parallel of Life & Art.

    • Parallel of Life & Art.

    • Exhibitions; Art exhibitions; Photographs; Reproductions; Art objects; Art; Photojournalism; Science; Sculpture; Heads (Anatomy); Architecture; Interiors; Walls; Ceilings; Architectural elements; Windows; Draperies

    • Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
    • Britain Seen from the North.

    • Britain Seen from the North.

    • Sculpture; Mixed media; Maps; Recycling; Conservation of natural resources; Economics; Economic & political systems; Political issues; Politics & government

    • "It was not until the end of the 1970s, in the work of a new generation of sculptors including Tony Cragg, Richard Deacon, Anish Kapoor, and Bill Woodrow, that the sculptural object as such, in relation to human or urban themes, reassumed...
    • Untitled.

    • Untitled.

    • Sculpture; Abstract sculpture; Abstract works; Metalwork

    • Galvanized steel and concrete. "Deacon's organically related forms often derive from sources in the Bible, poetry, fairy stories, and figures of speech. In the two versions of the laminated wood sculpture For Those Who Have Ears (1982-3), for...
    • Evadne in Green Dimension.

    • Evadne in Green Dimension.

    • Collages; Commercialism; Advertisements; Advertising; Lust; Sex; Genitals; Body parts; Diagrams; Drawings; Men; Women; Passengers; People associated with transportation; People associated with entertainment & sports; Strong men; Muscles;...

    • "In this collage elements such as Charles Atlas and the diagrammatized penis were pasted over a female 'art' pinup (the 'Evadne in Green Dimension' of the work's title), as though allegorizing the artist's arousal." (Caption, p.96);...
    • Big Painting VI.

    • Big Painting VI.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Comic books; Comics

    • "Whilst clearly representing a critique of free expression, Lichtenstein's 'brushstrokes', like most of his other Pop works, had an exact comic-book source. They initially derived from a strip entitled 'The Painting' published in Charlton...
    • Italia d'oro (Golden Italy).

    • Italia d'oro (Golden Italy).

    • Sculpture; Metalwork; Maps; Industrialization; Industry; Economic & social conditions; Social aspects; Industrial arbitration; Social classes; Wealth; Poverty; Economic & industrial aspects

    • "Fabro made his first sculpture in the Italia series in 1968. Dozens of variations followed in subsequent years. Another theme established in 1968 was that of 'Feet'. This involved the artist in producing a series of bizarre sculptural...
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