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Display: 20

    • The Domain of Arnheim.

    • The Domain of Arnheim.

    • Paintings; Oil paintings; Allusions; Fantasy; Architecture; Architectural elements; Structural elements; Windows; Broken glass; Glass; Reflections; Mountains; Snow; Eagles; Birds; Animals; Heads (Anatomy); Symbols; Clouds; Draperies; Moldings;...

    • Title taken from an Edgar Allan Poe short story of the same name.
    • Belle Haleine, Eau de Voilette, [perfume bottle in case].

    • Belle Haleine, Eau de Voilette, [perfume bottle in case].

    • Sculpture; Bottles; Containers; Perfumes; Cosmetics; Cosmetics industry; Industry; Commercialism; Grooming; Hygiene; Puns (Visual works); Labels; Men; Artists; Portraits; Self-portraits; Female impersonators; Cross dressing

    • "The text on the label punningly translates as 'beautiful breath/veil water'. Duchamp's female alter ego, Rrose Sélavy, peers out from above it." (Caption, p.54); "Among Duchamp's strangest gestures had been the creation of a female...
    • Venus from Montagne, front view.

    • Venus from Montagne, front view.

    • Sculpture; Figurines; Women; Goddesses; Myths; Legends; Supernatural beings; Fictitious characters; Hairstyles; Headgear; Grooming; Gestures; Mirrors; Symbols; Cupids; Dolphins; Aquatic animals; Lifting & carrying

    • "Venus is represented rising out of the water in accord with the conventions of the Aphrodite Anadyomene type. The triton and dolphin, which recall the maritime setting, were sometimes depicted alternately with two cupids accompanying the...
    • Manhattan.

    • Manhattan.

    • Paintings; Oil paintings; Abstract works; Abstract paintings

    • "Wols's painted surfaces register a variety of different activities. Paint was stenciled, smeared, trickled, or thrown onto his canvases. Markings were incised using the artist's fingers or sticks. In essence, though, these images were more...
    • Dialogue on the Beach (Unsatisfied Desires).

    • Dialogue on the Beach (Unsatisfied Desires).

    • Paintings; Oil paintings; Mixed media; Allusions; Symbols; Fantasy; Communication; Fear; Disgrace; Anxiety; Distress; Loneliness; Despair; Lust; Sex; Relations between the sexes; Body parts; Human body; Genitals; Hands; Fingers; Beaches

    • "The painting they refused to show in Barcelona." (Caption); "One of the most sexually provocative of the summer's paintings was Dialogue on the Beach, whose much later title, Unsatisfied Desires, clarifies its theme. The hand on the...
    • The Endless Enigma.

    • The Endless Enigma.

    • Paintings; Oil paintings; Symbols; Optical illusions; Fear; Disgrace; Anxiety; Distress; Lust; Heads (Anatomy); Faces; Men; Women; Philosophers; Poets; Authors; Supernatural beings; Mandolins; Musical instruments; Beaches; Cliffs; Landscapes...

    • "The ever-present, brooding presence of Lorca [Federico García Lorca]." (Caption); "That Lorca continued to be on Dali's mind as he worked on Bacchanale is confirmed by a painting done during these months at La Pausa, The Great...
    • Fair of the Holy Cross.

    • Fair of the Holy Cross.

    • Paintings; Watercolors; Gouaches; Posters; Fairs; Festivals; Celebrations; Circuses & shows; Sideshows; Performances; Entertainment; Entertaining; Leisure; Recreation; Social life; Crowds; Men; Women; Couples; Circus performers; Entertainers;...

    • "In an article published in Figueres in May 1921, Subias Galter (1897-1984) praised the gouache posters that Dali had done for the recent Santa Creu festivities. Several critics had pointed out that they and other works in the same vein owed...
    • The Old Age of William Tell.

    • The Old Age of William Tell.

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Fear; Anxiety; Lust; Nudes; Men; Women; Couples; Older people; Beards; Breasts; Backs (Anatomy); Animals; Wild cats; Lions; Shadows; Bedsheets

    • "Action behind the sheet, in the presence of the ubiquitous lion. Dali said the painting referred to his and Gala's repudiation by his father. There are allusions to Gala's operation, which Dali feared might be fatal." (Caption);...
    • Young Virgin Auto-Sodomized by the Horns of her Own Chastity.

    • Young Virgin Auto-Sodomized by the Horns of her Own Chastity.

    • Paintings; Oil paintings; Fantasy; Symbols; Sex; Lust; Erotica; Women; Nudes; Backs (Anatomy); Buttocks; Breasts; Shoes; Footwear; Horns (Animal); Clouds; Walls; Architectural elements; Structural elements; Railings; Shadows; Artists' signatures

    • "Dali prided himself on being the world's greatest ever painter of the female posterior." (Caption); "It was probably early in 1950 that Emmanuel Looten, a little-known Flemish poet, had made Dali the unexpected and 'gelatinous' gift...
    • Two Urinals.

    • Two Urinals.

    • Sculpture; Mixed media; Plumbing fixtures; Urination; Allusions; Sex; Men; Hygiene; Walls

    • "These highly stylized, non-utilitarian versions of plumbing fixtures evoke complex psycho-sexual concerns surrounding issues of hygiene and male bonding. At the same time, they participate in a witty dialogue with Jasper Johns's famous bronze...
    • Big Painting VI.

    • Big Painting VI.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Comic books; Comics

    • "Whilst clearly representing a critique of free expression, Lichtenstein's 'brushstrokes', like most of his other Pop works, had an exact comic-book source. They initially derived from a strip entitled 'The Painting' published in Charlton...
    • The Ultimate Anxiety.

    • The Ultimate Anxiety.

    • Paintings; Oil paintings; Marines (Visual works); Seascapes; Landscapes (Representations); Rites & ceremonies; Harbors; Bodies of water; Ships; Boats; Sailing ships; Galleys (Ships); Vessels; Sailing; Gondolas; Rowboats; Vehicles; Railroad...

    • "Although resident in America, Morley was the first winner of the Turner Prize in 1984. Funded by the 'Patrons of New Art' affiliated to London's Tate Gallery, this prize was subsequently awarded annually for 'outstanding contributions' to...
    • Untitled [Horses].

    • Untitled [Horses].

    • Exhibitions; Art exhibitions; Galleries (Display spaces); Galleries & museums; Exhibition facilities; Exhibition buildings; Interiors; Rooms & spaces; Symbols; Economics; Colors; Power (Social sciences); Horses; Animals

    • "Carried out partly to confront the economic interests on which galleries are based, this installation took place over a three-day period. The artist chose horses of various breeds and colors, associating them symbolically with energy and...
    • La Mort (Death).

    • La Mort (Death).

    • Photographs; Graffiti; City & town life

    • "The Hungarian-born photographer Brassai (Gyula Halasz) moved to Paris in the early 1920s and became friendly with avant-garde figures such as Picasso. In the 1920s and 1930s he photographed the low life of the city, deeply influenced by a...
    • Hand Catching Lead, film still.

    • Hand Catching Lead, film still.

    • Film stills; Motion pictures; Processes & techniques; Time; Falling; Metals; Hands; Fingers; Body parts; Locomotion; Human locomotion

    • "This 3-minute 30-second film, like others produced by Serra in the same year, related to a famous 'verb list' which he compiled in 1967-8. The verb involved in this instance is 'to grasp' but the list also included 'to roll, to crease, to...
    • Cow Wallpaper, detail.

    • Cow Wallpaper, detail.

    • Prints; Screen prints; Wallpapers; Details; Commercialism; Patterns (Design elements); Cows; Cattle; Bulls; Animals; Livestock; Heads (Anatomy); Horns (Animal); Ears; Bridles

    • "Warhol's 'wallpaper' initially decorated a room at Leo Castelli's New York gallery in April, 1966. Another room was devoted to his floating Silver Clouds (helium-filled silver pillows)." (Caption, p.111); "[Robert] Rauschenberg's...
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