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  • Description: may
(1342 results)



Display: 20

    • Fair of the Holy Cross.

    • Fair of the Holy Cross.

    • Paintings; Watercolors; Gouaches; Posters; Fairs; Festivals; Celebrations; Circuses & shows; Sideshows; Performances; Entertainment; Entertaining; Leisure; Recreation; Social life; Crowds; Men; Women; Couples; Circus performers; Entertainers;...

    • "In an article published in Figueres in May 1921, Subias Galter (1897-1984) praised the gouache posters that Dali had done for the recent Santa Creu festivities. Several critics had pointed out that they and other works in the same vein owed...
    • Snake Goddess [or attendant], front view.

    • Snake Goddess [or attendant], front view.

    • Sculpture; Figurines; Myths; Legends; Women; Goddesses; Supernatural beings; Fictitious characters; Clothing & dress; Headgear; Breasts; Animals; Snakes; Reptiles; Lifting & carrying

    • "In contrast to Mesopotamia and Egypt, no temples or monumental statues of gods, kings, or monsters have been found in Minoan Crete. Large wooden images may once have existed, but what remains of Minoan sculpture in the round is small in...
    • Blue Veil.

    • Blue Veil.

    • Paintings; Acrylic paintings; Abstract paintings; Abstract works

    • "In Louis's enormous 'veils' of the 1950s the physical operations of pouring paint or tilting a canvas so that the paint floods down it are powerfully implied." (Caption, p.28); "[Clement] Greenberg's conception of 'Modernism' as...
    • Guernica.

    • Guernica.

    • Paintings; Oil paintings; Civil wars; War; Politics & government; Political issues; Dictators; Nazis; Fascism; Civilization; Bombings; Military tactics; War destruction & pillage; Death; Dismemberment; Body parts; Mental states; Despair;...

    • "In this monumental work of 1937, Guernica, Picasso combined Analytic and Synthetic Cubist forms with several traditional motifs, juxtaposing them in a new Surrealist way. The combination serves the political message of the painting - namely,...
    • Inflammatory Essays, page detail.

    • Inflammatory Essays, page detail.

    • Prints; Broadsides; Broadsides; Advertisements; Advertising; Language; Communication; Communication devices; Inscriptions; Lettering (Layout features); Punctuation; Question marks

    • "Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island School of Design in the mid-1970s,...
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
    • Illumined Pleasures.

    • Illumined Pleasures.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Fear; Disgrace; Anxiety; Distress; Psychiatry; Psychotherapy; Portraits; Self-portraits; Women; Men; Fathers; Families; Family; Spouses; Mothers; Heads...

    • "One of Dali's most Freudian paintings. Indeed, the elderly gentleman helping the lady in distress seems to be Freud himself, borrowed from [Max] Ernst's Pietà or Revolution by Night." (Caption); "Illumined Pleasures is one Dali's...
    • Sisters at tea.

    • Sisters at tea.

    • Tea parties; Families; Estates; Tea

    • "Tea Time at 'Clovercroft'" inscribed in Kate Matthews' handwriting on the verso of a similar image (ULPA 1984.24.207.p), but it may also be the photograph that Kate Matthews' niece, Lillian Fletcher Brackett, referred to in a speech as...
    • Tea time at Clovercroft.

    • Tea time at Clovercroft.

    • Tea parties; Families; Estates; Tea; Women

    • "Tea Time at 'Clovercroft'" is inscribed in Kate Matthews' handwriting on the verso of this print, but it may also be the photograph that Kate Matthews' niece, Lillian Fletcher Brackett, referred to in a speech as "The Sisters at...
    • Imperial Monument to the Child-Woman.

    • Imperial Monument to the Child-Woman.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Love; Worry; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Spouses; Fathers; Families; Family; Faces; Heads (Anatomy); Body parts; Buttocks;...

    • "The Child-Woman is Gala, who appears here for the first time in Dali's work." (Caption); "Meanwhile, Dali had painted the first major work in which he alluded directly to the relationship with Gala that was partially to blame for...
    • The First Days of Spring.

    • The First Days of Spring.

    • Paintings; Oil paintings; Collages; Fantasy; Symbols; Sex; Lust; Relations between the sexes; Psychotherapy; Psychiatry; Fear; Disgrace; Anxiety; Distress; Solitude; Loneliness; Spring; Men; Women; Children; Girls; Older people; Fathers; Couples;...

    • "The First Days of Spring inaugurated a series of works in which, determined to be more Surrealist than the Surrealists themselves, Dali elaborated a symbolic language for delineating, with microscopic precision, his erotic obsessions. It...
    • Filter Fat Corner.

    • Filter Fat Corner.

    • Sculpture; Allusions; Chemistry; Science; Interpersonal relations; Social science; Sociology; Utopias

    • "The work consisted of a triangular gauze filter stretched across a corner into which lumps of fat had been packed. Apart from alluding to physical metamorphoses brought about via osmosis, processes of refinement and purification were evoked....
    • Soft Construction with Boiled Beans (The Premonition of Civil War).

    • Soft Construction with Boiled Beans (The Premonition of Civil War).

    • Paintings; Oil paintings; Fantasy; Fear; Anxiety; Civil wars; War; Body parts; Heads (Anatomy); Arms (Anatomy); Legs; Hands; Fingers; Feet; Breasts; Beans; Clouds; Landscapes (Representations); Furniture; Furnishings; Drawers (Furniture components)

    • "This great painting was later renamed, with fitting opportunism, The Premonition of Civil War." (Caption); "The events of October 1934, and his scare in Barcelona, seem to have convinced Dali that civil war was a real possibility in...
    • Isis, front, slight three-quarter view.

    • Isis, front, slight three-quarter view.

    • Sculpture; Myths; Legends; Women; Goddesses; People associated with religion; Supernatural beings; Fictitious characters; Heads (Anatomy); Clothing & dress; Headdresses; Headgear; Hairstyles; Symbols; Cobras; Snakes; Reptiles

    • "This head of Isis, turned to the right, with delicately parted lips, is almost entirely intact except for the ends of a few locks of hair and the left edge of her tiara. The neck stops at a recessed fitting, a tenon, indicating that the head...
    • Metamorphosis of Narcissus.

    • Metamorphosis of Narcissus.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Allusions; Symbols; Myths; Sex; Fear; Love; Self-interest; Poetry; Women; Men; Nudes; Gays; Dancers; Dance; Backs (Anatomy); Pedestals; Body parts; Hands; Fingers; Eggs; Landscapes...

    • "This is the painting Dali took to show Freud in London. It belonged formerly to Edward James." (Caption); "At Zürs […] Dali embarked on a new experiment: the composition, in French, of a 'paranoaic' poem, The Myth of Narcissus,...
    • The Sower.

    • The Sower.

    • Paintings; Oil paintings; Croplands; Agriculture; Farming; Landscapes (Representations); Men; Adults; Working class; Laborers; Agricultural laborers; People associated with manual labor; People associated with agriculture; Walking; Gestures;...

    • "Though its exact date is unknown, the nature of the brushwork and general intensity of style suggest late 1888 or early 1889 while van Gogh was still in Arles, the village in Provence [...]. It may even have been executed after van Gogh...
    • Where Do We Come From? What Are We? Where Are We Going?

    • Where Do We Come From? What Are We? Where Are We Going?

    • Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...

    • "Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
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