University of Louisville University Libraries

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  • Description: personal
(136 results)



Display: 20

    • Florence Daisy McCallum Basket Ball  Journal, 1913-1916

    • Florence Daisy McCallum Basket Ball Journal, 1913-1916

    • University of Louisville--Students; University of Louisville--Basketball; University of Louisville--Sports; Basketball; Basketball for women; Basketball players; College athletes;

    • Florence Daisy McCallum's scrapbook covering the years 1913-1916. The scrapbook contains photographs, newspaper clippings, correspondence, and hand-drawn cartoons focusing primarily on the University of Louisville's "girls" basketball...
    • The Liberation of Aunt Jemima.

    • The Liberation of Aunt Jemima.

    • Mixed media; Sculpture; Political issues; Discrimination; Race discrimination; Racism; Prejudice; Ethnic stereotypes; Stereotyping; Caricatures; Cultural relations; Civil rights; Social classes; Social aspects; Advertisements; Advertising;...

    • “The social, political, and spiritual terrain of Saar’s work incorporates found objects, personal family memorabilia, and other materials. In this work, using the familiar and derogatory image of Aunt Jemimah, Saar transforms the stereotype...
    • Shield of Memory I.

    • Shield of Memory I.

    • Prints; Planographic prints; Monotypes; Stencils (Images); Women; Ants; Insects; Animals; Leaves; Plants; Shields; Symbols

    • Stencil monotype; “The artist is dealing with the symbolism of the shield, which represents character, protection, and strength. The image of the ant is like a totem—describing certain traits and/or tendencies—and, here, symbolizing patience....
    • Green & Maroon.

    • Green & Maroon.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Colors

    • "By the turn of the 1950s Rothko had arrived at the pictorial format which was to serve him for the rest of his career; horizontal lozenges of soft-edged color hovering in a large vertically oriented field. These clouds of color were seen by...
    • The First Days of Spring.

    • The First Days of Spring.

    • Paintings; Oil paintings; Collages; Fantasy; Symbols; Sex; Lust; Relations between the sexes; Psychotherapy; Psychiatry; Fear; Disgrace; Anxiety; Distress; Solitude; Loneliness; Spring; Men; Women; Children; Girls; Older people; Fathers; Couples;...

    • "The First Days of Spring inaugurated a series of works in which, determined to be more Surrealist than the Surrealists themselves, Dali elaborated a symbolic language for delineating, with microscopic precision, his erotic obsessions. It...
    • Metamorphosis of Narcissus.

    • Metamorphosis of Narcissus.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Allusions; Symbols; Myths; Sex; Fear; Love; Self-interest; Poetry; Women; Men; Nudes; Gays; Dancers; Dance; Backs (Anatomy); Pedestals; Body parts; Hands; Fingers; Eggs; Landscapes...

    • "This is the painting Dali took to show Freud in London. It belonged formerly to Edward James." (Caption); "At Zürs […] Dali embarked on a new experiment: the composition, in French, of a 'paranoaic' poem, The Myth of Narcissus,...
    • Britain Seen from the North.

    • Britain Seen from the North.

    • Sculpture; Mixed media; Maps; Recycling; Conservation of natural resources; Economics; Economic & political systems; Political issues; Politics & government

    • "It was not until the end of the 1970s, in the work of a new generation of sculptors including Tony Cragg, Richard Deacon, Anish Kapoor, and Bill Woodrow, that the sculptural object as such, in relation to human or urban themes, reassumed...
    • Young Gaul, front view.

    • Young Gaul, front view.

    • Sculpture; Portraits; Youth; Young adults; Clothing & dress; Hairstyles; Mustaches

    • Discovered in Reims (France). "This sculpture demonstrates the capacity of Roman artists to synthesize widely divergent influences and draw upon diverse styles. It shows that Roman art was capable of addressing very different concerns while...
    • Herod Atticus, front view.

    • Herod Atticus, front view.

    • Sculpture; Effigies; Portraits; Men; Philosophers; People associated with education & communication; Clothing & dress; Beards; Mustaches

    • "This effigy of the august man of letters was inspired by portraits of Greek philosophers from the fourth and third centuries B.C., but it remains true to the art of the Antonine portrait in its attempts to convey sensitivity and...
    • Untitled (Shanty).

    • Untitled (Shanty).

    • Sculpture; Architecture; Buildings; Houses; Dwellings; Huts; Shelters; Housing; Architectural elements; Walls; Doors & doorways; Wheels

    • "Alice Aycock […] bases her forms on the logic of the imagination. […] Aycock revels in conjuring the past. The rich associative content of her sculpture is often nurtured by fanciful titles and accompanying texts that refer to history,...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • What Big Muscles You Have!

    • What Big Muscles You Have!

    • Language; Slogans; Inscriptions; Lettering (Layout features); Punctuation; Graphic design; Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values; Political issues; Discrimination;...

    • "Barbara Kruger, rather than making her own photographs, has combined found media imagery involving the male gaze and its various hidden projections of personal power with brief texts of her own devising. Sometimes by reinforcement of the...
    • Portrait of a German Officer.

    • Portrait of a German Officer.

    • Paintings; Oil paintings; Memorial works; Military officers; Military personnel; Symbols; Militarism; Friendship; Standards (Identifying artifacts); Military standards; Flags; Crosses; Military decorations; Awards; Emblems; Insignia; Badges;...

    • "Although one could read this image in the general context of wartime militarism, elements in the painting did have personal significance for Hartley; in particular, it includes references to his friend, Lieutenant Karl von Freyberg, with whom...
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