Waterfall on mill dam on Rivanna River (Palmyra, Virginia). A simple multi-story building is visible across the water, as is a smaller building. Photographed and copyrighted by W.E. Burgess, publisher's item no. K349. Message on verso dated 1916.
Buildings; University of Louisville--Buildings; Galleries & museums; Night photographs;
Cressman Center for Visual Arts photographed at night from the north side of Main Street. Cars can be seen in the foreground and people can be seen inside the building in the glassblowing room and the gallery space. An illuminated sign reading...
Buildings; University of Louisville--Buildings; University of Louisville. Speed Scientific School; Educational facilities; Sunrises & sunsets; J.B. Speed Hall (Louisville, Ky.)
Silhouette of the cupola atop J.B. Speed Hall, framed by treetops, photographed at sunset. J.B. Speed Hall was built largely with funds from the Works Progress Administration and James B. Speed's two children, Olive Speed Sackett and William S....
View looking through north opening of Belknap Gates from Third Street. Oppenheimer Hall is in the background. Photographed before the construction of the School of Law building.
J.B. Speed Hall (Louisville, Ky.); University of Louisville--Buildings; Buildings; University of Louisville. Speed Scientific School; Educational facilities;
James B. Speed Hall photographed from the circular driveway in front of the building. This building was built largely with funds from the Works Progress Administration and James B. Speed's two children, Olive Speed Sackett and William S. Speed....
Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism
"Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
Collages; Montages; Photographs; Men; Heads (Anatomy); Moral aspects of war; Pessimism; Details
"Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed...
