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  • Description: real
(139 results)



Display: 20

    • Gardiner Hall, 1926.

    • Gardiner Hall, 1926.

    • Buildings; University of Louisville--Buildings; Educational facilities; People; Automobiles; Trees; Gardiner Hall (Louisville, Ky.)

    • Gardiner Hall, with people standing in front of the main entrance, along the curb. A car is visible on the street, facing Gardiner. Ford and Jouett Halls are partially visible on the right; they are largely obscured by trees. Current uses: A&S...
    • Harry Frazier Hall, circa 2007.

    • Harry Frazier Hall, circa 2007.

    • Buildings; University of Louisville--Buildings; University of Louisville. College of Business; Educational facilities; Abstract sculpture; Public sculpture; Big Red (Sculpture); Banners; Harry Frazier Hall (Louisville, Ky.)

    • Harry Frazier Hall, the main building of the College of Business, with the "Big Red" sculpture in the foreground. The building, which is constructed of red brick, concrete and glass, is constructed with a walkway through the middle; this...
    • Harry Frazier Hall, circa 2007.

    • Harry Frazier Hall, circa 2007.

    • Buildings; University of Louisville--Buildings; University of Louisville. College of Business; Educational facilities; Harry Frazier Hall (Louisville, Ky.)

    • Harry Frazier Hall, College of Business' main building, with a banner on the building celebrating the College receiving a top ten ranking among colleges for entrepreneurs. A walkway extends under the upper levels of the building. A low concrete...
    • Harry Frazier Hall, circa 2007.

    • Harry Frazier Hall, circa 2007.

    • Buildings; University of Louisville--Buildings; University of Louisville. College of Business; Educational facilities; Abstract sculpture; Public sculpture; Big Red (Sculpture); Banners; Harry Frazier Hall (Louisville, Ky.)

    • Harry Frazier Hall, the College of Business' primary building, with the "Big Red" sculpture in the foreground. Most of the length of the red brick, concrete and glass building is visible. There is a banner on the building celebrating the...
    • Gardiner Hall, circa 2006.

    • Gardiner Hall, circa 2006.

    • Buildings; University of Louisville--Buildings; Gardiner Hall (Louisville, Ky.); Educational facilities

    • Gardiner Hall, a multi-story red brick building with wings on both sides, framed by trees. There is a white arch over the doorway in the front of the building. There is a metal stairway on the side of the building. The building is seen from across...
    • Gardiner Hall, circa 2006.

    • Gardiner Hall, circa 2006.

    • Buildings; University of Louisville--Buildings; Gardiner Hall (Louisville, Ky.); Educational facilities; Trees

    • Gardiner Hall, a multi-story red brick building with wings on both sides. There is a white arch over the doorway in the front of the building and a metal stairway on the side of the building. The building is seen from across the "Quad"...
    • Harry Frazier Hall, University of Louisville, aerial view, 2005.

    • Harry Frazier Hall, University of Louisville, aerial view, 2005.

    • University of Louisville--Buildings; Buildings; University of Louisville. College of Business; University of Louisville. School of Music; Harry Frazier Hall (Louisville, Ky.)

    • Aerial view facing north east from above Third Street, featuring the College of Business' main building, Harry Frazier Hall. The Confederate Monument is visible at the bottom of the photograph. The Music School and Unitas Tower can be seen in the...
    • Soft Construction with Boiled Beans (The Premonition of Civil War).

    • Soft Construction with Boiled Beans (The Premonition of Civil War).

    • Paintings; Oil paintings; Fantasy; Fear; Anxiety; Civil wars; War; Body parts; Heads (Anatomy); Arms (Anatomy); Legs; Hands; Fingers; Feet; Breasts; Beans; Clouds; Landscapes (Representations); Furniture; Furnishings; Drawers (Furniture components)

    • "This great painting was later renamed, with fitting opportunism, The Premonition of Civil War." (Caption); "The events of October 1934, and his scare in Barcelona, seem to have convinced Dali that civil war was a real possibility in...
    • Riverfront Break.

    • Riverfront Break.

    • Paintings; Acrylic paintings; Abstract paintings; Abstract works

    • “Johnson is a practitioner of a style sometimes labeled ‘abstract illusionism’, making paintings where apparently solid but abstract forms float in illusionary space. Riverfront Break may have been suggested by the industrial forms of the...
    • Still Life with Chair Caning.

    • Still Life with Chair Caning.

    • Paintings; Oil paintings; Still life paintings; Still lifes; Collages; Mixed media; Chairs; Furniture; Seating furniture; Wicker furniture; Textures; Ropes; Borders (Ornament areas)

    • Oil and pasted oilcloth on canvas, surrounded with rope; "Eager to recover other aspects of reality - positive color and texture, for instance - and increase the legibility of his pictures, without resorting to the outmoded conventions of...
    • Hospital at Saint-Remy.

    • Hospital at Saint-Remy.

    • Paintings; Oil paintings; Architecture; Buildings; Asylums; Mental institutions; Health & hygiene facilities; Health care facilities; Hospitals; Facades; Walls; Architectural elements; Structural elements; Windows; Shutters; Gardens; Parks;...

    • "The classical facade of the men's wing, depicted with yellow walls and green shutters [...] forms a low horizontal background. Diminuitive figures of men and women stroll through an unkempt park. But the real movement - indeed, the intense...
    • The Spirit of the Dead Watches (Manao Tupapau).

    • The Spirit of the Dead Watches (Manao Tupapau).

    • Paintings; Oil paintings; Girls; Youth; Teenagers; Nudes; Backs (Anatomy); Fear; Ghosts; Women; Dead persons; Supernatural beings; Supernatural; Beds; Furniture; Bedsheets; Pillows

    • “In various letters and diary notes the artist has explained how the preoccupation with ethnological problems, with the symbolism of colors, and certain literary concepts participated in the genesis of this canvas: ‘I painted the nude of a...
    • Metamorphosis of Narcissus.

    • Metamorphosis of Narcissus.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Allusions; Symbols; Myths; Sex; Fear; Love; Self-interest; Poetry; Women; Men; Nudes; Gays; Dancers; Dance; Backs (Anatomy); Pedestals; Body parts; Hands; Fingers; Eggs; Landscapes...

    • "This is the painting Dali took to show Freud in London. It belonged formerly to Edward James." (Caption); "At Zürs […] Dali embarked on a new experiment: the composition, in French, of a 'paranoaic' poem, The Myth of Narcissus,...
    • Venus from Montagne, front view.

    • Venus from Montagne, front view.

    • Sculpture; Figurines; Women; Goddesses; Myths; Legends; Supernatural beings; Fictitious characters; Hairstyles; Headgear; Grooming; Gestures; Mirrors; Symbols; Cupids; Dolphins; Aquatic animals; Lifting & carrying

    • "Venus is represented rising out of the water in accord with the conventions of the Aphrodite Anadyomene type. The triton and dolphin, which recall the maritime setting, were sometimes depicted alternately with two cupids accompanying the...
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
    • Galarina.

    • Galarina.

    • Paintings; Oil paintings; Portrait paintings; Portraits; Women; Spouses; Breasts; Clothing & dress; Shirts; Jewelry; Rings; Bracelets; Hairstyles

    • "Perhaps Dali's most honest appraisal of his Muse." (Caption); "[Dali] told his family about the portrait of Gala on which he had been working every day for six months. It was painted 'like a Vermeer', and everyone who saw it was...
    • Young Gaul, front view.

    • Young Gaul, front view.

    • Sculpture; Portraits; Youth; Young adults; Clothing & dress; Hairstyles; Mustaches

    • Discovered in Reims (France). "This sculpture demonstrates the capacity of Roman artists to synthesize widely divergent influences and draw upon diverse styles. It shows that Roman art was capable of addressing very different concerns while...
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