University of Louisville University Libraries

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  • Description: partnership
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    • Scoop Theatre and WGRC, Louisville, Kentucky, circa 1942.

    • Scoop Theatre and WGRC, Louisville, Kentucky, circa 1942.

    • Theaters; Motion picture theaters; Cultural facilities; Buildings; Broadcasting; Electric signs; Signs (Notices)

    • Close-up view of Scoop Theatre and WGRC electric sign and marquee reading "Damon Runyon's Story At the Stroke of Twelve," which was released in 1941. The Scoop Theatre opened at 418 W. Walnut Street, Louisville, Kentucky, in 1942...
    • Scoop Theatre and WGRC, Louisville, Kentucky, circa 1942.

    • Scoop Theatre and WGRC, Louisville, Kentucky, circa 1942.

    • Theaters; Motion picture theaters; Cultural facilities; Buildings; Eating & drinking facilities; Broadcasting; Electric signs; Signs (Notices)

    • Exterior view of the Scoop Theatre and WGRC (showing Road to Victory & News), adjacent to Golden Donut Ranch restaurant and Atlantic Hotel, at 418 W. Walnut Street, Louisville, Kentucky. The Scoop Theatre opened in 1942 (although the building...
    • Scoop Theatre and WGRC, Louisville, Kentucky, circa 1942.

    • Scoop Theatre and WGRC, Louisville, Kentucky, circa 1942.

    • Theaters; Motion picture theaters; Cultural facilities; Broadcasting; Buildings; Electric signs; Signs (Notices)

    • Close-up view of Scoop Theatre and WGRC electric sign and marquee reading "Ky. Derby in the News Defense of Moscow." The latter is also featured on a sandwich board under the marquee. The Scoop Theatre opened at 418 W. Walnut Street,...
    • The Alcoholic.

    • The Alcoholic.

    • Photographs; Composite photographs; Montages; Justice; Social justice; Social values; Economic & social conditions; Moral & ethical aspects; Ethics; Alcoholism; Men; Sleeping; Artists; Sculptors; Photographers; Heads (Anatomy); Faces;...

    • "Gilbert and George's presence in their photo-works can be seen as an extension of their early performance activities. They often stand apart from the other imagery in the pieces as though acknowledging the artifice involved. Moral conundrums...
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