University of Louisville University Libraries

DIGITAL COLLECTIONS

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    • Board of Demented Associations (Fireworks).

    • Board of Demented Associations (Fireworks).

    • Paintings; Oil paintings; Symbols; Lust; Erotica; Sex; Relations between the sexes; Human body; Body parts; Women; Men; Portraits; Self-portraits; Nudes; Clothing & dress; Footwear; Shoes; Keys (Hardware); Fireworks; Firecrackers; Explosives;...

    • "The dedication reads 'Painted for Paul Éluard by his friend Salvador Dalí'. Éluard, who enjoyed his erotica as much as Dali, must have been impressed by this tour de force." (Caption); "One of his earliest ventures was Board of...
    • Leda Atomica.

    • Leda Atomica.

    • Paintings; Oil paintings; Fantasy; Symbols; Myths; Legends; Mathematics; Physics; Atoms; Portraits; Women; Spouses; Nudes; Breasts; Hairstyles; Sitting; Gestures; Floating; Flying; Birds; Swans; Animals; Cliffs; Beaches; Coastlines; Seas; Bodies of...

    • "Gala-Leda rendered 'in accordance with the modern "nothing touches" theory of intra-atomic physica' (Dali)." (Caption); Dali himself was only too happy to admit his debt to Gala. In the early 1930s he had begun to sign his...
    • Car Crash.

    • Car Crash.

    • Performance art; Performances; Performances & portrayals; Accidents; Automobiles; Death; Writing; Artists; Men; Spectators; Audiences; Sitting; Standing; Costumes; Clothing & dress; Suits (Clothing); Neckties; Neckwear; Eyeglasses

    • "In a darkened room, Dine, acting the part of 'car' in a silver-sprayed cap and raincoat, swerved to avoid 'hits' from the raking 'headlights' attached to fellow performers. The lights went on and off amid clatterings and amplified collision...
    • Untitled.

    • Untitled.

    • Sculpture; Abstract sculpture; Abstract works; Boxes; Geometry

    • "Judd's industrially manufactured, modular pieces, developed from 1966 onwards, were stubbornly empirical investigations of specific materials and visual effects. He shunned mystification and openly declared the nature of his structures. The...
    • Diego and I.

    • Diego and I.

    • Women; Men; Spouses; Couples; Heads (Anatomy); Hairstyles; Eyes; Marriage; Relations between the sexes; Crying; Mental states; Pain

    • "An obsessive self-portraitist, Kahlo reveled in her distinctive features - heavy, continuous eyebrows, piercing gaze, shadowy mustache, small but ripe, cherry-red mouth, massive dark hair braided like a halo in the traditional Mexican style....
    • Where Do We Come From? What Are We? Where Are We Going?

    • Where Do We Come From? What Are We? Where Are We Going?

    • Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...

    • "Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
    • Horse and jockey from Artemision, left profile.

    • Horse and jockey from Artemision, left profile.

    • Sculpture; Equestrian statues; Metalwork; Jockeys; People associated with entertainment & sports; Boys; Youth; Children; Clothing & dress; Footwear; Sandals; Animals; Horses; Horseback riding; Bareback riding; Riding; Sitting; Gestures;...

    • "Ridden by the young Jockey, the restored horse is in full gallop. […] It is an original statue group dating from about 140 BC." (Captions, pp. 352-353); "Found in the sea off Cape Artemision, Euboea, and retrieved in pieces in...
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