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    • Home Economics Department, textiles, 1930s.

    • Home Economics Department, textiles, 1930s.

    • University of Louisville--Faculty; University of Louisville--Students; Women; Sewing; Sewing machines; Home economics; Ford Hall (Louisville, Ky.)

    • Women sit at tables and stand nearby. Many of them are doing hand-sewing, but a few sit at sewing machines. There are lockers on the back wall. Two of the women who are standing are identified, one as Miss Liter and the other as Mrs. Jenks. A...
    • Dean's Building, circa 1928.

    • Dean's Building, circa 1928.

    • Buildings; University of Louisville--Buildings; Women; Lounges; Tables; Chairs; Benches;

    • Room within the Dean's Building from the time when it was used as the Women's Building. Several women are seated in chairs; most of them appear to be reading. The room is sparsely furnished with simple chairs, small tables, and lamps, along with a...
    • Dean's Building, circa 1928.

    • Dean's Building, circa 1928.

    • Buildings; University of Louisville--Buildings; Women; Lounges; Couches; Chairs; Pianos;

    • Room from within the Dean's Building, from the period when it was known as the Women's Building. Women sit on chairs and couches, most of them reading. There is a piano against a wall on the far side of the room. There are no decorations on the...
    • Jefferson Seminary.

    • Jefferson Seminary.

    • Buildings; University of Louisville--Buildings; Jefferson Seminary (Louisville, Ky.); Educational facilities;

    • Jefferson Seminary, the precursor to what became known as the University of Louisville. No images contemporary with the building have survived; this is an artist's rendering. Location: West side of 8th Street between Liberty and Muhammad Ali...
    • Cardinal Stadium.

    • Cardinal Stadium.

    • Buildings; University of Louisville--Buildings; Stadiums; Parking lots; Automobiles; Trucks; Cardinal Stadium (Louisville, Ky.)

    • Cardinal Stadium, the former home of the UofL football, seen from the air. The word "Louisville" is being painted in one end zone and the word "KFEC" is painted in the other; "UL" is painted in the center. There are no...
    • Grawemeyer Hall, 1927.

    • Grawemeyer Hall, 1927.

    • Buildings; University of Louisville--Buildings; Domes; Columns; Grawemeyer Hall (Louisville, Ky.);

    • Front view of Grawemeyer Hall (originally known as the Administration Building) during or soon following construction. There is no grass in front of the building, and here is a ladder and other materials on the landing under the portico. The dome...
    • Natural Sciences Building, 1955.

    • Natural Sciences Building, 1955.

    • Buildings; University of Louisville--Buildings; Educational facilities;

    • Front of the Natural Sciences Building, seen from across Eastern Parkway. There are no leaves on the trees, and the front of the building is fully visible. Location: Belknap Campus, South Central. Current uses: A&S Mathematics; A&S...
    • Baptist Campus Center, under construction, circa 1974.

    • Baptist Campus Center, under construction, circa 1974.

    • Buildings; University of Louisville--Buildings; Baptist Campus Center (University of Louisville); Religious facilities;

    • Baptist Campus Center, under construction. The building appears to be largely completed, but there are boards set in the ground where the sidewalk would be poured, there is still plastic sheeting up near one side of the building, and there is no...
    • Nero as a child, front view.

    • Nero as a child, front view.

    • Sculpture; Portraits; Emperors; Rulers; People associated with politics & government; Children; Youth; Boys; Clothing & dress; Jewelry; Pendants (Jewelry); Hairstyles; Gestures

    • The Louvre portrait is of a "young boy wearing a toga praetexta (a purple-bordered toga) and bulla (ornament worn around a child's neck). […] Comparisons with coins bearing the image of Britannicus exclude the possibility that this is a...
    • Snake Goddess [or attendant], front view.

    • Snake Goddess [or attendant], front view.

    • Sculpture; Figurines; Myths; Legends; Women; Goddesses; Supernatural beings; Fictitious characters; Clothing & dress; Headgear; Breasts; Animals; Snakes; Reptiles; Lifting & carrying

    • "In contrast to Mesopotamia and Egypt, no temples or monumental statues of gods, kings, or monsters have been found in Minoan Crete. Large wooden images may once have existed, but what remains of Minoan sculpture in the round is small in...
    • Still Life with Chair Caning.

    • Still Life with Chair Caning.

    • Paintings; Oil paintings; Still life paintings; Still lifes; Collages; Mixed media; Chairs; Furniture; Seating furniture; Wicker furniture; Textures; Ropes; Borders (Ornament areas)

    • Oil and pasted oilcloth on canvas, surrounded with rope; "Eager to recover other aspects of reality - positive color and texture, for instance - and increase the legibility of his pictures, without resorting to the outmoded conventions of...
    • Still Life.

    • Still Life.

    • Paintings; Oil paintings; Still life paintings; Still lifes; Fruit; Bowls (Tableware); Containers; Tableware; Tables; Furniture; Drawers (Furniture components); Keyholes

    • Canvas. Inv. no. 8647. Acquired in 1912 as part of the Tschudi donation. (excerpts from caption, p.100)
    • The cemetery at Inning (so-called).

    • The cemetery at Inning (so-called).

    • Paintings; Oil paintings; Landscape paintings; Landscapes (Representations); Cemeteries; Graves; Crosses; Architecture; Buildings; Steeples

    • Canvas. Inv. no. L.1828. On loan from the collection of George Schafer, Schweinfurt. This is not in fact a picture of the cemetery of Inning, near Lake Ammer. The artist can only have drawn inspiration from the grave crosses he had seen in Bavaria...
    • Flower in the Wind.

    • Flower in the Wind.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Abstract drawings; Drawings; Pencil works

    • "In her consistent use of grids Agnes Martin participated in a tradition in twentieth-century art stretching from the Cubists and Mondrian to her Minimalist contemporaries. The grid was a non-hierarchical and non-referential structure. It...
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