University of Louisville University Libraries

DIGITAL COLLECTIONS

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  • Description: reflected
(44 results)



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    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
    • Untitled (Cowboy).

    • Untitled (Cowboy).

    • Photographs; Prints; Advertisements; Advertising; Men; Cowboys; Clothing & dress; Cowboy hats; Hats; Headgear; Shirts; Coats; Chaps; Horseback riding; Riding; Sitting; Roping; Ropes; Locomotion; Human locomotion; Animal locomotion; Animals;...

    • "Prince's early 'appropriations' from advertising, of which this is an example, have interesting connections with his later practice. After 1985 Prince started to employ verbal jokes in his works. They were often silkscreened as texts across...
    • The Discussion, detail.

    • The Discussion, detail.

    • Paintings; Discussion; Debates; Politics & government; Political issues; Political parties; Men; Artists; Clothing & dress; Suits (Clothing); Coats; Cigarettes; Details

    • "According to the artist this painting depicted an 'ideological discussion'. As such it evokes the stormy realist-abstraction debates, and allied political differences, among artists in Italy after the Second World War. Stylistically, the work...
    • The Discussion.

    • The Discussion.

    • Paintings; Discussion; Debates; Politics & government; Political issues; Political parties; Men; Artists; Clothing & dress; Suits (Clothing); Coats; Backs (Anatomy); Eyeglasses; Sitting; Cigarettes; Smoking; Newspapers; Periodicals; Chairs;...

    • "According to the artist this painting depicted an 'ideological discussion'. As such it evokes the stormy realist-abstraction debates, and allied political differences, among artists in Italy after the Second World War. Stylistically, the work...
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