University of Louisville University Libraries

DIGITAL COLLECTIONS

Add or remove other collections to your search:



 

Narrow your search by:



Type

Coverage

Subject

Creator

Contributors

You've searched:

All Collections
  • Description: now
(1077 results)



Display: 20

    • Barbarian warrior, front view.

    • Barbarian warrior, front view.

    • Sculpture; Men; Warriors; Military personnel; People associated with military activities; Clothing & dress; Capes (Clothing); Trousers; Footwear; Headgear; Beards; Daggers & swords; Arms & armament; Lifting & carrying

    • "Images of barbarians, an essential element of triumphal ceremony in imperial Rome, were most often represented in a military context. […] [S]uch representations are omnipresent in Trajan's Forum, on the façade of the Ulpia Basilica, and...
    • Civilisation Atlantique.

    • Civilisation Atlantique.

    • Paintings; Allusions; Anti-Americanism; Politics & government; Political issues; Capitalism; Imperialism; Wealth; Corruption; Poverty; Emigration & immigration; Social classes; Economic & social conditions; Domestic life; Child labor;...

    • "This enormous, collage-like painting is crammed with anti-American allusions. An electric chair sits on the plinth at the top center (the Rosenbergs were electrocuted as Russian spies in 1953). A GI nonchalantly reads a pornographic magazine....
    • Boîte-en-Valise, open.

    • Boîte-en-Valise, open.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Fate of the Beasts.

    • Fate of the Beasts.

    • Paintings; Oil paintings; Abstract works; Abstract paintings; Disasters; Fatalism; Trees; Plants; Animals; Horses; Ponies; Boars; Foxes; Deer

    • "Fate of the Beasts (1913), perhaps also related to the prevailing apprehensions of war, portrays a total, inescapable catastrophe. Hard, arrowlike diagonals intersect to shoot across the canvas. Trees bleed and descend in a cosmic cataclysm....
    • F 111, gallery view, detail.

    • F 111, gallery view, detail.

    • Paintings; Oil paintings; Mixed media; Details; Commerce; Commercialism; Consumers; Militarism; Airplanes; Aircraft; Vehicles; Military vehicles; Fighter planes; Bombers; Tires; Vehicle components; Inscriptions; Lettering (Layout features); Logos;...

    • Oil on canvas with aluminium [aluminum]; [this photo taken at the Whitney Museum of American Art, New York; painting now at The Museum of Modern Art (MoMA), New York].
    • Boîte-en-Valise, open, center section, detail.

    • Boîte-en-Valise, open, center section, detail.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures; Details

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • The First Days of Spring.

    • The First Days of Spring.

    • Paintings; Oil paintings; Collages; Fantasy; Symbols; Sex; Lust; Relations between the sexes; Psychotherapy; Psychiatry; Fear; Disgrace; Anxiety; Distress; Solitude; Loneliness; Spring; Men; Women; Children; Girls; Older people; Fathers; Couples;...

    • "The First Days of Spring inaugurated a series of works in which, determined to be more Surrealist than the Surrealists themselves, Dali elaborated a symbolic language for delineating, with microscopic precision, his erotic obsessions. It...
    • Little Ashes.

    • Little Ashes.

    • Paintings; Oil paintings; Fantasy; Symbols; Sex; Women; Men; Heads (Anatomy); Faces; Nudes; Buttocks; Breasts; Body parts; Backs (Anatomy); Arms (Anatomy); Fingers; Birds; Animals; Feathers

    • "The painting anthologizes Dali's obsessions of the moment." (Caption); "As a result of Santos Torroella's dedicated researches, it is now generally accepted that the two heads in The Birth of Venus represent those of Lorca [Federico...
    • 20/50.

    • 20/50.

    • Rooms & spaces; Windows; Industrialization; Industrial facilities; Industry; Deterioration; Building deterioration

    • Installation: used sump oil, steel; "The oil uncannily mirrors the ceiling of the gallery, leaving the spectator, figuratively speaking, in mid-air. Although currently installed in the Saatchi Gallery, the work was originally located in Matt's...
    • House.

    • House.

    • Sculpture; Houses; Row houses; Dwellings; Residential facilities; Walls; Symbols; Neighborhoods; Working class; Demolition

    • "Rachel Whiteread's House revived a taste for outrage previously brought to the fore in Britain by the Tate Bricks saga. Before its completion in October 1993 it had attracted little press interest. In November of that year, however, a...
    • Parallel of Life & Art.

    • Parallel of Life & Art.

    • Exhibitions; Art exhibitions; Photographs; Reproductions; Art objects; Art; Photojournalism; Science; Sculpture; Heads (Anatomy); Architecture; Interiors; Walls; Ceilings; Architectural elements; Windows; Draperies

    • Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
    • Evadne in Green Dimension.

    • Evadne in Green Dimension.

    • Collages; Commercialism; Advertisements; Advertising; Lust; Sex; Genitals; Body parts; Diagrams; Drawings; Men; Women; Passengers; People associated with transportation; People associated with entertainment & sports; Strong men; Muscles;...

    • "In this collage elements such as Charles Atlas and the diagrammatized penis were pasted over a female 'art' pinup (the 'Evadne in Green Dimension' of the work's title), as though allegorizing the artist's arousal." (Caption, p.96);...
    • Atomic and Uranian Melancholic Idyll.

    • Atomic and Uranian Melancholic Idyll.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Symbols; Fear; Disgrace; Anxiety; Distress; Nuclear war; Nuclear weapons; Atomic bombs; Atoms; Faces; Heads (Anatomy); Men; Baseball players; Baseball umpires; Athletes; People associated with...

    • "The atom bomb was good news for Dali's commercial art." (Caption); "The New York Times reviewer of the Sentimental Colloquy had said correctly that Dali's 'Surrealist' paintings were now executed according to a mere formula. That...
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
    • The Great Paranoiac.

    • The Great Paranoiac.

    • Paintings; Oil paintings; Fantasy; Symbols; Optical illusions; Fear; Disgrace; Anxiety; Distress; Lust; Sex; Men; Women; Fathers; Nudes; Heads (Anatomy); Faces; Rocks

    • "The painting belonged to Edward James. Surely one of Dali's finest double images." (Caption); "Dali said that The Great Paranoiac had been conceived after a discussion with Josep María Sert about Arcimboldo, and that the...
    • The Profanation of the Host.

    • The Profanation of the Host.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Disgrace; Anxiety; Distress; Sex; Lust; Relations between the sexes; Heads (Anatomy); Women; Men; Fathers; Nudes; Body parts; Lions; Animals; Ants; Locusts; Insects; Chalices; Drinking vessels;...

    • "Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
    • Imperial Monument to the Child-Woman.

    • Imperial Monument to the Child-Woman.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Love; Worry; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Spouses; Fathers; Families; Family; Faces; Heads (Anatomy); Body parts; Buttocks;...

    • "The Child-Woman is Gala, who appears here for the first time in Dali's work." (Caption); "Meanwhile, Dali had painted the first major work in which he alluded directly to the relationship with Gala that was partially to blame for...
Coming soon

This content is not yet available. Please check back.

 

QuickView

Display a larger image and more item information when the pointer pauses over a thumbnail
on off
 

Layout options:

Thumbnail with title
Grid with smaller thumbnails and more detail
Select the collections to add or remove from your search
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 
OK
Select the collections to add or remove from your search
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 
OK