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  • Description: may
(1323 results)



Display: 20

    • Filter Fat Corner.

    • Filter Fat Corner.

    • Sculpture; Allusions; Chemistry; Science; Interpersonal relations; Social science; Sociology; Utopias

    • "The work consisted of a triangular gauze filter stretched across a corner into which lumps of fat had been packed. Apart from alluding to physical metamorphoses brought about via osmosis, processes of refinement and purification were evoked....
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
    • Fair of the Holy Cross.

    • Fair of the Holy Cross.

    • Paintings; Watercolors; Gouaches; Posters; Fairs; Festivals; Celebrations; Circuses & shows; Sideshows; Performances; Entertainment; Entertaining; Leisure; Recreation; Social life; Crowds; Men; Women; Couples; Circus performers; Entertainers;...

    • "In an article published in Figueres in May 1921, Subias Galter (1897-1984) praised the gouache posters that Dali had done for the recent Santa Creu festivities. Several critics had pointed out that they and other works in the same vein owed...
    • Leda Atomica.

    • Leda Atomica.

    • Paintings; Oil paintings; Fantasy; Symbols; Myths; Legends; Mathematics; Physics; Atoms; Portraits; Women; Spouses; Nudes; Breasts; Hairstyles; Sitting; Gestures; Floating; Flying; Birds; Swans; Animals; Cliffs; Beaches; Coastlines; Seas; Bodies of...

    • "Gala-Leda rendered 'in accordance with the modern "nothing touches" theory of intra-atomic physica' (Dali)." (Caption); Dali himself was only too happy to admit his debt to Gala. In the early 1930s he had begun to sign his...
    • Imperial Monument to the Child-Woman.

    • Imperial Monument to the Child-Woman.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Love; Worry; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Spouses; Fathers; Families; Family; Faces; Heads (Anatomy); Body parts; Buttocks;...

    • "The Child-Woman is Gala, who appears here for the first time in Dali's work." (Caption); "Meanwhile, Dali had painted the first major work in which he alluded directly to the relationship with Gala that was partially to blame for...
    • Illumined Pleasures.

    • Illumined Pleasures.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Fear; Disgrace; Anxiety; Distress; Psychiatry; Psychotherapy; Portraits; Self-portraits; Women; Men; Fathers; Families; Family; Spouses; Mothers; Heads...

    • "One of Dali's most Freudian paintings. Indeed, the elderly gentleman helping the lady in distress seems to be Freud himself, borrowed from [Max] Ernst's Pietà or Revolution by Night." (Caption); "Illumined Pleasures is one Dali's...
    • At the Moulin Rouge, detail, central figures.

    • At the Moulin Rouge, detail, central figures.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Details; Men; Women; Artists; Painters (Artists); Draftspersons; Authors; Photographers; Jockeys; Adults; Sitting; Walking; Leisure; Recreation; Eating &...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • Blue Veil.

    • Blue Veil.

    • Paintings; Acrylic paintings; Abstract paintings; Abstract works

    • "In Louis's enormous 'veils' of the 1950s the physical operations of pouring paint or tilting a canvas so that the paint floods down it are powerfully implied." (Caption, p.28); "[Clement] Greenberg's conception of 'Modernism' as...
    • I-Box.

    • I-Box.

    • Sculpture; Puns (Visual works); Sex; Genitals; Nudes; Nudism; Voyeurism; Photographs; Men; Artists; Sculptors; Posing; Boxes; Doors & doorways; Initials

    • "Here Morris presented a small rectangular structure with a door shaped as a letter 'I'. When opened the door gave on to a photograph of the artist, his phallus rhyming with the "I" connotative both of the viewers looking (eye) and...
    • Italia d'oro (Golden Italy).

    • Italia d'oro (Golden Italy).

    • Sculpture; Metalwork; Maps; Industrialization; Industry; Economic & social conditions; Social aspects; Industrial arbitration; Social classes; Wealth; Poverty; Economic & industrial aspects

    • "Fabro made his first sculpture in the Italia series in 1968. Dozens of variations followed in subsequent years. Another theme established in 1968 was that of 'Feet'. This involved the artist in producing a series of bizarre sculptural...
    • Untitled (Shanty).

    • Untitled (Shanty).

    • Sculpture; Architecture; Buildings; Houses; Dwellings; Huts; Shelters; Housing; Architectural elements; Walls; Doors & doorways; Wheels

    • "Alice Aycock […] bases her forms on the logic of the imagination. […] Aycock revels in conjuring the past. The rich associative content of her sculpture is often nurtured by fanciful titles and accompanying texts that refer to history,...
    • Inflammatory Essays, page detail.

    • Inflammatory Essays, page detail.

    • Prints; Broadsides; Broadsides; Advertisements; Advertising; Language; Communication; Communication devices; Inscriptions; Lettering (Layout features); Punctuation; Question marks

    • "Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island School of Design in the mid-1970s,...
    • Where Do We Come From? What Are We? Where Are We Going?

    • Where Do We Come From? What Are We? Where Are We Going?

    • Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...

    • "Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
    • Guernica.

    • Guernica.

    • Paintings; Oil paintings; Civil wars; War; Politics & government; Political issues; Dictators; Nazis; Fascism; Civilization; Bombings; Military tactics; War destruction & pillage; Death; Dismemberment; Body parts; Mental states; Despair;...

    • "In this monumental work of 1937, Guernica, Picasso combined Analytic and Synthetic Cubist forms with several traditional motifs, juxtaposing them in a new Surrealist way. The combination serves the political message of the painting - namely,...
    • Palette of King Narmer, back (left), front (right).

    • Palette of King Narmer, back (left), front (right).

    • Sculpture; Bas-reliefs; Plaques; Storytelling; History; Inscriptions; Hieroglyphics; Writing systems; Names; Symbols; Myths; Legends; Homicides; Decapitations; Men; Kings; Rulers; People associated with politics & government; Heroes; Enemies;...

    • From Hierakonpolis, Egypt. "In Predynastic times, Egypt was divided geographically and politically into Upper Egypt (the southern, upstream part of the Nile Valley), a narrow tract of grassland that encouraged hunting, and Lower (northern)...
    • Doryphoros (Spear Bearer), front view.

    • Doryphoros (Spear Bearer), front view.

    • Sculpture; Men; Athletes; People associated with entertainment & sports; Warriors; Nudes; Muscles; Genitals; Hairstyles; Reproductions

    • Roman marble copy from Pompeii, Italy, after a Greek bronze original of ca. 450-440 BCE. "One of the most frequently copied Greek statues was the Doryphoros (Spear Bearer) by Polykleitos, a work that epitomizes the intellectual rigor of...
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