University of Louisville University Libraries

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  • Description: red
(326 results)



Display: 20

    • Two women lying in an embrace.

    • Two women lying in an embrace.

    • Drawings; Pencil works; Figure drawings; Female figure drawings; Women; Artists' models; Nudes; Nudism; Breasts; Erotica; Hugging; Hairstyles; Marks (Symbols)

    • Caption information: Zwei liegende Frauen in Umarmung [Two women lying in an embrace] / um 1907 [c. 1907] / roter Farbstift [red crayon/color pencil] [Note: “farbstift” translates as “color pencil” (Amer.); “crayon” or “color...
    • The Alcoholic.

    • The Alcoholic.

    • Photographs; Composite photographs; Montages; Justice; Social justice; Social values; Economic & social conditions; Moral & ethical aspects; Ethics; Alcoholism; Men; Sleeping; Artists; Sculptors; Photographers; Heads (Anatomy); Faces;...

    • "Gilbert and George's presence in their photo-works can be seen as an extension of their early performance activities. They often stand apart from the other imagery in the pieces as though acknowledging the artifice involved. Moral conundrums...
    • Bunnies.

    • Bunnies.

    • Paintings; Acrylic paintings; Capitalism; Glamour photographs; Sex; Seduction; Lust; Relations between the sexes; Women; Bathing beauties; People associated with entertainment & sports; Posing; Clothing & dress; Lingerie; Bathing suits;...

    • "In subsequent paintings by Polke, deliberately inept versions of American Pop techniques ironically signaled West Germany's 'secondary' cultural/economic status vis-à-vis America. In his Rasterbilder works he subverted [Roy] Lichtenstein's...
    • The Great Paranoiac.

    • The Great Paranoiac.

    • Paintings; Oil paintings; Fantasy; Symbols; Optical illusions; Fear; Disgrace; Anxiety; Distress; Lust; Sex; Men; Women; Fathers; Nudes; Heads (Anatomy); Faces; Rocks

    • "The painting belonged to Edward James. Surely one of Dali's finest double images." (Caption); "Dali said that The Great Paranoiac had been conceived after a discussion with Josep María Sert about Arcimboldo, and that the...
    • The Old Age of William Tell.

    • The Old Age of William Tell.

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Fear; Anxiety; Lust; Nudes; Men; Women; Couples; Older people; Beards; Breasts; Backs (Anatomy); Animals; Wild cats; Lions; Shadows; Bedsheets

    • "Action behind the sheet, in the presence of the ubiquitous lion. Dali said the painting referred to his and Gala's repudiation by his father. There are allusions to Gala's operation, which Dali feared might be fatal." (Caption);...
    • At the Moulin Rouge.

    • At the Moulin Rouge.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Men; Women; Artists; Painters (Artists); Draftspersons; Critics; Collectors; Art collectors; Authors; Photographers; Dancers; Entertainers; People associated...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • At the Moulin Rouge, detail, central figures.

    • At the Moulin Rouge, detail, central figures.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Details; Men; Women; Artists; Painters (Artists); Draftspersons; Authors; Photographers; Jockeys; Adults; Sitting; Walking; Leisure; Recreation; Eating &...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • Mercenaries II.

    • Mercenaries II.

    • Paintings; Acrylic paintings; Political issues; Politics & government; Corruption; Men; Mercenaries (Soldiers); Soldiers; Military personnel; People associated with military activities; Military life; Conversation; Smiling; Standing; Clothing...

    • "Set against huge fields of red oxide on mural-sized, unstretched canvases, Golub's figures' frozen poses fleetingly echo those on Greek pottery, but they travesty classical faith in the body." (Caption, p.205); "Another rediscovered...
    • Jupiter, front view.

    • Jupiter, front view.

    • Sculpture; Myths; Legends; Gods; People associated with religion; Supernatural beings; Fictitious characters; Men; Nudes; Genitals; Clothing & dress; Hairstyles; Beards; Lightning; Lifting & carrying; Gestures; Eagles; Birds; Animals;...

    • "Here the god is shown standing, naked, a coat thrown over his left shoulder. His left arm is raised and perhaps at one time leaned on a long scepter. The thunderbolt in his right hand and the eagle at his feet are other attributes of this...
    • Italia d'oro (Golden Italy).

    • Italia d'oro (Golden Italy).

    • Sculpture; Metalwork; Maps; Industrialization; Industry; Economic & social conditions; Social aspects; Industrial arbitration; Social classes; Wealth; Poverty; Economic & industrial aspects

    • "Fabro made his first sculpture in the Italia series in 1968. Dozens of variations followed in subsequent years. Another theme established in 1968 was that of 'Feet'. This involved the artist in producing a series of bizarre sculptural...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
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